Gaslight (1944 film)
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- This article is about the 1944 film Gaslight. For the 1940 release, see Gaslight.
Gaslight | |
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Directed by | George Cukor |
Produced by | Arthur Hornblow Jr. |
Written by | Patrick Hamilton (play) John Van Druten Walter Reisch John L. Balderston |
Starring | Charles Boyer Ingrid Bergman Joseph Cotten Dame May Whitty Angela Lansbury |
Music by | Bronislau Kaper |
Cinematography | Joseph Ruttenberg |
Editing by | Ralph E. Winters |
Distributed by | MGM |
Release date(s) | May 4, 1944 (U.S. release) |
Running time | 114 min. |
Language | English |
Allmovie profile |
Gaslight is a 1944 film adapted from Patrick Hamilton's play Gas Light. It was the second version to be filmed; the first, released in Great Britain, had been made a mere four years earlier. This 1944 version of the story was directed by George Cukor and starred Ingrid Bergman, Charles Boyer, Joseph Cotten, and eighteen-year-old Angela Lansbury in her screen debut.
[edit] Plot
The film opens just after world-famous opera singer Alice Alquist has been murdered. The perpetrator bolted, without the jewels he sought, after being interrupted by Paula (Bergman), Alice's niece, who was raised by her aunt following her mother's death.
Paula is sent to Italy so that she can train to be an opera star, with the same teacher who once trained Alice. She studies with him for years, all the while trying to forget that terrible night at Number 9 on Thornton Square in London.
Paula meets Gregory Anton (Boyer) and soon falls in love with him. She eventually ends her long tutelage to marry him. He persuades her they should live in the long-vacant London townhouse her aunt bequeathed her and, to help calm her anxieties, suggests they store all of Alice's furnishings away in the attic. Before they do, Paula discovers a letter addressed to her aunt by a man named Sergius Bauer, dated only two days before the murder, tucked away in a music book. Gregory's reaction is swift and violent, but he quickly composes himself, explaining his outburst as one of frustration at the bad memories his bride is experiencing.
After Alice's things are packed away in the attic and the door is blocked, things take a turn for the bizarre. At the Tower of London, Paula loses a brooch that Gregory had given her, despite its having been stored safely in her handbag. Pictures disappear from the walls of the house, footsteps are heard in the sealed attic, and the gaslights dim and brighten for no apparent reason. Gregory insinuates that Paula is responsible, but she professes no recollection of doing such things.
Gregory does everything in his power to isolate his wife from other people, allowing her neither to go out nor have visitors. On the one occasion when he does take her out to a musical gathering at a friend's house, he shows Paula his watch chain, from which his watch has mysteriously disappeared. When he finds it in her handbag, she becomes hysterical, and Gregory takes her home.
The young maid, Nancy (Angela Lansbury) does little to improve the situation. Whenever she shows up, her face betrays a feeling of disdain; Paula becomes convinced that Nancy loathes her.
Unknown to Paula, Gregory is in fact Sergius Bauer, her aunt's murderer. He actually sought her out in Italy, managed to win her heart, married her, and suggested that they live in London, all so he could get back into the house, to continue searching for Alice's jewels. He has been secretly rummaging through Alice's belongings in the attic to find what he is certain is there, but they are so well hidden, he has been unable to find them. He has done everything in his power to convince his wife that she is going mad, so he can have her certified insane and confined, so he can search without impediment.
It almost works. Paula is saved by a chance encounter with a stranger at the Tower of London. He turns out to be Inspector Brian Cameron of Scotland Yard (Cotten), an admirer of Alice Alquist since his childhood. By enlisting the support of the housekeeper Elizabeth (Barbara Everest) (who suspects her master is at the root of all the odd events) and a neighborhood busybody (Dame May Whitty), Cameron is able to delve into the long-cold case. The dramatic conclusion comes as he moves in to arrest Gregory on the very evening that the latter at last has discovered the jewels that he has been seeking for so long.
The dénouement partly involves Paula indulging herself in a bit of revenge, psychologically torturing Gregory after he has been bound to a chair, tantalizing him with the suggestion that she might free him so he can escape arrest, trial, and execution.
From the film's title, "gaslighting" acquired the meaning of ruthlessly manipulating an individual, for nefarious reasons, into believing something other than the truth.
[edit] Awards and Nominations
At the 1944 Academy Awards, the film was nominated for seven Oscars: Best Picture, Best Actress for Ingrid Bergman, Best Actor for Charles Boyer, Best Supporting Actress for Angela Lansbury, Best Adapted Screenplay, Best Art Direction (black and white), and Best Cinematography (black and white), winning for actress and art direction.
[edit] External links
- Gaslight (1944 film) at the Internet Movie Database
- Gaslight (1944 film) at the TCM Movie Database
- Gaslight (1944 film) at Rotten Tomatoes
- Radio adaptation of Gaslight April 29, 1946 on Lux Radio Theatre; 44 minutes, with Ingrid Bergman and Robert Montgomery (MP3)
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