Greta Garbo

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Greta Garbo
photo by Arnold Genthe, 1925
Born	Greta Lovisa Gustafsson September 18, 1905(1905-09-18) Stockholm, Sweden
Died	April 15, 1990 (aged 84) New York City, New York
Years active	1920-1941
Awards won Academy Awards Academy Honorary Award 1955 Lifetime Achievement Other Awards Order of the Polar Star New York Film Critics Circle Award for Best Actress 1935 Anna Karenina 1937 Camille

Greta Garbo (September 18, 1905 – April 15, 1990) was a Swedish-born actress during Hollywood's silent film period and part of its Golden Age.

Regarded as one of the greatest and most inscrutable movie stars ever produced by Metro-Goldwyn-Mayer and the Hollywood studio system, Garbo received a 1955 Honorary Oscar "for her unforgettable screen performances"^[1] and in 1999 was ranked as the fifth greatest female star of all time by the American Film Institute.^[2]

Contents 1 Biography 1.1 Early life 1.2 Becoming an actress 1.3 Life in Hollywood 1.4 Later career 1.5 Private life 2 Secluded retirement 3 Filmography 4 Notes 5 Further reading 6 External links

[edit] Biography

[edit] Early life

Garbo was born Greta Lovisa Gustafsson in Stockholm, Sweden, the youngest of three children of Karl Alfred Gustafsson (1871–1920) and Anna Lovisa Johansson (1872–1944).^[3] Garbo's older sister and brother were Alva and Sven.

[edit] Becoming an actress

When Garbo was 14 years old, her father, to whom she was extremely close, died. She was forced to leave school and go to work. Her first job was as a soaplather girl in a barbershop. She stated in the book Garbo On Garbo (p. 33) that her relationship with her mother was not strained.

She then became a clerk at the department store PUB in Stockholm, where she would also model for newspaper advertisements. Her first motion picture aspirations came when she appeared in two short film advertisements (the first for the department store where she worked). They were eventually seen by comedy director Erik Arthur Petschler and he gave her a part in his upcoming film Peter The Tramp in 1922.

From 1922 to 1924, she studied at the prestigious Royal Dramatic Theatre in Stockholm. While there, she met director Mauritz Stiller. He trained her in cinema acting technique, gave her the stage name "Greta Garbo", and cast her in a major role in the silent film Gösta Berlings Saga (English: The Story of Gösta Berling) in 1924, a dramatization of the famous novel by Nobel Laureate Selma Lagerlöf. She starred opposite Swedish film actor Lars Hanson and then appeared in the German film Die Freudlose Gasse - The Joyless Street.

She and Stiller were brought to Metro-Goldwyn-Mayer by Louis B. Mayer when Gösta Berlings Saga caught his attention. On viewing the film, Mayer was impressed with Stiller's direction, but was much more taken with Garbo's acting and screen presence. According to Mayer's daughter, Irene, with whom he screened the film, it was the gentle feeling and expression that emanated from her eyes which so impressed her father. Unfortunately, her relationship with Stiller came to an end as her fame grew and he struggled in the studio system. He was fired by MGM and returned to Sweden in 1928, where he died soon after.

[edit] Life in Hollywood

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The most important of Garbo's silent movies were The Temptress (1926), Flesh and the Devil (1926), and Love (1927). She starred in the latter two with the popular leading man John Gilbert. Her name was linked with his in a much publicized romance, and she was said to have left him standing at the altar in 1926, when she changed her mind about getting married.^{[citation needed]}

Having achieved enormous success as a silent movie star, she was one of the few actors who made the transition to talkies, though she delayed the shift for as long as possible. Her film The Kiss (1929) was the last film MGM made without dialogue (it used a soundtrack with music and sound effects only).

Her clear, rich, deep voice and Swedish accent was first heard on screen in Eugene O'Neill's Anna Christie (1930), which was publicized with the slogan "Garbo Talks". The movie was a huge success. In 1931 Garbo made a German version of the movie.

When she was filmed, if something happened that she was not pleased with she would say, "I think I'll go back to Sweden!" She was known for always having a closed set to all visitors, and was famous for having various MGM executives and actors ejected from sets.

Garbo appeared very seductive as the World War I spy in the title role of Mata Hari (1931).She was next part of an all-star cast in Grand Hotel (1932), which won the Best Picture Oscar and featured Garbo as a Russian ballerina.

She then had a contract dispute with MGM. They finally settled and she signed a new contract in July 1932, departing for Sweden later the same month. She exercised her new control by getting her leading man in Queen Christina (1933), Laurence Olivier, replaced with Gilbert. In 1935, David O. Selznick wanted her cast as the dying heiress in Dark Victory — filmed with Bette Davis in 1939 at Warner Brothers — but she insisted on being cast instead in another screen version of Tolstoy's Anna Karenina. (She had made a silent version of Anna Karenina entitled Love with John Gilbert in 1927.)

Her performance as the doomed courtesan in Camille (1936), directed by George Cukor, was called the finest ever recorded on film.^{[citation needed]} She subsequently starred opposite Melvyn Douglas in the comedy Ninotchka (1939), directed by Ernst Lubitsch, which she herself enjoyed making, and was one of her favorites.

Garbo was nominated for the Academy Award for Best Actress for Anna Christie (1930), Romance (1930), Camille (1937) and Ninotchka (1939).

Over her career, Garbo received praise from many fellow actors as well as reviewers:

“

Her instinct, her mastery over the machine, was pure witchcraft. I cannot analyse this woman's acting. I only know that no one else so effectively worked in front of a camera.

”

—Bette Davis

[edit] Later career

Ninotchka was a successful attempt at lightening Garbo's image and making her less exotic, by the insertion of a scene in a restaurant in which her character breaks into uninhibited laughter which subsequently provided the film with its famous tagline, "Garbo laughs!". The follow-up film, Two-Faced Woman (1941), attempted to capitalize by casting Garbo in a romantic comedy, where she played a double role that featured her dancing, and tried to make her into "an ordinary girl". The film, directed by George Cukor, was a critical (though not a commercial) failure. It was Garbo's last screen appearance.

It is often reported that Garbo chose to retire from cinema after this film's failure, but already by 1935 she was becoming more choosy about her roles, and eventually years passed without her agreeing to do another film. By her own admission, Garbo felt that after World War II the world changed, perhaps forever.

In 1941, MGM costume-designer Adrian also left the studio, later saying:

"It was because of Garbo that I left MGM. In her last picture they wanted to make her a sweater girl, a real American type. I said, 'When the glamour ends for Garbo, it also ends for me. She has created a type. If you destroy that illusion, you destroy her.' When Garbo walked out of the studio, glamour went with her, and so did I."^{[citation needed]}

In 1949, Garbo filmed several screen tests as she considered reentering the movie business to shoot La Duchesse de Langeais directed by Walter Wanger; otherwise she never stepped in front of a movie camera again. The plans for this film collapsed when financing failed to materialize, and these tests were lost for 40 years, before resurfacing in someone's garage.^[4] They were included in the 2005 TCM documentary Garbo,^[5] and show her still radiant at age 43.^[6] There were suggestions that she might appear as the "Duchess de Guermantes" in a film adaptation of Marcel Proust's In Search of Lost Time but this never came to fruition. She was offered many roles over the years, but always turned them down.

Her last interview appears to have been with the celebrated entertainment writer Paul Callan of the London Daily Mail during the Cannes Film Festival. Meeting at the Hotel du Cap Eden Roc, Callan began "I wonder . . ", before Garbo cut in with "Why wonder?", and stalked off, making it one of the shortest interviews ever published.

She gradually withdrew from the entertainment world completely and moved to a secluded life in New York City, refusing to make any public appearances. Up until her death, Garbo sightings were considered sport for paparazzo photographers.

Despite these attempts to flee from fame, she was nevertheless voted Best Silent Actress of the Century (her compatriot Ingrid Bergman winning the Best Sound Actress) in 1950, and was also designated as the most beautiful woman who ever lived by the Guinness Book of World Records.^{[7][8][9][10]}

[edit] Private life

Garbo was considered one of the most glamorous movie stars of the 1920s and 1930s. She was also famous for shunning publicity, which became part of her mystique. Except at the very beginning of her career, she granted no interviews, signed no autographs, attended no premieres, and answered no fan mail.

Her famous byline was always said to be, "I want to be alone," spoken with a heavy accent which made the word 'want' sound like vont. This quote as noted comes from her role in Grand Hotel. However, Garbo later commented, "I never said, 'I want to be alone.' I only said, 'I want to be let alone.' There is all the difference."

Garbo kept her private affairs out of the public domain. According to private letters released in Sweden in 2005 to mark the centenary of her birth, she was reclusive in part because she was "self-obsessed, depressive, and ashamed of her latrine-cleaner father."^[11]

Her most famous sexual relationship — but not her only such relationship — was with actor John Gilbert. They starred together for the first time in the classic Flesh and the Devil in 1926. Their on-screen "erotic intensity"^[12] soon translated into an off-camera romance, and by the end of production Garbo had moved in with Gilbert. Gilbert is said to have proposed to Garbo at least three times.^[13] She reportedly wanted to quit films if they married, but Gilbert wanted her to continue her career. When a marriage was finally arranged in 1926, she failed to show up at the ceremony.^[14] After their affair ended, Garbo showed great loyalty to Gilbert after his career collapsed with the coming of sound films, and insisted that he appear with her in 1933's Queen Christina.

In 1931, Garbo met and quickly befriended Mercedes de Acosta. The two were introduced to one another by de Acosta's close friend, author Salka Viertel. Her relationship with Garbo has often been described as "the love of her lifetime". From all information from the time, it is unlikely that Garbo shared those feelings. Garbo was in control of the friendship, which was close for about a year from 1931 to 32. But thereafter, theirs was a vacillating relationship, with Garbo even ignoring de Acosta - everything was at the will of Garbo. Estranged by 1937, in 1944, Garbo insisted de Acosta stop sending her poems and letters professing her love. The last known poem written by de Acosta for Garbo was written that same year. Their relationship finally ended when De Acosta wrote about her lesbian affairs in her autobiography 'Here Lies the Heart' (1960).

[edit] Secluded retirement

Garbo felt her movies had their proper place in history and would gain in value. On February 9, 1951, she became a naturalized citizen of the United States. In 1954 she was awarded a special Academy Award.

In 1953, she bought a seven-room apartment in New York City at 450 East 52nd Street, where she lived for the rest of her life.

She would at times jet-set with some of the world's best known personalities such as Aristotle Onassis and Cecil Beaton, but chose to live a private life. She was known for taking long walks through the New York streets dressed casually and wearing large sunglasses, always avoiding prying eyes, the paparazzi, and media attention. Garbo did, however, receive one last flurry of publicity when nude photos, taken with a long-range lens, were published in People in 1976. Trim and relaxed, she was enjoying a swim.

Garbo lived the last years of her life in absolute seclusion. She had invested very wisely, particularly in commercial property along Rodeo Drive in Beverly Hills, was known for extreme frugality, and was very wealthy.

She died in New York Hospital on April 15, 1990, aged 84, as a result of pneumonia and renal failure, which had shut down her stomach and kidneys. She had previously been operated on and treated for breast cancer, which required a partial mastectomy, from which she recovered.^{[citation needed]}

She was cremated and her ashes were finally interred after a long legal battle at the Skogskyrkogården Cemetery in her native Stockholm. She left her entire estate, estimated at $20,000,000 USD to her niece, Gray Reisfield of New Jersey.

For her contributions to cinema, she has a star on the Hollywood Walk of Fame at 6901 Hollywood Boulevard. In addition, in 2005 the U.S. Postal Service and Swedish Posten jointly issued two commemorative postage stamps bearing her likeness.^[15]

[edit] Filmography