Gibson Spirit

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Gibson Spirit

1984 Gibson Spirit I
Manufacturer Gibson
Period 1982 — 1987
Construction
Body type Solid
Neck joint Set
Woods
Body Poplar, Mahogany, Maple, Alder
Neck Mahogany, Maple
Fretboard Ebony, Rosewood
Hardware
Bridge Schaller 2-piece wrap-around
or Tune-o-matic with stop-bar
or Kahler tremolo
Pickup(s) 1 or 2 Humbuckers, or S/S/H
Colors available
Various solid, natural, and sunburst finishes

The Gibson Spirit is a guitar model sold under Gibson and Epiphone USA nameplates in the 1980s.

Contents

[edit] Origins

The Gibson Spirit is a lesser-known model produced from 1982 to 1987 by Gibson in the Nashville, TN and Kalamazoo, MI factories. It was initially produced in the Kalamazoo factory under the Epiphone nameplate. In response to poor sales, some Epiphone models were changed to Gibson, and a faint Epiphone logo can be seen under the Gibson logo on the peghead. Later models were produced as Gibsons in Nashville. The Spirit appears to have been modelled after the Les Paul Junior double-cutaway model, with the primary differences being the use of modern single-coil and humbucker pickups, and cutaways at the 20th fret rather than the 22nd.

[edit] Models and variations

Common to all Spirit models is the flat top and back. One control cavity is routed into the rear of the guitar. All spirits have a double-cutaway design, with the upper horn slightly longer than the lower. The neck is set (glued) into the body and has 22 frets with pearl dot inlays. Some models have flamed/tiger maple tops and transparent/sunburst finishes. Truss rod covers on Spirit models vary, with most simply saying "Spirit" or "Spirit Made By Gibson" (on Epiphone models). Humbuckers are Gibson 1959 Les Paul Reissue models (sometimes called "Tim Shaw" pickups after the Gibson engineer who led the design team). Some of these pickups have white coils and get mistaken for Dirty Fingers, but they are medium-output alnico pickups, whereas Dirty Fingers are high-output ceramic pickups. Early models have the upper strap button located on the back of the guitar at the neck joint, while later models have a strap button at the tip of the upper horn. Tuners are typically the Kluson-type "tulip" knob tuners, though some Spirits (particularly XPL models) have enclosed tuners.

[edit] "Spirit I"

This model is characterized by a single humbucker in the bridge position. The peghead is the standard Gibson shape on both Gibson and Epiphone models, with three tuners per side. A tortoiseshell-colored pickguard covers the neck joint and protects the upper body. Early models are said to have poplar bodies, with later ones being produced in mahogany or alder, some with maple tops. Early models also have maple necks. The original bridge was the Schaller 455, a combination bridge/wraparound tailpiece with six brass saddles. Some 1984 models came with a Nashville Tune-O-Matic and separate stop tailpiece. There is one tone and one volume control. This model was first produced beginning in 1982 [1] and ending in 1984.

[edit] "Spirit II"

This model differs from Spirit I only in that it has a humbucker in the neck position as well as one in the bridge position, and there is no pickguard. Sunburst finishes are more common in the Spirit II model than in the Spirit I. Body binding is also more commonly found on Spirit II models than on Spirit I. There are two volume controls, one tone control, and one Les Paul style Rhythm/Treble switch.

[edit] "Spirit XPL"

This model differs from normal Spirit models in that it has an Explorer-like headstock with six inline tuners. This model commonly has a Kahler Flyer tremolo and locking nut, with the body routed to accommodate the tremolo. Made to compete with Super-Strat metal guitars, it is rumored to have been available with an S/S/H pickup configuration, though is commonly found with either only a lone humbucker or dual humbuckers. This model was produced from 1985 to 1987, and likely was produced only under the Gibson nameplate. [2]

[edit] The "SR-71": Spirit or not?

The SR-71 is mentioned in some Spirit research [2] but generally does not fit the mold of the traditional Spirit. If the XPL is a step toward a Super-Strat, the SR-71 was the final destination. The SR-71 has a bolt-on neck, Floyd Rose tremolo, S/S/H pickups, and took on more of a Strat shape. The guitar was actually designed by a member of the Charvel family who had no affiliation with the Jackson/Charvel company at the time. Other Gibson models that are more reminiscent of the SR-71 are the WRC, the U2, and the US-1; all of which are Super-Strats.

[edit] Notable Spirit players

[edit] Picture gallery

[edit] References

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