Hamsadhvani

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Hamsadhvani is a Hindustani classical raga.

Contents 1 Theory 1.1 Arohana & Avarohana 1.2 Vadi & Samavadi 1.3 Pakad or Chalan 1.4 Organization & Relationships 2 Behavior 2.1 Samay (Time) 2.2 Seasonality 2.3 Rasa 3 Historical Information 3.1 Origins 3.2 Important Recordings 4 References 4.1 Links

[edit] Theory

Writing about the musical theory of Indian classical music is fraught with complications. First of all, there have been no set, formal methods of written notation. Indian music is an aural tradition, and therefore writing is not an essential part of attaining talim(knowledge).

[edit] Arohana & Avarohana

Arohana

Sa Re Ga Pa Dha Ni Sa

Avarohana

Sa Ni "Dha" Pa Ga Re Sa

[edit] Vadi & Samavadi

Vadi
Re

Samavadi
Pa

[edit] Pakad or Chalan

Re Ga Re Ni Pa Sa Re Sa

[edit] Organization & Relationships

Related ragas: List related ragas here, making each raga a link with [[ ]].
Thaat: Bilawal.

[edit] Behavior

Behavior refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be accurate, but it can attempt to reflect how the music existed.

[edit] Samay (Time)

Second quarter of night.

[edit] Seasonality

Certain ragas have seasonal associations.

[edit] Rasa

[edit] Historical Information

[edit] Origins

[edit] Important Recordings

Hansadhwani Vilambit and Drut by Ustad Amir Khan. Lagi Lagana (Drut - Tintal) by A. Kanan in Meghe Dhaka Tara.

[edit] References

Bor, Joep (ed). Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane (co-authors) The Raga Guide: A Survey of 74 Hindustani Ragas. Zenith Media, London: 1999.

[edit] Links

SRA on Samay and Ragas
SRA on Ragas and Thaats
Rajan Parrikar on Ragas

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