Havana (film)

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Havana

Directed by	Sydney Pollack
Produced by	Sydney Pollack Richard Roth
Written by	Judith Rascoe David Rayfiel
Starring	Robert Redford Lena Olin Raul Julia Alan Arkin
Music by	Dave Grusin
Cinematography	Owen Roizman
Distributed by	Universal Pictures
Release date(s)	December 12, 1990
Running time	140 min.
IMDb profile

Havana is an independent 1990 drama starring Robert Redford, Lena Olin, and Raul Julia, directed by Sydney Pollack and with music by Dave Grusin. In the film, an American professional gambler named Jack Weil (Redford) decides to visit Havana, Cuba to gamble. On the boat to Havana, he meets Roberta Duran (Olin), the wife of a revolutionary, Arturo (Julia). Shortly after their arrival, Arturo is taken away by the secret police, and Roberta is captured and tortured. Jack frees her, but she continues to support the revolution.

[edit] Plot

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The plot is set on the Eve of the victory of the Cuban Revolution, January 1, 1959.

On the boat from Miami to Havana, Roberta Duran enlists the aid of Jack Weil (Robert Redford) in smuggling in U.S. Army Signal Corps radios destined for the Cuban revolutionary forces in the hills. Jack Weil agrees only because he is romantically interested in Ms. Duran. When they rendezvous for the "payoff", Roberta reveals she is married, dashing Weil's hopes.

Weil meets up with a Cuban journalist acquaintance (Tony Plana) and during a night on the town they run into Roberta Duran and her husband, Dr. Arturo Duran. Dr. Duran (Raul Julia) is a leader of the revolutionary movement. When Roberta points Weil out to him, Dr. Duran invites Weil to join them for dinner, and asks Weil for further aid to the cause. Weil turns him down, even after Duran outlines the desperate situation confronting the Cuban majority.

The next morning, after a night of debauchery for Weil, but a night of arrests of revolutionaries by the secret police, Weil reads a newspaper account of Dr. Duran's arrest and death. In shock he continues with the planned poker game, at which he meets the head of the secret police. He learns that Roberta was also arrested and held. She was also tortured. Weil uses the debt one of the other players (a lieutenant) owes him, to obtain Roberta's release. In shock from her husband's death and her own experience in jail, she agrees to let him shelter her in his apartment, but that afternoon she disappears. Realizing that he is in love with Roberta, and encouraged by an old gambling friend, Weil drives into the interior of Cuba to find her at Dr. Duran's old estate. He persuades her to return with him to Havana and to leave Cuba with him. When she asks, he explains that a lump on his arm contains a diamond he had sewn into his arm in his youth, as insurance that no matter what happens in life, one always has that diamond.

He makes arrangements for her to leave Cuba via boat, but on his return to the apartment, he is assaulted by two Cubans who inform him that Arturo demands that he get Roberta out of the country. In amazement that Dr. Duran is still alive, he wrestles with himself and pretends to Roberta that nothing is amiss. He uses the time thus bought to confirm the story with a CIA agent (Daniel Davis) whose acquaintance he had made. He obtains the information by threatening to blow the agent's cover of gourmet magazine writer, then uses it also to make a deal with him regarding Dr. Duran. Pretending to work for the CIA, Weil goes to see Dr. Duran, who is held by the chief of the secret police (SIM). He tells the chief that Washington has new plans for Duran and wants him released, with a payoff of $50,000. He "orders" the chief to have Duran cleaned up and dressed (Duran had been tortured and was in extremely bad shape) and taken to his house. Weil goes to a doctor, then a jeweler, to sell the diamond to raise the cash for Dr. Duran's release.

Back at his apartment, he informs Roberta, who had decided to make a life with him, that her husband is still alive. In shock she leaves on her own to find her husband. Meanwhile, Weil had blown the big game with high rollers he had been angling for since the day he arrived in Havana. The casino manager (Alan Arkin) forgives him, knowing he had made rescuing Roberta his priority.

That night, New Year's Eve, 1958, the insurrection is won by the revolutionary forces. The upperclass, the government and the secret police all leave their lavish New Year's Eve parties to make a mad dash to the ports and airport to leave the country. The people pour into the streets, celebrating the victory by trashing the casinos and dancing in the streets. Weil and (Arkin) agree it is a new day and time for them to go.

The next morning Weil is in a restaurant preparing to depart when Roberta shows up to wish him farewell. She discovers, by seeing the bandage on his arm, what it had cost him to save her husband for her. They hug goodbye. She remains with the Revolution, and he has been changed by it. Every year he drives down to the Florida Keys to gaze across the water toward Havana, hoping one day to see her again, but also realizing that the changes in Cuba were being echoed in the changes of the 1960s happening in America.

The closing credits, consisting of a beautiful Caribbean sunset with an equally beautiful and haunting musical finale by composer Dave Grusin, is an essential part of the movie, as is the entire bittersweet musical score.