Gutter Ballet
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| Gutter Ballet | |||||
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| Studio album by Savatage | |||||
| Released | December 1, 1989 | ||||
| Recorded | February-July, 1989 321 Studios, New York |
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| Genre | Heavy Metal Symphonic metal Progressive metal |
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| Length | 52:25 | ||||
| Label | Atlantic Records | ||||
| Producer | Paul O'Neill | ||||
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| Savatage chronology | |||||
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| Singles from Gutter Ballet | |||||
Gutter Ballet is the sixth album produced by the progressive metal band Savatage. This was the second album created under the direction of producer Paul O'Neill and was initially released in 1989.
Contents |
[edit] Story and Concept
This album was a true turning point for the band, for after Jon Oliva watched The Phantom of the Opera in Toronto, he decided to change the sound of the band, from a heavy metal to a more progressive sound, which is reflected in songs such as "When the Crowds are Gone" and "Gutter Ballet". The final three songs ("Mentally Yours", "Summer's Rain", "Thorazine Shuffle") are a conceptual suite dealing with a single character as revealed by the band in interviews.
The original title for the record was Temptation Revelation, but this was changed to Hounds of Zaroff which was a Steve Wacholz suggestion. As late as May 1989, the band was having doubts surrounding the title. At the time, the eventual title track of the album had not been written. The title, "Gutter Ballet" was in fact the title of a play Paul O'Neill had written ten years earlier that would later make-up the majority of the band's next work, "Streets". In fact, "Gutter Ballet" was written with just Jon, Criss and Paul in the studio. Jon's drumming skill was competent enough to perform on the track and Jon also provided the bass guitar duties for the track.
[edit] Track listing
- "Of Rage and War" – 4:47
- "Gutter Ballet" – 6:20
- "Temptation Revelation" (Instrumental) – 2:56
- "When the Crowds Are Gone" – 5:45
- "Silk and Steel" (Instrumental) – 2:56
- "She's in Love" – 3:51
- "Hounds" – 6:27
- "The Unholy" – 4:37
- "Mentally Yours" – 5:19
- "Summer's Rain" – 4:33
- "Thorazine Shuffle" – 4:43
- All songs by Oliva/Oliva/O'Neill except "Silk and Steel" by Criss Oliva and Paul Silver.
[edit] 1997 Edel Re-Release Tracks
- 12. "All That I Bleed" (piano version) - 4:35
[edit] 2002 SPV Re-Release Tracks
- 12. "Hounds" (live) - 7:20
- 13. "When The Crowds Are Gone" (live) - 7:07
(Hounds is taken from "Ghost in the Ruins")
[edit] Song Info
On the original cassette and CD releases, "Thorazine Shuffle" was a bonus track.
Had the band originally stuck with the story set-out in Paul O'Neill's original 1979 story, the song "When the Crowds are Gone" would have followed "Streets" track "A Little Too Far". [1]
Two videos from the album entered rotation on MTV, "Gutter Ballet" (filmed at the beginning of 1990 in New York)[2] and "When the Crowds Are Gone". The former track became a staple of Headbanger's Ball and as a result, both Jon Oliva and Chris Caffery were invited to join host Riki Rachtman for an interview in 1990.
[edit] Charts
[edit] Album
Billboard (North America)
| Year | Chart | Position |
|---|---|---|
| 1989 | The Billboard 200 | #124 |
[edit] Singles
Billboard (North America)
| Year | Single | Chart | Position |
|---|---|---|---|
| 1990 | "Gutter Ballet" | ||
| 1990 | "When the Crowds are Gone" |
[edit] Personnel
- Jon Oliva – lead vocals & piano
- Criss Oliva – guitars
- Steve Wacholz – drums
- Johnny Lee Middleton – bass guitar
- Chris Caffery - guitars and keyboards
Note: Caffery was credited with guitars and keyboards and is pictured in the album's booklet "both to prepare the fans for the line-up they'd see on tour and confirm his permanent member status." [2]
[edit] Further Credits
- Produced by Paul O'Neill
- Engineered by James A. Ball
- Additional Engineering by Joe Henehan
- Assistant Engineers: Teddy Trewalla, Deek Venarchick, Jay DeVito, Dave Parla
- Mastering by Jack Skinner/EuropaDisc, NYC
- Cover art by Gary Smith
- Studio Technician: Dan Campbell
- Additional keyboards by Bob Kinkel
- Photographs by Dennis Osborne
- "Gutter Ballet" was recorded and mixed at Record Plant Studios, NYC Feb.-July '89
[edit] References
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