Herman's Hermits
From Wikipedia, the free encyclopedia
| Herman's Hermits | |
|---|---|
| Origin | Manchester, England |
| Genre(s) | Pop rock British Invasion |
| Years active | 1963 – present |
| Label(s) | Columbia (EMI) (UK) MGM Records (USA/Canada) |
| Former members | |
| Peter Noone Keith Hopwood Karl Green Alan Wrigley Steve Titterington Derek Leckenby Barry Whitwam |
|
Herman's Hermits are an English pop band, formed in Manchester in 1963. Part of the British Invasion, the group's management and producer Mickie Most (who controlled the band's output) emphasized a simple, non-threatening and clean-cut image, although the band originally played R&B numbers (according to Keith Hopwood on VH1's My Generation episode on the band). This helped Herman's Hermits become hugely successful in the mid-1960s but hampered the band's creativity relegating Noone, Hopwood, Leckenby and Green's original songs to quickly recorded B-Sides and album cuts. Their first hit was "I'm Into Something Good", which reached No. 1 in the UK and No. 13 in the US in 1964. They never topped the British charts again, but had two US No. 1's with "Mrs. Brown, You've Got a Lovely Daughter" and "I'm Henry the Eighth, I Am". The band was not fond of either song and they were never released as singles in Britain, although "Mrs. Brown" featured excellent rhythm guitar by Hopwood, and Henry featured an excellent guitar solo by Leckenby. (Peter Noone Interview) They appeared in several movies, including When The Boys Meet The Girls (1965) and Hold On! (1966). They appeared on the The Ed Sullivan Show, The Dean Martin Show and The Jackie Gleason Show. Commercial success would prove elusive after the late '60's and Peter Noone and Keith Hopwood left the band in 1971. The band reunited in 1973 (without Hopwood) to headline a hugely successful British invasion tour culminating with a standing-room-only performance at Madison Square Garden and an appearance on The Midnight Special. Later a version of the band featuring Leckenby and Whitwam opened for The Monkees on a couple of reunion tours. Noone declined an offer from tour organizers to appear but later appeared with Davy Jones on a successful teen idols tour. This tour never generated the original excitement of either band.
Contents |
[edit] History
Original members were Keith Hopwood (guitar, vocals), Karl Green (guitar, vocals), Alan Wrigley (bass guitar, vocals), Steve Titterington (drums), and Peter Noone (lead vocals). Although the youngest of a remarkably young group, fifteen year old Noone was already a veteran actor, with experience on the British soap opera, Coronation Street. Derek "Lek" Leckenby (guitar, vocals), and Barry "Bean" Whitwam (drums) (born Jan Barry Whitwam, 21 July 1946, in Prestbury, South Manchester), joined later from another local group, The Wailers, Whitwam replacing Titterington, Karl Green switching to bass guitar to replace Wrigley, and Leckenby effectively taking Green's position. After Leckenby joined, the group obtained a deal with producer Mickie Most and signed to EMI records in Europe and MGM records in the United States.
The band played on many singles including "I'm Into Something Good", "Mrs Brown, You've Got a Lovely Daughter" (1965) and "I'm Henry VIII, I Am". The last was said at the time to be "the fastest-selling song in history".[1] Leckenby played the solo on "Henry" while Hopwood contributed the rhythm guitar on "Mrs. Brown." (Noone interview, Hopwood per. corres.)
Despite the group's competent musicianship, many of their subsequent singles employed some session musicians, including Jimmy Page and John Paul Jones, with contributions from the band, although the role of session players on Herman's Hermits records has been exaggerated in the rock media and in inaccurate liner notes on the recent ABKCO Retrospective, which fail to credit the Hermits' playing. Mickie Most did use session musicians on many of the records he produced, including on a number of Hermits singles, as was his (and, for that matter, industry) practice at the time, a practice that continues today. Acrimony between former members has increased the misinformation about the group's role on their records. Most commented on VH1's "My Generation: Herman's Hermits" episode that the Hermits played on some records and not others. The group did play on all its US and UK Number One hits as well as on a number of other singles and most album cuts. Further, because the group was allowed for the most part only to record standard pop, many critics dismiss them. Regardless of how the recordings were made the group always delivered the goods live as can be seen on the 1965 NME Awards Show and on Herman's Hermits Hilton show both of which are available from internet sources. Leckenby in particular fleshed out the group's live performances with fills not apparent on the records. Noone also delivered excellent live vocals sometimes with an almost R&B flavor. For a brief time the group rivaled the Beatles on the charts and was the top-selling pop act in the U.S. in 1965 (see Billboard charts for verification). Green once said he preferred harder rock but was grateful for the hand he was dealt. (See VH1 My Generation-Herman's Hermits) Moreover, while the band's singles were written by top songwriters of the day, Noone, Leckenby, Hopwood and Green contributed numerous songs such as "My Reservation's Been Confirmed", "Take Love, Get Love", "Marcel's", "For Love", and others.
The group was nominated for two Grammy awards in 1965, both for "Mrs. Brown, You've Got a Lovely Daughter". According to Noone and Hopwood, the song was recorded as an afterthought in two takes, using two microphones, with Hopwood on guitar, Green on bass guitar and Whitwam on drums. Noone and the band deliberately emphasized their English accents on the record, which was never intended to be a single. Hopwood recalls playing a Gretsch Country Gentleman guitar in the studio with its strings muted in order to create the distinctive sound. When playing the song live, Hopwood often used a Rickenbacker guitar with a rag under the bridge to duplicate the sound. (Noone and Hopwood personal correspondence.)
The album Blaze in 1967 garnered critical acclaim but barely made the top 100 in the U.S. and was not released in the U.K. Highlights included original songs by Leckenby, Hopwood, Green and Noone, including "Ace King Queen" and the psychedelic "Moon Shine Man".
[edit] Origin of the "Herman" name
Born in Manchester, England, Noone was a child TV star playing Stanley Fairclough in Coronation Street. He was also featured in Knight Errant. Noone was only 15 when he achieved international fame as teenage heart-throb, Herman. On stage, Noone initially used his existing stage name Peter Novak. The change to Herman came after the owner of a pub that they were rehearsing in, remarked on his resemblance to the character Sherman in Peabody's Improbable History, a supporting cartoon in The Rocky and Bullwinkle Show, which they misheard as Herman. The group, who by now were a popular dance hall and youth club attraction, and managed by Harvey Lisberg and Charlie Silverman, changed their name to Herman and The Hermits, and it soon became abbreviated to Herman's Hermits.
[edit] Post-Herman Careers
[edit] Peter Noone (Herman)
Noone left the band in 1971. He starred in ABC's The Canterville Ghost and played Pinocchio in the Hallmark Hall Of Fame version of that story. His other TV credits include Married With Children, Quantum Leap, My Two Dads, Dave's World, Too Close For Comfort, Laverne & Shirley, Easy Street and has a recurring role on As The World Turns. He also hosted VH1's My Generation. In March 2007, he appeared on the top rated show, American Idol. Noone maintains an extensive and successful live performance schedule.
As a singer he had a hit with David Bowie's, "Oh, You Pretty Things", and scored a minor Adult Contemporary hit in America on the Casablaca label with "Meet Me On The Corner Down At Joe's Cafe" in the mid seventies. . Later, Noone recorded the album "One of the Glory Boys" for Beach Boy Bruce Johnston's label as well as an album fronting the new wave band "The Tremblers." His song "God Knows" was also recorded by Debbie Boone. He has also released several live and studio recordings of old Herman's Hermits material taken from his post Hermits solo performances. Noone's daughter Natalie is an accomplished singer and songwriter.
[edit] Keith Hopwood
Hopwood left as well, starting his own music company, Pluto Music, with Leckenby. As of 2008, Pluto Music is still in business, and works primarily on commercial and animation soundtracks. The studio has provided services to many top acts including The Clash. Hopwood has released several rare solo and band recordings (not with Peter). The CDs "Vault 69" and "Waterloo Road" contain original songs written during Herman's Hermits' existence. Both are available from Pluto Music. Considering the quality and maturity of these recordings, it is surprising that the Hermits never recorded the material, although perhaps it was due to the band's fan base, which was accustomed to the simple pop sound for which the band was known.
[edit] Derek Leckenby
"Lek" was extremely close to his fellow Hermits. Even after their split he spoke fondly of Peter. (Lek pers. corres.). He also tried hard to set the record straight in the rock media regarding his playing on Herman's Hermits records."Lek" died of cancer 1994. His final performance was just five days before his death. As part of the band "Sour Mash" Leckenby recorded an album with the former Hermits and Peter Cowap for RCA records, featuring Leckenby on dobro and guitar. The album is country-flavored rock and far from earlier Herman's Hermits material. Leckenby's daughter Kara plays lead guitar for the band "Red Vinyl Fur."
[edit] Barry Whitwam
Whitwam has continued touring in Europe with a band under the Herman's Hermits starring Barry Whitwam name.
[edit] Karl Green
As of 2001, Green manages sound systems for the Queen Elizabeth and Festival Halls on London's South Bank. [1]
[edit] "Herman's Hermits after 1971"
Since the mid 1970s there has been significant conflict over the use of the name "Herman's Hermits." Between 1974 and 1994, Whitwam and Leckenby toured with versions of the band that at times included original member Green and newer members such as former Toggery Five guitarist, Frank Renshaw (frankyoung.info) and Peter Cowap. After a show in 1985, Leckenby confided that he missed working with Peter. (Leckenby pers. correspondence). Numerous "Hermits" records of dubious provenance exist, frequently sold as compilations of Hermits' hits.{See Listings on Amazon.com}} Moreover, several small labels have hired musicians to re-record Hermits' records.{See Label Listings on Amazon.com}. All original recordings will be released either by EMI or its subsidiaries outside the U.S. (many are available as imports in the U.S.) and ABKCO in America ( MGM, the band's original American label , lost the America distribution rights to the group's material in the early 70s and has since been absorbed into Universal Music although original Herman's Hermits vinyl recordings on the MGM label still turn up for sale as used records. ) . Additionally both former band members and Noone have separately re-recorded old Hermits material, partly in response to an apparent failure by the current company that owns the US distribution right of their original recordings ABKCO Records to pay royalties. (Noone and Hopwood Pers. corres.) New issues from Peter Noone will clearly indicate that the releases are new recordings.(Noone Interview). Noone continues to tour worlwide to great success and often fondly speaks of Leckenby's and Hopwood's work with the Hermits.(See PeterNoone.com)
[edit] Discography
[edit] U.S. and U.K. singles
| Song Title | Highest US Chart Position |
Peak Month | Highest UK Chart Position |
|---|---|---|---|
| "I'm Into Something Good" | #13 | August 1964 | #1 |
| "Show Me Girl" | - | November 1964 | #19 |
| "Can't You Hear My Heartbeat?" | #2 | January 1965 | - |
| "Silhouettes" | #5 | January 1965 | #3 |
| "Mrs. Brown, You've Got a Lovely Daughter" | #1 | March 1965 | - |
| "Wonderful World" | #4 | April 1965 | #7 |
| "I'm Henry VIII, I Am" | #1 | June 1965 | - |
| "Just a Little Bit Better" | #7 | August 1965 | #15 |
| "A Must To Avoid" | #8 | December 1965 | #6 |
| "Listen People" | #3 | February 1966 | - |
| "You Won't Be Leaving" | - | February 1966 | #20 |
| "Leaning on A Lamp Post" | #7 | April 1966 | - |
| "This Door Swings Both Ways" | #12 | June 1966 | #18 |
| "Dandy" | #3 | October 1966 | - |
| "No Milk Today" | #35 | October 1966 | #7 |
| "East West" | #33 | December 1966 | #37 |
| "There's a Kind of Hush" | #4 | February 1967 | #7 |
| "Don't Go Out Into the Rain (You're Going to Melt)" | #20 | May 1967 | - |
| "Museum" | #37 | September 1967 | - |
| "I Can't Take Or Leave Your Loving" | #22 | January 1968 | #11 |
| "Sleepy Joe" | #61 | March 1968 | #12 |
| "Sunshine Girl" | - | July 1968 | #8 |
| "Something's Happening" | - | December 1968 | #6 |
| "My Sentimental Friend" | - | April 1969 | #2 |
| "Here Comes the Star" | - | November 1969 | #33 |
| "Years May Come, Years May Go" | - | February 1970 | #7 |
| "Bet Yer Life I Do" | - | May 1970 | #22 |
| "Lady Barbara" | - | November 1970 | #13 |
[edit] U.K. EPs
| Extended Play Title | Release Date | Label No. |
|---|---|---|
| Hermania | January 1965 | EMI/Columbia SEG 8380 |
| Mrs. Brown, You've Got a Lovely Daughter | July 1965 | EMI/Columbia SEG 8440 |
| Herman's Hermits Hits | September 1965 | EMI/Columbia SEG 8442 |
| A Must To Avoid | February 1966 | EMI/Columbia SEG 8477 |
| Hold On! | June 1966 | EMI/Columbia SEG 8503 |
| Dandy | April 1967 | EMI/Columbia SEG 8520 |
| The London Look | 1968 | SLE 15 |
The London Look was a promo-only EP sponsored by Yardley Cosmetics.
[edit] UK Albums
| Album Title | Release Date | Label No. |
|---|---|---|
| Herman's Hermits | June 1965 | EMI/Columbia 33SX 1727 |
| When The Boys Meet The Girls - Original Soundtrack | May 1966 | MGM C/CS-8006 |
| Both Sides of Herman's Hermits | October 1966 | EMI/Columbia SX 6084 |
| There's a Kind of Hush All Over the World | May 1967 | EMI/Columbia SX/SCX 6174 |
| Mrs. Brown, You've Got a Lovely Daughter | August 1968 | EMI/Columbia SX/SCX 6303 |
| The Best Of Herman's Hermits | April 1969 | EMI/Columbia SX 6332 |
| The Most of Herman's Hermits | September 1971 | EMI/Music For Pleasure MFP 5216 |
| The Most of Herman's Hermits Volume 2 | 1972 | EMI/Music For Pleasure MFP 50008 |
[edit] U.S./Canada Albums
| Album Title | Highest US Chart Position |
Release Date | Label No. |
|---|---|---|---|
| Introducing Herman's Hermits | #2 | February 1965 | MGM E/SE-4282 |
| Herman's Hermits On Tour | #2 | June 1965 | MGM E/SE-4295 |
| The Best of Herman's Hermits | #5 | November 1965 | MGM E/SE-4315 |
| When The Boys Meet The Girls - Original Soundtrack | - | February 1966 | MGM E/SE-4334 |
| Hold On! | #14 | March 1966 | MGM E/SE-4342 |
| Both Sides of Herman's Hermits | #48 | August 1966 | MGM E/SE-4386 |
| The Best Of Herman's Hermits, Volume 2 | #20 | December 1966 | MGM E/SE-4416 |
| There's a Kind of Hush All Over the World | #13 | March 1967 | MGM E/SE-4438 |
| Blaze | #75 | October 1967 | MGM E/SE-4478 |
| The Best Of Herman's Hermits, Volume III | #75 | January 1968 | MGM E/SE-4505 |
| Mrs. Brown, You've Got a Lovely Daughter | #182 | September 1968 | MGM E/SE-4548ST |
[edit] Other U.S. albums of note
| Album Title | Highest US Chart Position |
Release Date | Label No. |
|---|---|---|---|
| 24 Karat Gold Super Hits | - | 1968 | MGM SE 243-2 |
| Danny Davis & the Nashville Strings Play the Herman's Hermits Songbook | - | 1965 | MGM E/SE-4309 |
The 24 Karat Gold Super Hits album is a 2 LP set featuring: Herman's Hermits, The Animals, Sam the Sham and the Pharaohs, The Cowsills and Lou Christie among other.
[edit] Filmography
- 1965 — Pop Gear
- 1965 — When the Boys Meet the Girls
- 1966 — Hold On!
- 1968 — Mrs. Brown, You've Got a Lovely Daughter
[edit] References
 |
This article needs additional citations for verification. Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (February 2008) |
- ^ MacInnes, Colin (1965) "The Old English Music Hall Songs Are New." The New York Times, November 28, 1965, p. SM62: "Henry—which hit the top of the record lists and, according to one American expert, was 'the fastest-selling song in history'—was in fact an old English music hall song enjoying a new lease on life."
