Holly Johnson
From Wikipedia, the free encyclopedia
Holly Johnson (born William Johnson on February 9, 1960 in Liverpool, England; name on passport William Holly Johnson) is an English artist, writer and musician. Some sources erroneously suggest he was born in Khartoum, a myth Johnson himself apparently started during an interview.
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[edit] Career
Actively involved in the Liverpool punk rock/new wave scene, Johnson played bass with Big in Japan and released several solo singles on the Eric's label, before finding fame as the lead singer and lyricist of Frankie Goes to Hollywood, who enjoyed considerable controversy and commercial success during their heyday in the early 1980s. Some of the band's controversy stemmed from the gay themes of their videos and appearance. Both Johnson and vocalist Paul Rutherford were open about their homosexuality.[1][2]
Holly left the group in 1987 after growing increasingly unhappy with their musical direction, but was immediately the subject of an injunction from the group's record company, ZTT Records, which cited his prior recording agreement and effectively barred him from releasing solo material with new label MCA Records.
Johnson famously embarked on a protracted legal battle with ZTT, the case finally being settled in Johnson's favour in 1989, the judge ruling that ZTT's original contract had constituted an unreasonable restraint of trade. The result represented a landmark legal outcome within the music business. Johnson's relationship with ZTT owners Trevor Horn and Jill Sinclair apparently broke down irretrievably due to the court case.[3]
Johnson finally released his first solo album, Blast, in 1989, which reached number one in the UK and spawned four hit-singles, "Love Train", "Americanos", "Atomic City" and "Heaven's Here". The album went Platinum. However, relations with MCA cooled over dissatisfaction with promotional budgets for his second solo album, Dreams That Money Can't Buy, released in 1991 after Johnson had left the label.
[edit] Personal life
In November of that year, Johnson discovered he was HIV positive. This triggered a temporary withdrawal from the music business and public life in general. His condition was made public in April 1993. In 1994 his critically acclaimed autobiography, A Bone In My Flute, was published.
Since the mid 1990s, Johnson has worked primarily as a successful painter. His works have been exhibited at the Tate Liverpool, and The Royal Academy. He has contributed to Modern Painters and the Paul Smith sponsored CARLOS magazine. He has continued to make music via his own Pleasuredome label, such as 1999's Soulstream, an album that includes a re-recording of "The Power of Love", Johnson's de facto signature song.
[edit] Books
- A Bone In My Flute; hard cover Century UK ISBN 0-7126-6145-X, 17 March 1994; soft cover Arrow UK ISBN 0-09-939341-7, 6 April 1995
[edit] External links
[edit] References
[edit] Notes
- ^ Sprague, David (1999-03-19), “There's Nothing Like the Real Thing, Baby”, Rolling Stone, <http://www.rollingstone.com/artists/frankiegoestohollywood/articles/story/5924904/theres_nothing_like_the_real_thing_baby>. Retrieved on 20 January 2008
- ^ Warner, Timothy (2003). Pop Music: Technology and Creativity : Trevor Horn and the Digital Revolution. Ashgate Publishing, Ltd., 78. ISBN 075463132X.
- ^ "Holly Johnson Interview", FGTH Online, February 2001.
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