Gill Sans
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Typeface | Gill Sans |
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Category | Sans-serif |
Classifications | Humanist |
Designer(s) | Eric Gill |
Foundry | Monotype |
Date created | 1927 |
Date released | 1928 |
Design based on | Johnston |
Gill Sans is a humanist sans-serif typeface designed by Eric Gill in 1927, and released 1928. Gill was a well established sculptor, graphic artist and type designer, and the Gill Sans typeface takes inspiration from Edward Johnston’s Johnston typeface for London Underground, which Gill had worked on while apprenticed to Johnston. Eric Gill attempted to make the ultimate legible sans-serif text face. Gill Sans was designed to function equally well as a text face and for display. It is distributed as a system font in Mac OS X and is bundled with Microsoft Office as Gill Sans MT.
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[edit] Characteristics
The uppercase of Gill Sans is modelled on the monumental Roman capitals like those found on the Column of Trajan, and the Caslon and Baskerville typefaces.
The capital M from Gill Sans is based on the proportions of a square with the middle strokes meeting at the centre of that square. The Gill Sans typeface family contains fourteen styles and has less of a mechanical feel than geometric sans-serifs like Futura, because its proportions stemmed from Roman tradition. Unlike realist sans-serif typefaces including Akzidenz Grotesk and Univers the lower case is modelled on the lowercase Carolingian script. The Carolingian influence is noticeable in the two-story lowercase a, and g. The lowercase t is similar to old-style serifs in its proportion and oblique terminus of the vertical stroke. Following the humanist model the lowercase italic a becomes single story. The italic e is highly calligraphic, and the lowercase p has a vestigial calligraphic tail reminiscent of the italics of Caslon and Baskerville. Gill Sans serves as a model for several later humanist sans-serif typefaces including Syntax and FF Scala Sans.
[edit] Usage
First unveiled in a single uppercase weight in 1928, Gill Sans achieved national prominence almost immediately, when it was chosen the following year to become the standard typeface for the LNER railway system, soon appearing on every facet of the company's identity, from locomotive nameplates and station signage to restaurant car menus, printed timetables and advertising posters — roles it took on nationwide for British Railways after nationalisation in 1948, until the comprehensive British Rail corporate rebranding in 1965. Other users were quick to follow, including Penguin Books' iconic paperback jacket designs from 1935, and Gill Sans became Monotype's fifth best selling typeface of the twentieth century.
The typeface continues to thrive to this day, often being held to bring an artistic or cultural sensibility to an organisation's corporate style. Prominent users include the BBC, which adopted the typeface as its corporate typeface in 1997. Until 2006, the corporation used the font in all of its media output; however, the unveiling of its new idents for BBC One and BBC Two has signalled a shift away from its universal use, as other fonts were used for their respective on-screen identities.
Other organisations using Gill Sans include:
- Alvar Aalto Museum
- Alvar Aalto Society
- AMD
- Anglia Television
- Artek
- Bloc Party
- Beltronics STi driver radar detector
- Benetton Group
- Campaign for Real Ale
- Carlton Television
- Central Independent Television
- Channel 4
- Church of England for its Common Worship material
- Communist Party of Britain
- Computer Concepts
- Cunard Line for names on the sides of their ships
- English Welsh and Scottish Railway (who together with Network Rail have continued the Gill Sans railway pedigree)
- Film4 and More4 for English subtitles on foreign-language films
- Firedog
- Forge Consulting LLC
- Fox News Channel for their lower third graphics
- Her Majesty's Government
- House (TV Series) - all signage used in the Princeton-Plainsboro Teaching Hospital
- Howard Hughes Medical Institute (in concert with the typeface Trajan)
- John Lewis Partnership
- L.J. Hooker
- Lexi-Comp, Inc.
- Liberal Democrats for their Focus leaflets
- London Weekend Television
- Monotype
- Network Rail
- Opus International Consultants
- Orwell Prize
- Osprey Publishing
- Otis College of Art and Design
- Philips
- QVC
- Qwest
- Royal Society of Arts (which awarded designer Eric Gill the accolade "Royal Designer for Industry")
- Saab Automobile
- Santos Limited
- Save the Children
- Seven Network (Australia) in certain news and current affairs programming
- Slovenian euro coins
- Stiebel Eltron
- University of Bristol Union
- University of Southampton
- Thom Yorke's The Eraser's album art
- TNT (courier company)
- Transperth for railway station signs, bus stops, and timetables
- Edward Tufte for headings and tabular data for books and his website[1]
- Wikimedia Foundation and Wikimedia Commons
- World Vision
[edit] Bibliography
- Carter, Sebastian. Twentieth Century Type Designers, W.W. Norton 1995. ISBN 0-393-70199-9.
- Johnson, Jaspert & Berry. Encyclopedia of Type Faces. Cassell & Co 2001, ISBN 1-84188-139-2.
- Ott, Nicolaus, Friedl Fredrich, and Stein Bernard. Typography and Encyclopedic Survey of Type Design and Techniques Throughout History. Black Dog & Leventhal Publishers. 1998, ISBN 1-57912-023-7.
[edit] References
[edit] External links
- Gill Sans
- Gill Sans MT font information (Microsoft typography)
- Gill Sans Schoolbook at Font Shop