Harvard-Radcliffe Chorus
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The Harvard Radcliffe Chorus (HRC) is the largest mixed choir at Harvard University and has a diverse membership consisting of faculty members, staff, community members, and both undergraduate and graduate students. HRC was founded in 1979 and continues to perform twice a year as of 2005. HRC usually performs its master concerts at Sanders Theatre at Harvard University, one of the many venues in the Boston area with high-quality acoustics. When a large pipe organ is required for a masterwork, such as Berlioz's Te Deum, the chorus performs in a large church in Cambridge, Massachusetts.
[edit] History
The Harvard-Radcliffe Chorus (HRC) was founded in 1979 by Beverly Taylor as the Harvard-Radcliffe Chorale with about forty undergraduates and a few staff members who wanted to sing. It was conceived with Dr. Jameson Marvin, Director of Choral Activities at Harvard University, as a training choir for students who needed more choral experience in order to perform with the other Holden Choirs: the Harvard Glee Club, the Radcliffe Choral Society, and the Harvard-Radcliffe Collegium Musicum, and as an organization that reached out to communities in the greater Boston-Cambridge area.
In 1980, the Chorale was renamed the Harvard-Radcliffe Chorus. Under the leadership of Beverly Taylor until 1995, HRC membership increased dramatically, and the Chorus continued to prosper under the direction of Jeffrey Bernstein during the 1995–96 season.
From 1996 to 2004, Dr. Constance DeFotis brought even greater artistic achievement to HRC and made it a choral home to a diverse group of students, faculty, staff, and members of the Greater Boston community. Dr. DeFotis also oversaw the founding of the Executive Committee, the self-governing group of student and community officers that addresses the chorus’s non-artistic concerns and administrative matters. While she was on leave during the 2002–2003 academic year, Simon Carrington, who is well known as a founding member of The King's Singers led the Chorus with inimitable skill and charisma. Dr. DeFotis now serves as the resident Director of Choral Activities at DePaul University, and Simon Carrington is Professor of Choral Conducting at Yale University.
The current artistic director, Dr. Kevin Leong, is the new Associate Conductor of the Harvard-Radcliffe Choruses. He holds a Ph.D. in biophysics and is currently completing a doctoral degree in choral conducting.
[edit] Repertoire
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The repertoire of the Harvard-Radcliffe Chorus encompasses music from the 16th century to the present and is designed to introduce students to all the major style periods during their undergraduate studies at Harvard. The following table lists all of the works performed by HRC since its founding.
CONCERT
|
PROGRAM
|
December 2005
|
“Beethoven IX”BEETHOVEN: ‘Fidelio’ Overture, Op. 72 HAYDN: Te Deum in C, Hob. XXIIIc:2BEETHOVEN: Symphony No. 9 in D minor, Op. 125 |
April 2005
|
“Echoes of Rouen” BRAHMS: Nänie, Op. 82 |
December 2004
|
“Mozart in Salzburg”MOZART: Eine kleine Nachtmusik, K. 525MOZART: Vesperae solennes de Confessore , K. 339 |
May 2004
|
SCHOENBERG: Friede auf Erden, Op. 13BRAHMS: Ein deutsches Requiem, Op. 45 |
December 2003
|
BRITTEN: Ceremony of Carols, Op. 28 WALTON: Lento and Alla Cubana from Five Bagatelles for Guitar (1971) Conrad SUSA: Carols and Lullabies (1992) |
May 2003
|
MOZART: Kr�nungsmesse (Coronation Mass), K. 317Emma Lou DIEMER: Three Madrigals |
December 2002
|
WALTON: Belshazzar’s Feast |
May 2002
|
Russell PECK: Lift OffORFF: Carmina Burana |
December 2001
|
BERLIOZ: Te Deum, Op. 22 |
May 2001
|
HAYDN: Missa in Angustiis (Lord Nelson Mass), Hob. XXII:11 (73s) |
December 2000
|
BACH: Unser Mund sei voll Lachens, BWV 110 BACH: 'Herz und Mund und Tat und Leben, BWV 147a |
May 2000
|
BRITTEN: Choral Dances from Gloriana, Op. 53 ELGAR: From the Bavarian Highlands, Op. 27Love) |
December 1999
|
FAURÉ: Cantique de Jean Racine, Op. 11 RAVEL: Introduction and Allegro (1905) |
May 1999
|
MOZART: Regina coeli, K. 108HAYDN: Missa in Tempore Belli, Hob. XXII:9 |
December 1998
|
MOZART: Misericordias Domini, K. 222 HAYDN: Salve Regina in G minor, Hob. XXIIIb: 2MOZART: Lacrimoso son io, K. 555 |
May 1998
|
HANDEL: Israel in Egypt |
December 1997
|
BRUCKNER: Kyrie and Agnus Dei (from Mass in E minor) STRAVINSKY: MassRichard STRAUSS: Serenade, Op. 7 |
April 1997
|
BRAHMS: Selections from Liebeslieder Walzer, Op. 52 POULENC: Sept Chansons (1936)POULENC: Sonata for Four-hand Piano |
December 1996
|
ROSSINI: Stabat Mater |
April 1996
|
MOZART: Mass in C minor, K. 427BEETHOVEN: Choral Fantasy, Op. 80 |
December 1995
|
MENDELSSOHN: Elijah, Op. 70 |
April 1995
|
MOZART: Requiem, K. 626MOZART: Krönungsmesse (Coronation Mass), K. 317 |
December 1994
|
BACH: Jesu, meine Freude, BWV 227SCHUBERT: Magnificat |
April 1994
|
POULENC: Gloria RAVEL: Nicolette and Trois beaux oiseaux du Paradis (from Trois Chansons) |
December 1993
|
BRITTEN: Saint Nicholas, Op. 42BERNSTEIN: Chichester Psalms |
April 1993
|
HAYDN: The Creation |
December 1992
|
HANDEL: Messiah |
April 1992
|
ROSSINI: Messa di Gloria, Op. posth. DVORAK: Te Deum, Op.103 |
December 1991
|
RESPIGHI: Lauda per la Nativita del SignoreHAYDN: Harmoniemesse |
April 1991
|
MENDELSSOHN: Elijah, Op. 70 |
December 1990
|
MOZART: Overture to Idomeneo, K. 366MOZART: Mass in C minor, K. 427 (417a) |
April 1990
|
Lyle DAVIDSON: Voices of the Dark BRAHMS: Nänie, Op. 82 HAYDN: Missa in Angustiis (Lord Nelson Mass), Hob. XXII:11 |
December 1989
|
YANNATOS: Lux aeternaBRUCKNER: Te Deum |
April 1989
|
HANDEL: Israel in Egypt |
December 1988
|
MOZART: Symphony No. 28 in C, K. 200MOZART: Requiem, K.626 |
April 1988
|
SCHUBERT: Mass in A-flat |
December 1987
|
BUXTEHUDE: Der Herr ist mit mirBEETHOVEN: Choral Fantasy |
April 1987
|
ORFF: Carmina Burana |
December 1986
|
HAYDN: Te DeumSpanish and Italian madrigals |
April 1986
|
MOZART: Three movements from Vesperae solennes de Confessore, K. 339 STRAVINSKY: MassBRAHMS: Liebeslieder Walzer, Op. 52 |
December 1985
|
MOZART: Regina coeli, K. 276 MENDELSSOHN: HeiligHAYDN: Theresienmesse |
April 1985
|
BLOW: Selections from Ode to St. Cecilia of 1684BACH: Es wartet alles auf dich, BWV 187 |
December 1984
|
FAURÉ: Pavane, Op. 50French and English madrigals |
April 1984
|
BRAHMS: Nänie, Op. 82 COPLAND: American folksongsBERNSTEIN: Chichester Psalms |
December 1983
|
BACH: Erschallet, ihr Lieder, BWV 172 BACH: Lobet den HerrnWEBER: Mass in G major |
April 1983
|
MOZART: Te Deum in C, K. 141BRAHMS: Neue Liebeslieder Walzer, Op. 65 |
December 1982
|
BACH: Alles nur nach Gottes Willen, BWV 72HAYDN: Missa in Angustiis (Lord Nelson Mass), Hob. XXII:11 |
April 1982
|
VAUGHAN WILLIAMS: Five Mystical SongsFAURÉ: Requiem, Op. 48 |
December 1981
|
BACH: Darzu ist erschienen der Sohn Gottes, BWV 40MOZART: Vesperae solennes de Confessore, K. 339 |
April 1981
|
HANDEL: Then round about thy starry throne WEELKES: Hark all ye lovely saints above VAUGHAN WILLIAMS: In Windsor forestHANDEL: Let their celestial concerts all unite |
December 1980
|
HAYDN: Te DeumBACH: Nach dir, Herr, verlanget mich, BWV 150 |