Gwen Harwood

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Gwen Harwood AO (8 June 1920 - 5 December 1995), née Gwendoline Nessie Foster, was an Australian poet and librettist. Gwen Harwood is regarded as one of Australia's finest poets, publishing over 420 works, including 386 poems and 13 librettos.[1] She won numerous poetry awards and prizes. Her work is commonly studied in schools and university courses.

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[edit] Life

She was born in Taringa, Queensland and brought up in Brisbane. She attended Brisbane Girls Grammar School and was an organist at All Saints Church when she was young. She completed a music teacher's diploma, and also worked as a typist at the War Damage Commission, from 1942.[2] Early in her life, she developed an interest in literature, philosophy and music.

She moved to Tasmania after her marriage to linguist William Harwood in September 1945. Here she developed her lifelong interest in the work of philosopher Ludwig Wittgenstein "which informs her entire opus".[3].

[edit] Literary career

Gwen Harwood had written poetry for many years, and her first poem was published in Meanjin in 1944, but her work didn't start appearing regularly in journals and books until the 1960s.[4] Her first book of poems, titled Poems, was published in 1963, followed in 1968 by Poems Volume II. Other books include The Lion's Bride (1981), Bone Scan (1988), and The Present Tense (1995). There are also several versions of a Selected Poems, including one from Penguin in 2001.

Harwood used a range pseudonyms in her early work, such as Walter Lehmann, W.W. Hagendoor (an anagram of her name), Francis Geyer, Timothy (TF) Kline, Miriam Stone, and Alan Carvosso.

She also wrote libretti for composers such as Larry Sitsky, James Penberthy, Don Kay and Ian Cugley.[5]

She corresponded over the years with several poet friends, including Vincent Buckley, A. D. Hope, Vivian Smith, and Norman Talbot, and served as President of the Tasmanian Branch of the Fellowship of Australian Writers.[6]

[edit] Literary themes and style

Harwood's poetry has recurring themes of motherhood and the stifled role of women, particularly those of young mothers. Music is another recurring motif. The Tasmanian landscape, and Aboriginal dispossession of that landscape, form another theme in much of her writing. She also wrote series of poems with recurring characters, two of the most notorious being Professor Eisenbart and Krote. Many of her poems also include biblical references.

[edit] Awards

[edit] Bibliography

[edit] Poetry

  • Poems (1963)
  • Poems Volume Two (1968)
  • The Lion's Bride (1981)
  • Bone Scan (1988)
  • The Present Tense, ed. Alison Hoddinott (Imprint, 1995) ISBN 1-875892-28-1
  • Gwen Harwood: Selected Poems (Penguin, 2001) ISBN 0-14-100668-4
  • Gwen Harwood: Collected Poems 1943-1995 (UQP, 2003) ISBN 0-7022-3352-8

[edit] Letters

  • Blessed City: Letters to Thomas Riddell 1943, ed. Alison Hoddinott (Angus & Robertson, 1990) ISBN 0-207-16587-4
  • A Steady Storm of Correspondence: Selected Letters of Gwen Harwood 1943-1995, ed. Gregory Kratzmann (UQP, 2001) ISBN 0-7022-3257-2

[edit] Notes

  1. ^ Tasmanian Honour Roll of Women
  2. ^ Tasmanian Honour Roll of Women
  3. ^ Wilde, Hooton and Andrews (1994) p. 349
  4. ^ Wilde, Hooton and Andrews (1994) p. 349
  5. ^ Wilde, Hooton and Andrews (1994) p. 349
  6. ^ Tasmanian Honour Roll of Women
  7. ^ It's an Honour - Officer of the Order of Australia

[edit] References

[edit] Further reading

[edit] External links


Persondata
NAME Harwood, Gwen
ALTERNATIVE NAMES Walter Lehmann, W.W. Hagendoor, Francis Geyer, Timothy (TF) Kline, Miriam Stone, Alan Carvosso
SHORT DESCRIPTION Australian poet
DATE OF BIRTH 8 June 1920
PLACE OF BIRTH Taringa, Queensland, Australia
DATE OF DEATH 9 December 1995
PLACE OF DEATH Hobart, Tasmania, Australia
Languages