Gene Clark

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Gene Clark

Background information
Birth name Harold Eugene Clark
Born November 17, 1944(1944-11-17) Tipton, Missouri, U.S.A.
Origin Los Angeles
Died May 24, 1991 Sherman Oaks, California, U.S.A.
Genre(s) Country rock
Folk rock
Psychedelic rock
Folk
Country
Blues
Occupation(s) Musician, singer-songwriter
Instrument(s) Guitar, singing, harmonica
Voice type(s) Tenor
Years active 1964-1991
Label(s) Columbia, A&M, Asylum, RSO, Capitol, Takoma
Associated acts The Byrds, Roger McGuinn, David Crosby, Chris Hillman, Gram Parsons, McGuinn, Clark and Hillman, Doug Dillard, Dillard and Clark, Jesse Ed Davis, The Long Ryders,


Gene Clark, born Harold Eugene Clark (born Tipton, Missouri, November 17, 1944[1] - May 24, 1991) was an American singer-songwriter, and one of the founding members of the folk-rock group The Byrds.

Gene Clark is best remembered for his association with the Byrds between 1964 and 1966. He created a large catalogue of music in several genres but failed to achieve great commercial success. Clark was one of the earliest exponents of psychedelic rock, baroque pop, newgrass, country rock and alternative country.

Contents

[edit] Biography

[edit] Early life

Born in Tipton, Missouri, the second eldest of thirteen children (his sister Bonnie being the eldest), Clark began learning the guitar at age nine and was soon picking out Hank Williams tunes as well as material by early rockers such as Elvis Presley and the Everly Brothers. Before long he was writing his own songs and, at 13, joined a local rock & roll combo, Joe Meyers and the Sharks. Like many of his generation, Clark developed an interest in folk music because of the popularity of the Kingston Trio. Clark graduated from Bonner Springs High School in Bonner Springs, Kansas in 1962.

[edit] Formation of The Byrds

He began performing with several folk groups working out of Kansas City at the Castaways Lounge, owned by Hal Harbaum, where he was discovered by the New Christy Minstrels, in August 1963, who hired him for their ensemble and with whom he remained for six months. After hearing the Beatles, Clark quit the Christys and moved to Los Angeles where he met fellow folkie/Beatles convert Jim (later Roger) McGuinn at the Troubadour Club and in early 1964 they began to assemble a band that would become The Byrds.

Gene Clark wrote many of The Byrds' best-known originals, including: "I'll Feel a Whole Lot Better", "Set You Free This Time", "Here Without You", "She Don't Care About Time" and "Eight Miles High". He played harmonica for the band, too (notably on "Set You Free This Time"). A management decision delivered the lead vocal duties to McGuinn for their major singles and Dylan covers. This disappointment, combined with Clark's dislike of traveling (including a chronic fear of flying) and resentment by other band members about the extra income he derived from his songwriting, led to internal squabbling and he left the group in early 1966. He briefly returned to Kansas City before moving back to Los Angeles to form Gene Clark & the Group with Chip Douglas, Joel Larson, and Bill Rhinehart.

[edit] Solo career and rejoining The Byrds

Columbia Records, (the Byrds' record label), signed Clark as a solo artist and, in 1967, he released his first solo LP, Gene Clark with the Gosdin Brothers, a mixture of pop, country rock and baroque-psychedelic tracks. The record received favourable reviews but unfortunately for Clark, it was released almost simultaneously with the Byrds' Younger Than Yesterday, also on Columbia, and (partly due to his 18 month-long public absence) was a commercial failure. With the future of his solo career in doubt, Clark briefly rejoined the Byrds in 1967 as a replacement for the recently-departed David Crosby but left after only 3 weeks following a panic attack in Minneapolis just before boarding an aircraft.

In 1968, Clark signed with the artist-friendly A&M Records and began a collaboration with banjo player Doug Dillard as Dillard & Clark. With guitarist Bernie Leadon (later with The Flying Burrito Brothers and The Eagles), they produced two country rock and bluegrass-flavored albums: The Fantastic Expedition of Dillard & Clark and Through the Morning Through the Night, both of which fared poorly on the charts but were praised by critics. Unhelpfully, Clark's refusal to tour limited promotion of the material and thus hindered sales. Dillard & Clark also experienced misfortune when Lalo Schifrin was replaced by John Williams as music conductor of the movie "The Reivers" because Schifrin had planned their inclusion on the soundtrack with a subsequent single release. Through the Morning Through the Night was more bluegrass in character than its predecessor, used electric instrumentation and included Donna Washburn (Dillard's girlfriend) as a backing vocalist, all of which contributed to the departure of Bernie Leadon. The loss of Leadon as a co-writer meant that the album featured more covers than originals and the change of musical direction caused Clark to lose faith in the group, from which he departed in late 1969. In hindsight, Dillard & Clark, together with The Flying Burrito Brothers, Buffalo Springfield, Poco and The Byrds can be credited as prime influences on later soft Country Rock performers such as The Eagles, Pure Prairie League, and Firefall.

In 1970, Clark began work on a new single, recording two tracks with the original members of the Byrds (each recording his part separately). The resulting songs, "She's The Kind Of Girl" and "One in a Hundred", were not released at the time due to legal problems and were included later on Roadmaster. Frustrated with the music industry, Clark bought a home at Albion near Mendocino, disavowed alcohol, married, and fathered two children while living off his still substantial Byrds royalties.

In 1970 and 1971, Clark contributed vocals and two compositions ("Tried So Hard" and "Here Tonight") to albums by the Flying Burrito Brothers. It has been rumored that Clark was invited to replace Gram Parsons and/or Leadon as frontman of the group; however John Einarson's biography of Clark, Mr Tambourine Man, has put paid to this myth. The Burritos never considered enlisting Clark because of his aversion to travel.

[edit] White Light

It wasn't until 1971 that a further Gene Clark solo set finally emerged. The album was meant to be named White Light but, possibly due to the record label's concern about drug references, the title Gene Clark was used. The record was produced by the much sought after Native American guitarist Jesse Ed Davis with whom Clark developed great rapport, partly due to their common Indian ancestry. A largely-acoustic work supplemented by slide guitar work by Davis, the album contained many introspective tracks such as "With Tomorrow", "Because of You", " Where My Love Lies Asleep" and "For a Spanish Guitar" (hailed by Bob Dylan as a song he would have been proud to compose). All of the material was written by Clark, with the exception of the Dylan number "Tears of Rage". Launched to almost universal critical acclaim, the LP failed to gain commercial success, except in Holland where it was also voted album of the year by rock music critics. Once more, Clark's refusal to undertake promotional touring adversely affected sales.

In the spring of 1971, Clark was commissioned by Dennis Hopper to contribute the tracks "American Dreamer" and "Outlaw Song" to Hopper's film project, "American Dreamer".

A re-recorded, longer version of the song "American Dreamer" was later used in the 1977 film "The Farmer", along with an instrumental version of the same song plus "Outside the Law (The Outlaw)" (a re-recording of "Outlaw Song").

In 1972, Clark assembled a backing group consisting of highly accomplished country rock musicians to accompany him on a further album with A&M. Progress was slow and expensive and the project was terminated before completion by A&M. The resulting eight tracks, together with those recorded with The Byrds in 1970/71 and another with The Flying Burrito Brothers ("Here Tonight"), were belatedly released as Roadmaster in the Netherlands only where it became a best seller.

In 1973, the Dillard & Clark song "Through The Morning Through The Night" was used in Lalo Schifrin's soundtrack of the Sam Peckinpah movie The Getaway. The song was also recorded by Alison Krauss and Robert Plant for their Raising Sand album in 2007.

[edit] Byrds

Clark then left A&M to rejoin the original Byrds and cut the album Byrds (1973) which charted well (US # 20). Clark's compositions "Full Circle" and "Changing Heart" plus the Neil Young covers on which he did the lead vocal work ("See The Sky About To Rain" and "Cowgirl In The Sand") were widely regarded as the standout tracks on a record which received overwhelmingly negative critical response. Disheartened by the bad reviews and unhappy with David Crosby's performance as the record's producer, the group members chose to dissolve The Byrds. Clark briefly joined McGuinn's solo group, with which he premiered "Silver Raven", arguably his most celebrated post-Byrds opus.

On the basis of the quality of Clark's Byrds contributions, David Geffen signed him to Asylum Records in early 1974. Asylum was the home of the most prominent exponents of the singer-songwriter movement of the era and carried the kind of hip cachet that Clark hadn't experienced since his days with The Byrds. He retired to Mendocino and spent long periods at the picture window of his friend (and future co-writer and drummer) Andy Kandanes' cliff-top home with a notebook and acoustic guitar in hand, staring at the Pacific Ocean. Deeply affected by his visions, he composed numerous songs which would serve as the basis for his only Asylum LP, the aptly titled No Other. Produced by Thomas Jefferson Kaye with a vast array of session musicians and backing singers, the album was an amalgam of country rock, folk, gospel, soul and choral music with poetic, mystical lyrics but it was not well received by many contemporary critics who categorised it as an overproduced indulgence. Because No Other wasn't a conventional pop/rock opus, its chances of success were greatly minimised by Clark's relative obscurity. Furthermore, because it only consisted of eight tracks (the rumour that it was originally intended to be a double-album has been put to rest by Einarson's biography) produced at a cost of $100,000, an enraged Geffen berated Clark and Kaye. Shortly after, Clark assailed Geffen in public and the label refused further promotion of the album which then stalled in the charts at #144. On a more personal note, the singer's return to Los Angeles and his reversion to a hedonistic lifestyle resulted in the disintegration of his marriage. In spite of these setbacks, he mounted his first solo tour (by road) in an attempt to salvage No Other, playing colleges and clubs with backing group, the Silverados.

[edit] No Other

Throughout 1975 and 1976, Clark hinted to the press that he was assembling a set of "cosmic Motown" songs fusing country-rock with R&B and funk, elaborating on the soundscapes of No Other. A set of ten demos were submitted to Asylum who promptly bought out Clark's contract.

In 1977 Clark released his RSO Records debut entitled Two Sides to Every Story. Once again produced by Thomas Jefferson Kaye but with a much more understated hand, the record was another characteristic offering of his style of sensitive country-rock balladry but failed to achieve US chart success. In a belated attempt to find an appreciative public, he temporarily overcame his fear of flying and launched an international promotional tour. For his British dates, Clark found himself booked with ex-Byrds Roger McGuinn and Chris Hillman, the success of which led the three to sign with Capitol Records which released their self-titled debut in 1979.

McGuinn, Clark and Hillman was a rebirth in both performing and songwriting for Clark. The media loved the band and they performed on many TV rock shows, including repeated performances on The Midnight Special, where they played both new material and Byrds hits. "Don't You Write Her Off" reached #33 in April 1979. Many felt that the album's slick production and disco rhythms didn't flatter the group, and the album had mixed success both critically and commercially, but it sold enough to generate a follow up. McGuinn, Clark and Hillman's second release was to have been a full group effort entitled City, but a combination of Clark's unreliability and his dissatisfaction with their musical direction (mostly regarding Ron and Howard Albert's production) resulted in the billing change on City to "Roger McGuinn and Chris Hillman, featuring Gene Clark". Despite the turmoil, Clark penned a classic love song, "Won't Let You Down", rumoured to have been offered as an olive branch to the other former Byrds. By 1981 Clark had left, and the group briefly continued as "McGuinn/Hillman".

[edit] Rehabilitation, Firebyrd, and So Rebellious a Lover

Clark moved to Hawaii with Jesse Ed Davis to try to overcome his drug dependency, remaining there until the end of 1981. Upon his return to L.A., he assembled a new band and proceeded to record what would eventually become the album Firebyrd (the title acknowledges the Byrds and Firefall origins of some members). While waiting for Firebyrd to be released, Clark joined up with Chris Hillman and others in an abortive venture called Flyte which failed to secure a recording contract and was quickly dissolved. Firebyrd's eventual release in 1984 coincided with the emergence of jangle rockers like R.E.M. and Tom Petty who had sparked a new interest in the Byrds. Clark began developing new fans among L.A.'s roots-conscious paisley underground scene. He embraced his new status by appearing as a guest with The Long Ryders and by cutting a duo album with Carla Olson of the Textones titled So Rebellious a Lover in 1986.

So Rebellious a Lover was highly praised and became a modest commercial success (it was the biggest selling album of Clark's solo career), but Clark began to develop serious health problems; he had ulcers, aggravated by years of heavy drinking (often used to alleviate his chronic travel anxiety, most likely caused by undiagnosed Bipolar disorder), and in 1988 he underwent surgery, during which much of his stomach and intestines had to be removed. A period of abstinence and recovery followed until Tom Petty's cover of "I'll Feel a Whole Lot Better", on his 1989 album Full Moon Fever, yielded a huge amount of royalty money to Clark who quickly reverted to massive drug and alcohol abuse. His health began to deteriorate and, at the same time, he also lost a certain amount of goodwill among longtime Byrds fans due to his collaboration with drummer Michael Clarke in a series of shows billed "A 20th Anniversary Celebration of The Byrds." Many clubs simply shortened the billing to "The Byrds" and the pair soon found themselves in an ugly legal battle with Roger McGuinn, David Crosby, and Chris Hillman over usage of the group's name. The Byrds set aside their differences long enough to appear together at their induction into the Rock & Roll Hall of Fame in January of 1991, where the original lineup played a few songs together, including Clark's "I'll Feel a Whole Lot Better". However, Clark's health continued to decline as his drinking accelerated and on May 24, 1991, not long after he had begun work on a second album with Carla Olson, Gene Clark died at the age of 46, the coroner declaring that he succumbed as a result of "natural causes" brought on by a bleeding ulcer. He was buried in Tipton under a simple headstone inscribed "Harold Eugene Clark - No Other".

[edit] Discography

[edit] Covered songs

Gene Clark's songs have been covered by several artists. Death In Vegas and Paul Weller covered his song "So You Say You Lost Your Baby" on their 2003 album Scorpio Rising. In 2007, two of his songs were recorded by Alison Krauss and Robert Plant on the T-Bone Burnett produced Raising Sand. "Polly Come Home" and "Through the Morning, Through the Night" are two of the highlights of this critically acclaimed album. This Mortal Coil covered "Strength of Strings" from his LP "No Other" and "With Tomorrow" from LP "White light".

[edit] Notes

  1. ^ Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. Backbeat books, p.6. ISBN 0-87930-793-5. 

[edit] References

  • Einarson, John (2005). Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark. Backbeat books. ISBN 0-87930-793-5. 

[edit] External links

v • d • e
The Byrds
Roger McGuinn | Chris Hillman | David Crosby | Gene Clark | Michael Clarke | Gram Parsons | Kevin Kelley | Clarence White | Gene Parsons | John York | Skip Battin | John Guerin | Joe Lala | Jimmi Seiter
Studio albums
Live albums
Compilations
Box Sets