Gallows humor

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Gallows humor is a type of humor that arises from stressful, traumatic or life-threatening situations such as accidents, wartime events, natural disasters; often in circumstances where death is perceived as impending and unavoidable. It is similar to black comedy but differs in that it is made by the person affected.

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[edit] Examples

The apocryphal story of the condemned man being led into the execution chamber. The condemned prisoner points to the electric chair and asks the prison warden:

"Are you quite sure this thing's safe?"

From William Shakespeare's play Romeo and Juliet, Act 3, Scene 1:

Mercutio is stabbed in a swordfight by Tybalt, Juliet's cousin:

Romeo: "Courage, man; the hurt cannot be much."
Mercutio: "No, 'tis not so deep as a well, nor so wide as a church-door; but 'tis enough, 'twill serve: ask for me to-morrow, and you shall find me a grave man."

As Sir Thomas More climbed a rickety scaffold where he would be executed, he said to his executioner:

I pray you, Mr. Lieutenant, see me safe up; and for my coming down, let me shift for myself.

Immediately after the signing of the United States Declaration of Independence, but before the wars that secured independence, Benjamin Franklin is known to have said the following in danger of being accused of high treason to his fellow, often fractious delegates:

We must all hang together or, assuredly, we shall all hang separately.

After her career had declined and she had started aging, actress Tallulah Bankhead would answer the question "Are you Tallulah Bankhead?" with

No, darling, I'm what's left of her.

Author and playwright Oscar Wilde was destitute and living in a cheap boarding house when he found himself on his deathbed. There are variations on what the sentence exactly was, but his reputed last words were

My wallpaper and I are fighting a duel to the death; one or the other of us has got to go.

Perhaps one of the best examples of gallows humour in recent times is the conclusion to Monty Python's Life of Brian, in which a group of crucified criminals joyfully sings "Always look on the bright side of life".

[edit] Nature and functions of gallows humor

Sigmund Freud in his 1927 essay Humour (Der Humor) puts forth the following theory of the gallows humor: "The ego refuses to be distressed by the provocations of reality, to let itself be compelled to suffer. It insists that it cannot be affected by the traumas of the external world; it shows, in fact, that such traumas are no more than occasions for it to gain pleasure". Some other sociologists elaborated this concept further. At the same time, Paul Lewis warns that this "liberating" aspect of gallows jokes depends on the context of the joke: whether the joke is being told by the threatened person themselves or by someone else. [1]

[edit] References

  1. ^ Paul Lewis, "Three Jews and a Blindfold: The Politics of Gallows Humor", In: "Semites and Stereotypes: Characteristics of Jewish Humor" (1993), ISBN 0313261350, p. 49

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