Heart Sutra

From Wikipedia, the free encyclopedia

Part of a series on
Buddhism


History

Timeline· Buddhist councils

Foundations

Four Noble Truths
Noble Eightfold Path
Buddhist Precepts
Nirvana · Three Jewels

Key Concepts

Three marks of existence
Skandha · Cosmology
Samsara · Rebirth · Dharma
Dependent Origination · Karma

Major Figures

Gautama Buddha
Disciples · Later Buddhists

Practices and Attainment

Buddhahood · Bodhisattva
Four Stages of Enlightenment
Paramitas · Meditation · Laity

Countries/Regions

Bhutan · Cambodia · China
India · Indonesia · Japan
Korea · Laos · Malaysia
Mongolia · Myanmar · Nepal
Russia· Singapore · Sri Lanka
Thailand · Tibet · Vietnam
Western countries

Branches

Theravāda · Mahāyāna
Vajrayāna
Early and Pre-sectarian

Texts

Pali Canon · Mahayana Sutras
Tibetan Canon

Comparative Studies
Culture · List of topics
Portal: Buddhism

This box: view  talk  edit

The Heart of Perfect Wisdom Sutra or Heart Sutra or Essence of Wisdom Sutra (Sanskrit: प्रज्ञापारमिताहृदयसूत्र Prajñāpāramitā Hṛdaya Sūtra; traditional Chinese: 般若波羅蜜多心經, Pinyin: Bōrĕbōluómìduō Xīnjīng; Japanese: 摩訶般若波羅蜜多心経, Maka Hannyaharamita Shingyō; Korean: 반야심경, Banya Simgyeong, Vietnamese: Bát Nhã Ba La Mật Đa Tâm Kinh, Thai: ปรัชญาปารมิตาหฤทัยสูตร) (Tibetan: sNying mDo or shes rab snying po'i mdo) is a well-known Mahāyāna Buddhist sutra that is very popular among Mahayana Buddhists both for its brevity and depth of meaning.

Contents

[edit] Introduction

The Heart Sutra is usually considered a member of the Perfection of Wisdom (Prajñāpāramitā) class of Mahāyāna Buddhist literature, and along with the Diamond Sutra, is considered by many to be the primary representative of the genre. It consists of just 14 shlokas or verses in Sanskrit and 260 Chinese characters in the most prevalent Chinese version, Taisho Tripitaka Vol. T08 No. 251, translated by Xuan Zang. This makes it one of the most highly abbreviated versions of the Perfection of Wisdom texts, texts which exist in various lengths up to and including 100,000 slokas. This sutra is classified by Edward Conze as belonging to the third of four periods in the development of the Perfection of Wisdom canon, although because it contains a mantra (sometimes called a dharani), it does overlap with the final tantric phase of development according to this scheme, and is included in the tantra section of at least some editions of the Kangyur. [1]

The study of the Heart Sutra is particularly emphasized in the practice of East Asian Buddhism. Its Chinese version is frequently chanted (in the local pronunciation) by the Zen (Chan/Seon/Thiền) sects during ceremonies in Japan, China, Korea, and Vietnam respectively. It is also significant to the Shingon Buddhist school in Japan, whose founder Kūkai wrote a commentary on it, and to the various Tibetan Buddhist schools, where it is studied extensively.

A striking feature of the sutra is the fact that the teaching is not actually delivered by the Buddha, which places it in a relatively small class of sutras not directly spoken by the Buddha. In some Chinese versions of the text, the Buddha confirms and praises the words of Avalokiteśvara, although this is not included in either the extant Sanskrit version nor the preeminent Chinese version translated by Xuan Zang. Based on literary evidence, some scholars have suggested that the earliest (shortest) version of the Heart Sutra was probably first composed in Chinese language, and later translated into Sanskrit[2]

[edit] The text

Various commentators divide this text in different numbers of sections. Briefly, the sutra describes the experience of liberation of the bodhisattva of compassion, Avalokiteśvara, as a result of insight gained while engaged in deep meditation to awaken the faculty of prajña (wisdom). The insight refers to the fundamental emptiness of all phenomena, the five aggregates of human existence (skandhas) — form (rūpa), feeling (vedanā), volitions (samskārā), perceptions (saṁjñā), and consciousness (vijñāna).

Avalokiteśvara then addresses Śariputra, who in this text — as with many other Mahāyāna texts — is a representative of the Early Buddhist schools, described in many other sutras as being the Buddha's foremost disciple in wisdom. Avalokiteśvara famously states that, "Form is empty (Śūnyatā). Emptiness is form." and declares the other skandhas to be equally empty — that is, empty of an independent essence. Avalokiteśvara then goes through some of the most fundamental Buddhist teachings such as the Four Noble Truths and explains that in emptiness none of these labels apply. This is traditionally interpreted as saying that Buddhist teachings, while accurate descriptions of conventional truth, are mere statements about reality — they are not reality itself — and that they are therefore not applicable to the ultimate truth that is by definition beyond dualistic description. Thus the bodhisattva, as the archetypal Mahāyāna Buddhist, relies on the perfection of wisdom, defined in the larger Perfection of Wisdom sutras to be the wisdom that perceives reality directly without conceptual attachment. This perfection of wisdom is condensed in the mantra with which the Sutra concludes.

[edit] Mantra

This mantra, chanted throughout the Mahāyāna Buddhist world, appears in transliterated Sanskrit even in the Chinese version, as pronunciation of mantras is held to be important if they are to function properly. The mantra goes:

Sanskrit
Devanāgarī Romanization Pronunciation Translation
गते गते Gate gate [gəteː gəteː] Gone, gone
पारगते Pāragate [pɑːɾə gəteː] Gone beyond
पारसंगते Pārasaṃgate [pɑːɾəsəŋ gəteː] Gone completely beyond
बोधि स्वाहा Bodhi svāhā [boːdɦɪ sʋɑːhɑː] Praise to awakening.

(The translation can only be loose since, as with many mantras, the Sanskrit does not appear to be completely grammatical)

The text itself describes the mantra as "Mahāmantro, mahā-vidyā mantro, ‘nuttara mantro samasama-mantrah", which Conze translates as "The great mantra, the mantra of great knowledge, the utmost mantra, the unequalled mantra, the allayer of all suffering." These words are also used of the Buddha, and so the text seems to be equating the mantra with the Buddha. Although the translation is acceptable, the case ending in Sanskrit mantra is the feminine vocative, so gate is addressed to a feminine person/figure. A more accurate translation is "Oh she who is gone!" In this respect, the mantra appears to be keeping with the common tantric practice (a practice supported by the texts themselves) of anthropromorphizing the Perfection of Wisdom as the "Mother of Buddhas."

One can also interpret the mantra as the progressive steps along the five paths of the Bodhisattva, through the two preparatory stages (the path of accumulation and preparation — Gate, gate), through the first bhumi (path of insight — Pāragate), through the second to seventh bhumi (path of meditation — Pārasamgate), and through the eight to tenth bhumi (stage of no more learning — Bodhi svāhā).

The current Dalai Lama explains the mantra in a discourse on the Heart Sutra both as an instruction for practice and as a device for measuring one's own level of spiritual attainment, and translates it as go, go, go beyond, go thoroughly beyond, and establish yourself in enlightenment. In the discourse, he gives a similar explanation to the four stages (the four go's) as in the previous paragraph.

Unlike Greek, Sanskrit distinguishes between 'para' (across, as in Greek and our derivations) and 'pāra', which means across to the other side. The preposition 'sam' equates to the Greek 'συν', with (which here we can reasonably expand to together with). So, "Gone [or go] across to the other side, together with" would be an absolutely literal translation of 'Pārasamgate'. This may be understood as referring to the bringing of one's entire world over onto the previously realised higher plane of energy, and as identical in meaning to the Zen saying "First there is a mountain [our initial condition of perception], then there is no mountain [pāragate], then there is [pārasamgate]". "Bodhi svāhā" - "Enlightenment, awaken!".

[edit] Musical setting

American composer Lou Harrison set Esperanto language texts translated from the Heart Sutra to music in his 1973 cantata La Koro Sutro.

The Band Akron/Family set the English version to music entitled Gone Beyond on their album, Meek Warrior.

Peter Rowan incorporated a musical setting of the Heart Sutra in the chorus of "Vulture Peak" on his 2001 album Reggaebilly.

Cantonese new age musical arranger Imee Ooi also performs electronic versions of Buddhist sutras, notably the Heart Sutra, in Sanskrit, and Mandarin.

Chloe Goodchild, British singer and composer, completed a version of the Heart Sutra on her album "Fierce Wisdom"

American Hip hop group Wu-Tang Clan has included the Heart Sutra in their album the 8 Diagrams. It was performed in Mandarin by Shifu Shi Yan Ming in the last track titled "Life Changes" as a tribute to the late Old Dirty Bastard. [3]

[edit] See also

[edit] Notes

  1. ^ Conze, The Prajnaparamita Literature
  2. ^ Based on literary evidence, Jan Nattier has argued that the short version was constructed initially in Chinese and then translated into Sanskrit. Macmillan Encyclopedia of Buddhism, 2004, page 314
  3. ^ theworsthorse blog entry

[edit] External links

Wikisource has original text related to this article:

[edit] Translations

[edit] Discourses

[edit] Further reading