Hejira (album)

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Hejira
Hejira cover
Studio album by Joni Mitchell
Released November 1976
Recorded 1976 at A&M Studios, Hollywood
Genre Folk jazz
Length 52:18
Label Asylum
Producer Joni Mitchell
Professional reviews
Joni Mitchell chronology
The Hissing of Summer Lawns
(1975)
Hejira
(1976)
Don Juan's Reckless Daughter
(1977)

Hejira is a 1976 folk/rock/jazz album by Canadian singer-songwriter Joni Mitchell. The album title refers to a journey, specifically as a transliteration of the Arabic word hijra referring to the prophet Muhammad's and his followers' escape from Mecca to Medina in 622. The songs on the album were largely written by Mitchell on a trip by car from Maine back to Los Angeles, California, with prominent imagery including highways, small towns and snow. The photographs on the front and back cover were taken of Mitchell on Lake Mendota, in Madison, Wisconsin, after an ice storm.[1]

Mitchell said of the album: "the whole 'Hejira' album was really inspired... I wrote the album while traveling cross-country by myself and there is this restless feeling throughout it... The sweet loneliness of solitary travel." [1]

Dominated by Mitchell's guitar and Jaco Pastorius's distinctive fretless bass, it drew on a range of influences but was more cohesive and accessible than some of her later more jazz-oriented work. "Coyote", "Amelia" and "Hejira" all became concert staples shortly after Hejira's release, especially after being featured on the live album Shadows and Light, alongside "Furry Sings the Blues" and "Black Crow".

Though "Coyote" and "Black Crow" are fast-strummed folksy numbers, the rest of Hejira is slow and often languid, notably the epic "Song for Sharon", which deals with the conflict between freedom and marriage faced by a woman and is interspered with images of New York City. "Amelia" is about the famous aviator Amelia Earhart who died during a flight over the Pacific Ocean, of it Mitchell has said: "In ["Amelia"], I was thinking of Amelia Earhart and addressing it from one solo pilot to another, ... sort of reflecting on the cost of being a woman and having something you must do." [2] "Furry Sings the Blues" is inspired by a meeting that occurred between Mitchell and the blues guitarist and singer Furry Lewis in New Orleans in 1975 (though after the release of the song, Lewis complained that Mitchell had exploited the circumstances of the meeting).

Commercially, the album did not do as well as its two predecessors, only reaching #13 on the Billboard Top 200 and failing to get significant airplay on commercial radio. Critically, the album was at the time not well received but has since been generally recognised as one of the high-water marks in Mitchell's career; in 2000 German Spex magazine critics voted it the 55th greatest album of the 20th century, calling it "a self-confident, coolly elegant design".

Contents

[edit] Track listing

All tracks composed by Joni Mitchell

  1. "Coyote" – 5:01
  2. "Amelia" – 6:01
  3. "Furry Sings the Blues" – 5:07
  4. "A Strange Boy" – 4:15
  5. "Hejira" – 6:42
  6. "Song for Sharon" [3] – 8:40
  7. "Black Crow" – 4:22
  8. "Blue Motel Room" – 5:04
  9. "Refuge of the Roads" – 6:42

[edit] Personnel

  • Joni Mitchell: vocals, acoustic & electric guitars
  • Larry Carlton: acoustic & electric guitars
  • Abe Most: clarinet on "Hejira"
  • Neil Young: harmonica on "Furry Sings the Blues"
  • Chuck Findley: horns on "Refuge of the Roads"
  • Tom Scott: horns on "Refuge of the Roads"
  • Victor Feldman: vibraphone on "Amelia"
  • Jaco Pastorius: bass on "Refuge of the Roads", "Black Crow", "Hejira" and "Coyote"
  • Max Bennett: bass on "Song for Sharon", "Furry Sings the Blues"
  • Chuck Domanico: bass on "Blue Motel Room"
  • John Guerin: drums
  • Bobbye Hall: percussion

[edit] References

  1. ^ Doug Moe, "Joni Mitchell and Lake Mendota", The Capital Times, March 31, 2006.

[edit] See also

[edit] External links

Discussion of Sharon's Song by Joni Mitchell

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