Ganendranath Tagore
From Wikipedia, the free encyclopedia
See Tagore for disambiguation
| Ganendranath Tagore | |
| Born | 1841 Kolkata |
|---|---|
| Died | May 16, 1869 Kolkata |
| Occupation | Musician, theatre personality, nationalist |
| Spouse | Swarnakumari Devi. |
Ganendranath Tagore was a musician and theatre personality, and contributed substantially to nationalist discourse. One of the first students to pass the Entrance Examinations (school leaving or university entrance) of Calcutta University, he was the founder-secretary of Hindu Mela.[1].[2]
Contents |
[edit] Family
Dwarkanath Tagore, the founder of Jorasanko branch of the Tagore family had left behind three sons at the time of his death – Debendranath, Girindranath and Nagendranath. Both Girindranath and Nagendranath died quite young. Nagendranath did not leave behind any children.[3]Ganendranath was the eldest son of Girindranth and Jogmaya Devi. His younger brother was Gunendranath. Ganendranath did not leave behind any children. Gunendranath’s children were – Gaganendranath, Samarendranath, Abanindranath, Binayini Devi and Sunayani Devi.[4]
They used to live in what was known as the “Baitakkhana Bari” of Jorasanko Thakur Bari. That portion has since been demolished.[5] He used to be called ‘Mejadada’ (second elder brother) in the joint family, as he was younger to Dwijendranath but older to Satyendranath.[6]
[edit] Formative years
He was a student of Hindu School and when Calcutta University introduced the Entrance examination in 1857, he and Satyendranath Tagore passed out in first division.[1]
Ganendranath was an ardent writer and translated Kalidas’s Vikramorvashiya into Bengali in 1869.[2] He composed devotional songs known as Brahma Sangeet and songs with patriotic fervour.[1]A Brahma Sangeet CD containing songs sung by Subinoy Roy and brought out in 2007 has a composition of his entitled “Gaao Hey Taahaari Naam” (Oh! sing His name) as the title song. [7]
Chitra Deb writes, “More than from any other source, it was from this group (Debendranath Tagore’s children) and their cousins (Ganendranath and Gunendranath) that the rising new currents of Bengali literature and culture drew their strength.” [8]
[edit] Jorasanko Natyashala
Ganendranath had great attraction for the theatre. He established the Jorasanko Natyasala, a private theatre in the houshold, in Kolkata (then known as Calcutta) in 1865 and staged Krishnakumari written by Michael Madhusudan Dutta that year itself. Young Jyotirindranath had the first opportunity to act in it in the role of Ahalyadevi.[6]At first men played women’s roles, but subsequently women of the family also acted before an audience of friends and relatives.[8]
As there were few good plays in Bengali, which could be taken up for staging, Ganendranath announced a prize for writing plays on social themes. Nabanatak written by Ramnarayan Tarkaratna won the first prize. He awarded the playwright Rupees two hundred (a princely sum in those days) and promised to bear the cost of printing a thousand copies of the play. [9][1] Akshay Mazumder, Sarada Prasad Ganguly, Jyotirindranath Tagore and others took part in the acting. [10]
[edit] Hindu Mela
Ganendranath founded the Hindu Mela, along with Dwijendranath Tagore, Rajnarayan Basu, and Nabagopal Mitra in 1867. He was founder-secreatry of the organisation. It sought to promote patriotism as well as indigenous industry. Speaking at the inaugural session, he said, “This gathering is not for ordinary religious activity, not for attaining happiness in any matter, not for entertainment, it is for the country, the mother land.” [6][1][11]On another occasion he said, “One of the major drawbacks of India is that we are always looking towards the nobility for whatever assistance we require. It is a matter of great shame. Are we not human beings? One of the aims of the mela is to infuse the spirit of self-dependence in the country.”[12]
Ganendranath earned a great reputation for a song which was sung in the Hindu Mela several times – “Lajjay Bharat-jas gaibo ki kore” (How shall I sing in glory of India, because I am buried in shame.) [13]
[edit] References
- ^ a b c d e Sengupta, Subodh Chandra and Bose, Anjali (editors), 1976/1998, Sansad Bangali Charitabhidhan (Biographical dictionary) Vol I, (Bengali), p. 127, ISBN 8185626650
- ^ a b Islam, Sirajul. Ganendranath Tagore. Banglapedia. Asiatic Society of Bangladesh. Retrieved on 2007-04-24.
- ^ Bannerjee, Hiranmay, Thakurbarir Katha, (Bengali), p.52 , Sishu Sahitya Sansad.
- ^ Bannerjee, Hiranmay, family chart on p. 225.
- ^ Bannerjee, Hiranmay, p. 6.
- ^ a b c Bannerjee, Hiranmay, pp. 103-104.
- ^ Gaao Hey Taahaari Naam. Subinoy Roy. Inreco. Retrieved on 2007-04-24.
- ^ a b Deb, Chitra, Jorasanko and the Thakur Family, in Calcutta, the Living City, Vol I, edited by Sukanta Chaudhuri, pp. 65-66, Oxford University Press, ISBN 0195636961
- ^ Bannerjee, Hiranmay, p. 219.
- ^ Mukhopadhyay, Ganesh. Theatre Stage. Banglapedia. Asiatic Society of Bangladesh. Retrieved on 2007-04-24.
- ^ The Tagores and society. Rabindra Bharati University. Retrieved on 2007-04-24.
- ^ Sastri, Sivanath, Ramtanu Lahiri O Tatkalin Banga Samaj {Bn icon}, 1903/2001, p. 151, New Age Publishers Pvt. Ltd.
- ^ Goswami, Karunamaya. Music. amrakajon.org. Retrieved on 2007-04-24.
| Persondata | |
|---|---|
| NAME | Ganendranath Tagore |
| ALTERNATIVE NAMES | |
| SHORT DESCRIPTION | Musician, theatre personality, nationalist |
| DATE OF BIRTH | 1841 |
| PLACE OF BIRTH | Kolkata |
| DATE OF DEATH | 16 May 1869 |
| PLACE OF DEATH | Kolkata |
