Portal:History of Imperial China/Selected article/6
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The architecture of the Song Dynasty (960–1279) was based upon the accomplishments of its predecessors, much like every subsequent dynastic period of China. The hallmarks of Chinese architecture during the Song period were its towering Buddhist pagodas, enormous stone and wooden bridges, its lavish tombs, and palatial architecture. Although literary works on architecture existed beforehand, during the Song Dynasty literature on architecture blossomed into maturity and held a greater professional outlook, described dimensions and working materials in a concise manner, and overall had a greater style of organization than previous works. Architecture in Song artwork and illustrations in published books showing building diagrams also aid modern historians in understanding all the nuances of architecture originating from the Song period.
The profession of the architect, craftsman, carpenter, and structural engineer were not seen as high professions equal to the likes a Confucian scholar-official in pre-modern China. Architectural knowledge was passed down orally for thousands of years in China, from a father craftsman to his son (if the son wished to continue the legacy of his father). However, there were government agencies of construction and building along with engineering schools. The Song literature of building manuals aided not only the various private workshops, but also the government employees enlisted as craftsmen for the central government.
