Fujiwara no Yukinari
From Wikipedia, the free encyclopedia
Fujiwara no Yukinari, or Fujiwara no Kozei 藤原行成, (972–1027 CE) was a Japanese calligrapher (shodoka) during the Heian period. He was memorialized for his prowess in his chosen art by being remembered as one of the outstanding Three Brush Traces (Sanseki 三跡), along with Ono Michikaze and Fujiwara no Sukemasa.
Contents |
[edit] Life
Yukinari was the son of a courtier by the name of Fujiwara no Yoshitaka. After the early death of his father, he was raised by his grandfather, Prince Kanenori. Yukinari had a fairly successful career as a court official, serving as a Major Counselor. Yukinari further improved the Japanese style calligraphy (wayoshodo 和様書道), and showed great respect to its founder, Ono Michikaze (894-966). He even mentioned in his diary,Gonki, that he had a dream wherein he met Michikaze and learnt calligraphy from him.
Yukinari was known as the master of kana. His style was mild and easily emulated, his lines were dainty and exquisite , resulting in highly elegant characters. Fujiwara Yukinari is regarded as the founder of the Sesonji lineage of calligraphy, which later became the leading tradition of wayo (和様) calligraphy. His extant works were most written in Mana (Chinese characters used as units of meaning) in Gyosho or Sosho.
[edit] Works
One of his most well-known works is the handscroll of Bai Juyi's eight poems from volume 65 of his Poetic Anthology. He wrote this masterpiece in 1018 when he was forty-seven years old. The scroll was made by joining together nine pieces of specially prepared paper known as ryoshi, then dyed in light brown, claret, and other shades. This handscroll was treasured by Emperor Fushimi (reigned from 1288 to 1298) , and the colophon over the seams on the back of the paper attests to this fact. Currently, the scroll is stored in the Tokyo National Museum.
