George A. Romero

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George A. Romero

Romero at Comic Con, July 2007
Born George Andrew Romero
February 4, 1940 (1940-02-04) (age 68)
New York, NY, U.S.
Spouse(s) Christine Forrest (1981 - present)

George Andrew Romero (born February 4, 1940) is an American director, writer, editor and actor. He is best known for his Dead Series of five horror movies featuring a zombie apocalypse theme and commentary on modern society.

Contents

[edit] Biography

Romero was born in New York City to a Cuban American father and a Lithuanian-American mother.[1][2] His father worked as a commercial artist.[3] Romero attended Pittsburgh's Carnegie Mellon University. After graduating in 1960,[4] he began his career shooting short films and commercials. One of his early commercial films, a segment for Mister Rogers' Neighborhood in which Mr. Rogers underwent a tonsillectomy,[5] inspired Romero to go into the horror film business.[6] He and friends formed Image Ten Productions in the late 1960s, and they chipped in roughly $10,000 apiece to produce what became one of the most celebrated horror films of all time: Night of the Living Dead (1968). The movie, directed by Romero and co-written with John A. Russo, became a cult classic and a defining moment for modern horror cinema. Romero updated his original screenplay and executive produced the remake of Night of the Living Dead directed by Tom Savini for Columbia / Tristar in 1990.

Romero's films during the years after 1968's Night of the Living Dead were less popular: There's Always Vanilla (1971), Jack's Wife / Season of the Witch (1972) and The Crazies (1973). Though not as acclaimed as Night of the Living Dead or some of his later work, these films have his signature social commentary while dealing with primarily horror-related issues at the microscopic level. The Crazies, dealing with a biospill that induces an epidemic of homicidal madness, and the critically acclaimed arthouse success Martin (1977), a film that strikingly deconstructs the vampire myth, were the two standout efforts during this period. Like almost all of his films, they were shot in or around Romero's favorite city of Pittsburgh.

In 1978, Romero returned to the zombie genre with Dawn of the Dead (1978). Shot on a budget of just $500,000 (the producers gave a false figure of $1.5 million to help their negotiating position with distributors), the film earned over $55 million worldwide and was named one of the top cult films by Entertainment Weekly in 2003. Romero made a third entry in his "Dead Series" with Day of the Dead (1985), which was less popular at the box office, but has since gone on to gain a cult following thanks to VHS and DVD releases.

During this period, Romero also made Knightriders (1981), another festival favorite about a group of modern-day jousters who reenact tournaments on motorcycles, and the successful Creepshow (1982), written by Stephen King, an anthology of tongue-in-cheek tales modeled after 1950s horror comics.

Throughout the latter half of the 1980s and 1990s, Romero made various films, including Monkey Shines (1988) about a killer helper monkey, Two Evil Eyes (1990), an Edgar Allan Poe adaptation in collaboration with Dario Argento, the Stephen King adaptation The Dark Half (1992) and Bruiser (2000), about a man whose face becomes a blank mask.

Romero had a cameo appearance in Jonathan Demme's Academy Award-winning The Silence of the Lambs in 1991 as one of Hannibal Lecter's jailers.

In 1998, Romero returned to the horror scene, this time with a commercial. He directed the live action commercial shot (promoting the videogame Resident Evil 2) which was shot in Tokyo, Japan. The 30-second advertisement was live action and featured the game's two main characters, Leon S. Kennedy and Claire Redfield, fighting a horde of zombies while in Raccoon City's Police Station. The project was a natural for Romero, as the Resident Evil series has been heavily influenced by Romero's "Dead" projects. The commercial was rather popular and was released in the weeks before the game's actual release, although a contract dispute prevented the commercial from being shown outside Japan. Capcom was so impressed with Romero's work, it was strongly indicated that Romero would direct the first Resident Evil film. He initially declined, stating in an interview, "I don't wanna make another film with zombies in it, and I couldn't make a movie based on something that ain't mine",[citation needed] although in later years he reconsidered and wrote a script for the first movie. While many were impressed with the script (which garnered positive reviews), it was eventually rejected in favor of Paul W.S. Anderson's far less faithful treatment.

Universal Studios produced and released a remake of Dawn of the Dead in 2004, with which Romero was not involved. Later that year, Romero kicked off the DC Comics title Toe Tags with a six-issue miniseries titled The Death of Death. Based on an unused script that Romero had previously written as a sequel to his "Dead Trilogy", the comic miniseries concerns Damien, an intelligent zombie who remembers his former life, struggling to find his identity as he battles armies of both the living and the dead. Typical of a Romero zombie tale, the miniseries includes ample supply of both gore and social commentary (dealing particularly here with corporate greed and terrorism - ideas he would also explore in his next film in the series, Land of the Dead). Romero has stated that the miniseries is set in the same kind of world as his "Dead" films, but featured other locales besides Pittsburgh, where the majority of his films take place.[7]

Romero, who lives in Toronto, Ontario, Canada[8] and has applied for permanent residency there,[9] filmed a fourth "Dead" movie in that city titled Land of the Dead. The movie's working title was "Dead Reckoning".[10] Its $16 million production budget was the highest of the four movies in the series.[11] Actors Dennis Hopper, Asia Argento and John Leguizamo star in the film. It was released on June 24, 2005 to generally positive reviews.

Some critics have seen social commentary in much of Romero's work. They view Night of the Living Dead as a film made in reaction to the turbulent 1960s, Dawn of the Dead as a satire on consumerism, Day of the Dead as a study of the conflict between science and the military, and Land of the Dead as an examination of class conflict.

Romero is currently separated from his wife, Christine Forrest, whom he met on the set of Season of the Witch. They have two children together.

Romero collaborated with the game company Hip Interactive in creating a game called City of the Dead, but the game was canceled midway due to the financial problems of the company.

In June 2006, Romero began his next project, called Zombisodes. Broadcast on the web, they are a combination of a series of "Making of" shorts and story expansion detailing the work behind the film George A. Romero's Diary of the Dead. Shooting began in Toronto in July 2006.[12]

In August 2006, The Hollywood Reporter made two announcements about Romero, the first being that he will write and direct a film based on a short story by Koji Suzuki, author of Ring and Dark Water, called Solitary Isle[13] and the second announcement pertaining to his signing on to write and direct George A. Romero's Diary of the Dead, which followed a group of college students making a horror movie in the woods, who stumble on a real zombie uprising. When the onslaught begins, they seize the moment as any good film students would, capturing the undead in a "cinema verite" style that causes more than the usual production headaches.[14][15] The film was independently financed, making it the first indie zombie film Romero has done in years.

After a limited theatrical release, Diary of the Dead was released on DVD by Dimension Extreme on May 20, 2008.

[edit] Influences

Romero ranked his top ten films of all time for the 2002 Sight & Sound Greatest Films Poll (2002). They are The Brothers Karamazov, Casablanca, Dr. Strangelove, High Noon, King Solomon's Mines (1950), North by Northwest, The Quiet Man, Repulsion, Touch of Evil and The Tales of Hoffman. Romero listed the films in alphabetical order, with special placement given to The Tales of Hoffman, which he cites as "my favourite film of all time; the movie that made me want to make movies."[12]

[edit] Filmography

  1. Night of the Living Dead (1968)
  2. There's Always Vanilla (1971)
  3. The Crazies (1973)
  4. Jack's Wife / Season of the Witch (1973)
  5. The Winners (1973, television series)
  6. O. J. Simpson: Juice on the Loose (1974)
  7. Martin (1977)
  8. Dawn of the Dead (1978)
  9. Knightriders (1981)
  10. Creepshow (1982)
  11. Tales from the Darkside (1984, television series)
  12. Day of the Dead (1985)
  13. Monkey Shines (1988)
  14. Two Evil Eyes (1990)
  15. The Dark Half (1993)
  16. Bruiser (2000)
  17. Land of the Dead (2005)
  18. Diary of the Dead (2008)
  19. Solitary Isle (TBA)

[edit] Books and comics

  1. Dawn of the Dead (with Susan Sparrow; movie tie-in), 1979
  2. Bizarro! by Tom Savini (foreword), 1984
  3. Martin (with Susan Sparrow; movie tie-in), 1984
  4. Book of the Dead edited by John Skipp and Craig Spector (foreword), 1989
  5. Toe Tags #1-6 ("The Death of Death"; DC Comics), 2004–2005

[edit] References

  1. ^ The GENRE ONLINE.NET Interview - Writer and Director George A. Romero
  2. ^ Movies.about.com article
  3. ^ George A. Romero Biography (1940-)
  4. ^ George Romero
  5. ^ Mr. Rogers underwent a tonsillectomy
  6. ^ Midnight Movies: From the Margin to the Mainstream (2005)
  7. ^ newsarama.com/forums/showthread.php
  8. ^ Romero interview at The A.V. Club
  9. ^ "Director Romero longs to call Toronto home", The Toronto Star, February 13, 2008
  10. ^ Release data and AKA information at IMDB
  11. ^ George A. Romero Interview
  12. ^ BFI - Sight & Sound Top Ten Poll 2002

[edit] External links

[edit] External links specific to the "Dead" films

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Films directed by George A. Romero