Gaetano and Pietro Sgarabotto

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Father and Son 1926
Father and Son 1926


Contents

[edit] Biography

Gaetano Sgarabotto 1878 - 1959 was born in Vicenza. His son Pietro Sgarabotto 19031990 born in Milan, retired 1971, but still produced masterworks as late as 1979; both worked for their whole life in Italy as master violinmakers. [1]

Gaetano S. worked initially in the city of Vicenza for many years before moving to Milan in 1901 to work for Leandro Bisiach. He moved to Parma in 1926, where he stayed almost without interruptions until his death in 1959.

His son, Pietro, continued in his father’s profession and also became a master violinmaker in his own right. Today one speaks within initiated circles with the utmost admiration of the brief, but prestigious dynasty of violinmakers Sgarabotti. This refers to the historical presence of both these masters who, apart from creating their own master instruments, spent much of their time passing on experience to young violin makers. [2]

Indeed the activity of the Sgarabotto makers was very influential in the violin making school of Parma, Cremona and elsewhere. Much could be said about their combined influence on the cultural heritage within the musical world of string instruments, and of the enormous regard and esteem with which all their students and musicians held the masters. The greatest interest by posterity, of course, centers on their combined oeuvre, on the set of master violins from their hand left for us to play and admire.

The works of both the Sgarabotto makers can be readily identified by their meticulous choice of materials, the workmanship always being exquisitely “manual” in every phase of the making of each instrument, and showing extreme precision and loving care to detail.

The violin making of the Sgarabotto makers is always graceful, that of the father Gaetano said to be presenting a lighter touch whilst the graduation used by Pietro is more consistent. The sonority and general musical quality of these master violins of course shall forever be residing in their handling by the musicians and experts who are fortunate enough to play a Sgarabotto violin, viola, violoncello….

[3]

Gaetano Sgarabotto in his workshop 1929
Gaetano Sgarabotto in his workshop 1929

[edit] Bibliography

Gaetano e Pietro Sgarabotto-Liutai Violin Makers 1878-1990 Editrice TURRIS 1991 ISBN 88-7929-000-2

[edit] References

  • Philip J. Kass. "Bisiach Family", William Moening & Sons Ltd., 1983. Retrieved on 2007-04-05. 
  • Gaetano e Pietro Sgarabotto-Liutai Violin Makers 1878-1990 Editrice TURRIS 1991 ISBN 88-7929-000-2
  • Jost Thoene, Italian & French Makers (2006)
  • Marlin Brinser, Dictionary of 20th Century Italian Violin Makers (1978)
  • Carlo Vettori, I Maestri Del Novecento (1992)
  • Vannes, Rene [1951] (1985). Dictionnaire Universel del Luthiers (vol.3). Bruxelles: Les Amis de la musique. OCLC 53749830. 
  • William, Henley (1969). Universal Dictionary of Violin & Bow Makers. Brighton; England: Amati. ISBN 0901424005. 
  • Blot, Eric (1994). "Emilia e Romagna I", Un secolo di liuteria italiana, 1860-1960 - A century of Italian violin making. Cremona: Turris. ISBN 8879290266. 
  • Versari Artemio, Modern Violin Making in the Emilia-Romagna Region (2002)
  • Liuteria Parmense

[edit] External sources

Bisiach Family Heritage. by Philip J. Kass[4][5]

  1. ^ Philip J. Kass. "Bisiach Family", William Moening & Sons Ltd., 1983. Retrieved on 2007-04-05. 
  2. ^ Liuteria Parmense
  3. ^ Gaetano e Pietro Sgarabotto-Liutai Violin Makers 1878-1990 Editrice TURRIS 1991 ISBN 88-7929-000-2
  4. ^ Philip J. Kass. "Bisiach Family", William Moening & Sons Ltd., 1983. Retrieved on 2007-04-05. 
  5. ^ Philip J. Kass. "Selected World of Strings Newsletters", William Moening & Sons Ltd., 1982. Retrieved on 2007-04-05. 

Liuteria Parmense

Pietro Sgarabotto & David Oistrakh photo [1]

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