Giacomo Rimini

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Giacomo Rimini (March 22, 1887- March 6, 1952) was an Italian born American operatic baritone most admired for his interpretations of the works of Verdi.[1]

Contents

[edit] Biography

Born and raised in Verona, Rimini began his operatic career in Italy in his early twenties. His first lead role was as Escamillo in Bizet's Carmen at the age of 22. In 1915, Rimini was chosen by Arturo Toscanini to sing the title role in Verdi's Falstaff at the Teatro del Verme in Milan. He reprised the roll later that year with Toscanini at La Scala in the presence of King Victor Emmanuel III.[2]

Also in 1915, Rimini met Polish opera singer Rosa Raisa and the two of them fell in love with each other. They married in 1916 and moved to Chicago, Illinois shortly thereafter where they would both establish a long association with the Chicago Opera Company and the Chicago Civic Opera. Rimini had been married once previously to a woman from Rome, Rafaelle Bettei. Rimini and Raisa became naturalized citicens of the United States a few years after moving to Chicago.[3]

Although Rimini primarily worked in Chicago, he and his wife did ocassionally travel to other parts of the United States for performances, usually performing together. They also maintained a villa in Verona where they would spend their summers and occasionally appear in operas. Most notably, Rimini originated the role of Ping in Puccini's Turandot at La Scala in 1926 opposite his wife in the title roll. He also was the first person to completely record the roll of Falstaff, which he also did with La Scala in 1932.

In addition to Falstaff and Escamillo, Rimini was admired for his portrayals of the title role in Verdi's Rigoletto, Iago in Verdi's Otello, Figaro in Rossini's Il barbiere di Siviglia, and Tonio in Pagliacci among others. In addition to frequently singing opposite his wife on the operatic and concert stage, Rimini also performed frequently with Amelita Galli-Curci. The two of them sang their first Figaro and Rosina in Il barbiere di Siviglia together with the Chicago Opera Company among many other performances.[4]

Rimini and his wife both retired from the operatic stage in 1938, deciding to dedicate their time to teaching the next generation of opera singers. They opened a voice/opera school in Chicago which they ran for two decades. As a part of the school, students would travel to Italy with Rimini and his wife to study in Verona, often staying at their teacher's villa. Rimini and Raisa had one daughter, Rosa Guilietta Segala, who was born in July 1931.[5]

Giacomo Rimini died on March 6, 1952 in his sleep at his home in Chicago.

[edit] Discography

[edit] Opera Recordings

[edit] Other Recordings

  • Opera in Chicago, Vol.2, Symposium label, released on January 14, 1997, ASIN: B000001XWZ. Rimini sings on only two tracks: an aria from Ambroise Thomas' Hamlet and an aria from Verdi's Un Ballo In Maschera.
  • Rosa Raisa Complete Recordings, Marston label, released August 11, 1998, ASIN: B00000AE0L. Rimini appears on over a dozen tracks singing works by Verdi, Mascagni, and Mozart.

[edit] References

  1. ^ http://www.angelfire.com/ab/day/mar22.html
  2. ^ "GIACOMO RIMINI, 63, OPERATIC BARITONE; Celebrated Chicagoan Who Had Been Selected by Toscanini Dies--U. S. Debut in '16", "The New York Times" 1952-03-06.
  3. ^ http://www.time.com/time/magazine/article/0,9171,816160,00.html?iid=chix-sphere
  4. ^ "GIACOMO RIMINI, 63, OPERATIC BARITONE; Celebrated Chicagoan Who Had Been Selected by Toscanini Dies--U. S. Debut in '16", "The New York Times" 1952-03-06.
  5. ^ "GIACOMO RIMINI, 63, OPERATIC BARITONE; Celebrated Chicagoan Who Had Been Selected by Toscanini Dies--U. S. Debut in '16", "The New York Times" 1952-03-06.