Hishida Shunsō
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| Hishida Shunsō | |
 Hishida Shunsō |
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| Birth name | Hishida Miyoji |
| Born | 21 September 1874 Nihonbashi, Tokyo, Japan |
| Died | 16 September 1911 |
| Nationality | Japanese |
| Field | Painter |
| Movement | Nihonga |
| Awards | Order of Culture |
- In this Japanese name, the family name is Hishida.
Hishida Shunsō (菱田春草 Hishida Shunsō?, 21 September 1874 - 16 September 1911) was the pseudonym of a Japanese painter from the Meiji period. One of Okakura Tenshin's pupils along with Yokoyama Taikan and Shimomura Kanzan, he played a role in the Meiji era innovation of Nihonga. His real name was Hishida Miyoji. He was also known for his numerous paintings of cats.
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[edit] Early life
Shunsō was born in 1874 in what is now part of Iida city in Nagano prefecture. In 1889 he moved to Tokyo to study under Kano school artist Yuki Masaaki (1834-1904). The following year, he enrolled at the Tokyo Bijutsu Gakko (the forerunner of the Tokyo National University of Fine Arts and Music). Shunso was one year junior to his colleagues Yokoyama Taikan and Shimomura Kanzan; his teacher was Hashimoto Gaho. Shunso, Taikan and Kanzan were heavily influenced by Okakura Tenshin and Ernest Fenollosa during their time at the Tokyo Bijutsu Gakko.
[edit] Artistic career
After graduation, Shunsō was commissioned by the Imperial Household Museum (now the Tokyo National Museum) to copy important religious paintings at Buddhist temples in Kyoto and Nara, and he also became a teacher at the Tokyo Bijutsu Gakko. In 1898, he joined Okakura Tenshin in establishing the Nihon Bujutsuin (Japan Fine Arts Academy). From 1903-1905, he traveled extensively overseas, holding exhibitions of his works in India, the United States and in Europe.
After his return to Japan, Shunsō successfully competed in many national exhibitions in Japan, including the government-sponsored Bunten.
Shunsō developed a new painting method, derogatorily named by his contemporaries as moro-tai (vague style). This new method used a gradation of colors to replace the line drawings that characterized traditional Japanese-style painting. This new style, however, gained little support from Shunsō's contemporaries and was severely criticized by art critics. Shunso came to realize that while moro-tai was effective in depicting such scenes as morning mist and evening glow, its color gradation technique proved good only for those limited motifs. Shunsō began integrating his original moro-tai with line drawing to overcome this disadvantage, and his later works exhibit a new style which came to typify the Nihonga genre, distinguishing it from the more restrictive styles of traditional Japanese-style painting.
In his final years, Shunsō concurrently suffered from retinal and kidney disease. Driven by fear of blindness, Shunsō painted frantically whenever his illness entered a state of remission. In 1909, his work Ochiba won the highest award at the third Bunten Exhibition. It is now designated an Important Cultural Property and now in the collection of the Eisei Bunko Museum, Tokyo. His work Black Cat (1910) has also been designated an Important Cultural Property.
[edit] Philately
One of Hishida Shunsō's works has been selected as the subject of a commemorative postage stamps by the Japanese government:
- 1979: Black Cat, as part of the Modern Art Series
In the year 1951, Hishida Shunsō himself was the subject of a commemorative postage stamp under the Cultural Leaders Series by Japan Post.
[edit] Famous works
- 寡婦と孤児 (1895, Tokyo National University of Fine Arts and Music)
- 水鏡 (1897, Tokyo National University of Fine Arts and Music)
- 菊慈童 (1900, Iida Municipal Exhibition Hall)
- 雪後の月 (1902, Museum of Modern Art, Shiga)
- 王昭君 (1902, Yamagata 善寶寺, Important Cultural Property)
- 賢首菩薩 (1907, Tokyo National Museum of Modern Art, Important Cultural Property)
- 落葉 (1909, property of Eisei Bunko, entrusted to Kumamoto Prefectural Art Museum, Important Cultural Property)
- 黒き猫 (1910, property of Eisei Bunko, entrusted to Kumamoto Prefectural Art Museum, Important Cultural Property)
[edit] References
- Briessen, Fritz van. The Way of the Brush: Painting Techniques of China and Japan. Tuttle (1999). ISBN: 0804831947
- Conant, Ellen P., Rimer, J. Thomas, Owyoung, Stephen. Nihonga: Transcending the Past: Japanese-Style Painting, 1868-1968. Weatherhill (1996). ISBN: 0834803631
