G minor
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Relative key | Bb major | |
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Parallel key | G major | |
Enharmonic | ||
Component pitches | ||
G, A, Bb, C, D, Eb, F, G |
- Also see: G major, or G-sharp minor.
G minor is a minor scale based on G, consisting of the pitches G, A, B♭, C, D, E♭, and F. For the harmonic minor scale, the F is raised to F♯. Its relative key is B-flat major, and its parallel major is G major.
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. G minor is one of two flat key signatures that requires a sharp for the leading tone (the other is D minor).
Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B-flat alto.[1] When Francesco Maria Veracini wrote six Overtures for the Prince of Dresden, the only one he wrote in a minor key was No. 5 in G minor.
In the Baroque era, G minor was considered the "key of tragic consummation."
[edit] Well-known classical compositions in this key
- String Quintet in G minor - Wolfgang Amadeus Mozart
- Prelude in G Minor (Rachmaninoff) - Sergei Rachmaninoff
- Adagio in G minor - Tomaso Albinoni
- Symphony No. 40 in G Minor, K. 550 - Mozart
- Ballade No. 1 (Chopin) - Frederic Chopin
- Piano Concerto No. 2 in G Minor, Op. 22 - Camille Saint Saens
See also: List of symphonies in G minor
[edit] References
- ^ H. C. Robbins Landon, Mozart and Vienna. New York: Schirmer Books (1991): 48. "Writing for four horns was a regular part of the Sturm und Drang G minor equipment." Robbins Landon also notes that Mozart's No. 40 was first intended to have four horns.
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lower case letters are minor the table indicates the number of sharps or flats in each scale |