Homer Watson

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Homer Watson

Birth name Homer Ransford Watson
Born January 14, 1855(1855-01-14)
Doon, Ontario, Canada
Died May 27, 1936 (aged 84)
Doon, Ontario, Canada
Nationality Canadian
Field Painting
Movement American Barbizon School
Works The Flood Gate (1900)
Influenced by Barbizon School, Hudson River School


Homer Ransford Watson (January 14, 1855 – May 30, 1936) was a Canadian landscape painter. He was "the man who first saw Canada as Canada, rather than as dreamy blurred pastiches of European painting," according to J. Russell Harper, a former curator of Canadian art at the National Gallery of Canada. He was a member and president (1918-1922) of the Royal Canadian Academy, as well as a founding member and first president (1907-1911) of the Canadian Art Club.

[edit] Life and Career

The son of Ransford Watson and Susan Mohr, he was born in the village of Doon (now part of Kitchener), Ontario. He received his first set of paints from an aunt and he decided to become an artist. He sought the advice of Thomas Mower Martin in Toronto, and moved there in 1874. He copied works at the Toronto Normal School and was mainly self-taught, but met other artists in Toronto (e.g., Lucius O'Brien) while working part-time at a photography studio.

In 1876, he traveled to New York and met the painter George Inness. He was influenced by the Hudson River School and painted along the Hudson and Susquehanna Rivers in the Adirondack Mountains. In 1880, he sold his first major work, The Pioneer Mill, to the Marquis of Lorne for Queen Victoria's art collection. That same year, the marquis opened the first exhibition of the Royal Canadian Academy; Watson's work was displayed and he was elected an Associate.

In 1881, he married Roxanna Bechtel, and the couple moved into the Drake House at Doon. They bought the house in 1883, and he would keep the house as his permanent residence until his death. Watson painted the rural Grand River countryside for most of his artistic life. He was noted for his commitment to Canadian landscapes: he said "there is at the bottom of each artistic conscience a love for the land of their birth... no immortal work has been done which has not as one of its promptings for its creation a feeling its creator had of having roots in his native land and being a product of its soil."

In 1882, while touring Canada, Oscar Wilde dubbed Watson the "Canadian Constable," comparing him to the great English landscape artist because of similar subject matter and style. Wilde would occasionally visit Watson in his home and they sent letters to each other. The letters as well as Watson's death mask are lost in the black market. They last resurfaced in the early 1990s only to disappear again.

Watson moved to England in 1887 for four years, and further established his reputation. Over the next few years, his works became increasingly popular among collectors and received prizes at expositions across North America. In 1902, at the height of his British career, he exhibited The Flood Gate.

He campaigned to save the Waterloo County woodlands that he had preserved in his landscapes. After the death of Roxa in 1918, he was joined by his sister Phoebe in Doon. He was forced to sell many works from his personal collection by the Stock Market Crash of 1929.

He died in Doon. Many of his works are still on display at his old house, which he and his sister had transformed into a small art gallery.

On May 27, 2005, Canada Post issued a pair of postage stamps in his honour. Two stamps of denominations 50 and 85 cents were issued depicting two of his works, Dawn in the Laurentides and The Flood Gates.

An arterial road in Kitchener-Waterloo, which connects the Doon area to the main parts of the city, is named Homer Watson Boulevard.

[edit] External links

[edit] Further Reading

Homer Watson: not your average pastoral picnic: selections from the permanent collection. Kitchener, ON: Kitchener-Waterloo Art Gallery, 2005.

Miller, Muriel. Homer Watson : the man of Doon Toronto: Summerhill Press, 1988.