Glass Houses (film)

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Glass Houses
Directed by	Alexander Singer
Produced by	George Folsey Jr.
Written by	Alexander Singer Judith Singer
Starring	Bernard Barrow Jennifer O'Neill Deirdre Lenihan Ann Summers Lloyd Kino Phillip Pine
Music by	David Raksin
Cinematography	George J. Folsey
Editing by	George Folsey Jr.
Distributed by	Columbia Pictures
Release date(s)	January 7, 1972
Running time	103 mins
Country	United States
Language	English
IMDb profile

Glass Houses (1972) is an American independent film released by Columbia Pictures in 1972, although it was actually filmed in 1970. It is of interest in film history because of the credentials of its key personnel.

Glass Houses was directed by Alexander Singer, notable for his work on the Star Trek series, Star Trek: The Next Generation. It was one of the earliest screen appearances of actress Jennifer O'Neill, best known for her role in Summer of '42 (1972).

Glass Houses' cinematography was by eminent cinematographer George J. Folsey, whose credits include films such as Meet Me In St. Louis (1944) and Seven Brides For Seven Brothers (1954) . The score was composed by David Raksin, famous for his musical score in Laura (1944).

1 Promotional Tagline
2 Movie Synopsis
3 Critical Reception
4 References
5 External links

[edit] Promotional Tagline

Father...mistress...daughter...friend...wife...

THE STORY OF THE SENSUOUS FAMILY!

[edit] Movie Synopsis

The film's plot centres around the libidinous sexual shenanigans of a middle-class Californian family, and deftly explores themes such as marital discord, middle age, adultery, and incestuous desire. It is somewhat similar to the film Bob & Carol & Ted & Alice (1969) in the treatment of its themes.

Victor (Bernard Barrow) is a bored, married businessman carrying on an illicit affair with his attractive, new age girlfriend Jean (Jennifer O'Neill). His sexually-frustrated, vivacious wife Adele (Ann Summers) involves herself with community civic meetings to do 'something' for the community.

Victor and Adele's nubile young daughter Kim (Deirdre Lenihan) has a secret attraction to her father of which she cannot let go. As she cannot have her father, she takes up with a man of the same age, this being her father's business associate Ted (Phillip Pine). At one of her civic meetings Adele meets a haughty, pipe-smoking sex novelist (Clarke Gordon), throws caution to the wind, and has an affair with him.

Events in the film reach a head when Victor and Jean bump into Kim, and her older lover at a health/new age resort. The film concludes on a cryptic note with Victor coming home from his resort rendezvous, looking for his wife. He is shown watching television in the lounge room when it appears that Kim is with him, or is she? Does Kim actually have her way with her father, or is it all just a fantasy, and if this is so, whose fantasy is it? The film's final sequence leaves this open for the audience to interpret any which way it deems.

[edit] Critical Reception

The film has had a mixed reception at best. Reviewers such as Leonard Maltin pronounced the film as being a "low-grade drama about infidelity and incestuous desire [that] is mildly interesting in a lurid kind of way," (Maltin, 1991: 451). Vincent Canby from the New York Times was a little more generous, saying that "it is a fairly intelligent, perceptive look at a group of rather shabby people whose emotions are no deeper, nor more complex, than the movie that records them." (Canby, 1972). Clive Hirschhorn possibly made the most apt description of the film by saying that it was "a wryly observed poke at a libidinous group of middle-class nonentities," (Hirschhorn, 1989: 296).