From a Basement on the Hill

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From a Basement on the Hill
From a Basement on the Hill cover
Studio album by Elliott Smith
Released October 19, 2004
Recorded Portland, Oregon and Los Angeles
Genre Indie rock
Length 57:54
Label ANTI-
86741CD
Producer Elliott Smith
Rob Schnapf
Joanna Bolme
Professional reviews
Elliott Smith chronology
Figure 8
(2000)		 From a Basement on the Hill
(2004)		 New Moon
(2007)

From a Basement on the Hill is the sixth studio album by the late singer-songwriter Elliott Smith. Released posthumously on October 19, 2004 by ANTI- Records in CD, double LP, and digital download, it peaked at #19 in the US and #41 in the UK.

Basement was incomplete at the time of Smith's death. Smith's family hired his former producer Rob Schnapf and ex-girlfriend Joanna Bolme to sort through and put the finishing touches on the batch of over 30 songs that were recorded for the album. Although Smith had stated many times that he wanted Basement to be a double album, contractual obligations with the singer's former label DreamWorks (now Interscope) prevented them from releasing a double album on an independent label. Thus, a 15 track album was assembled and released. Many of the songs Smith intended for the album remained unfinished, in many cases lacking vocals.

Contents

[edit] Controversy among fans

David McConnell, although present throughout much of the actual recording process, save Smith's last year of working on the record, was not consulted during the mixing, nor was he asked for the extensive "three years' worth" of notes he and Smith had made while the album was being recorded.[1] The producer also noted that the track "Ostriches & Chirping", a short instrumental made from sampling and looping the noises made by a toy bird, had nothing to do with Smith and was something that McConnell had recorded by himself. McConnell said: "...don't ask me how this ended up on the record, I totally forgot I had put that on one of his reels."[2]

When asked what he believed the late Smith would think of the released version of the album, McConnell told Benjamin Nugent, "I don't think he would have delivered [that] record. The record he would have delivered would have had more songs, would have had different mixes and [been] a little more in-your-face."[1] Schnapf also expressed that the final result that he and Bolme had produced was not the album that Smith would have made, simply because Elliott was not around to finish the album. Schnapf also said that they did not add anything to the songs, and only mixed whatever had been recorded: "I would never presume to add anything. We didn't add anything."[3]

Jennifer Chiba, Elliott Smith's live-in girlfriend at the time of his death, was also not consulted while the album was being finalized, although the singer had spent hundreds of hours talking to her about his directions for the record (Spin, December 2004).

[edit] Track listing

All songs written by Elliott Smith except as noted.

  1. "Coast to Coast" – 5:33
  2. "Let's Get Lost" – 2:27
  3. "Pretty (Ugly Before)" – 4:45
  4. "Don't Go Down" – 4:34
  5. "Strung Out Again" – 3:12
  6. "A Fond Farewell" – 3:58
  7. "King's Crossing" – 4:57
  8. "Ostriches & Chirping" (David McConnell) – 0:33
  9. "Twilight" – 4:29
  10. "A Passing Feeling" – 3:22
  11. "The Last Hour" – 3:27
  12. "Shooting Star" – 6:01
  13. "Memory Lane" – 2:30
  14. "Little One" – 3:14
  15. "A Distorted Reality Is Now a Necessity to Be Free" – 4:32

Available on CD and LP. An Anti- release.

From a Basement on the Hill is written, performed, produced and recorded by Elliott Smith. Final production by Elliott's family and friends.

Recorded at New Monkey, Satellite Park, Audobahn Recording, Sunset Sound, Cherokee Recording, Fort Apache, Two Beers & Everybody Sings, Chateau Brion, and Elliott's homes in Portland, OR, and Los Angeles, CA.

Additional recording by Fritz Michaud, Jon Brion, Tom Biller, Matthew Ellard, Andrew Beckman, Chris Chandler, Ryan Castle, David McConnell, Dee Robb, Valente Torres, and Pete Magdaleno.

Mixed by Rob Schnapf, assisted by Joanna Bolme. Mastered by Ted Jensen at Sterling Sound, New York.

Design by Nick Pritchard for metrosea.com. Cover photo by Renaud Monfourny. Booklet photos by Paul Heartfield (page four), Dominic DiSala (page nine), Ashley Welch (page ten). Cut-out type by Autumn deWilde, handwritten font by Elliott Smith.

From a Basement on the Hill was Elliott's final record. He started working on the songs that would eventually be a part of the record while he was on the first leg of the Figure 8 tour. All songs were played live by Elliott at various times in his career. The album was rumored to be a double-record release, also it was rumored that Elliott would decide to release one record and then release another record six months later like The Beatles used to do.

[edit] Track information

  • "Coast to Coast" features poetry by Nelson Gary. Smith told Under the Radar in 2003, "I asked this friend of mine to make up something he could say as fast as he could in fifteen minutes about people healing themselves or being unable to heal themselves. While he's saying this thing there is a main vocal that goes over that."
  • "Pretty (Ugly Before)" previously appeared on a 2003 single on Suicide Squeeze Records, along with a different version of "A Distorted Reality Is Now a Necessity to Be Free". According to McConnell, Smith did not intend to have "Pretty (Ugly Before)" on the album.
  • In "King's Crossing", after Smith sings "give me one good reason not to do it," a woman's voice (Jennifer Chiba) can be faintly heard saying, "because I love you."[4] It reflects the phrase being shouted at shows in which Smith performed the song.
  • "Twilight" was originally entitled "Somebody's Baby".
  • If the song "Little One" is played backwards, one can hear some acoustic guitar lines as they were originally recorded, unreversed.
  • Wayne Coyne (of The Flaming Lips) and Elliott came up with the title for the song "A Distorted Reality is Now a Necessity to Be Free".[citation needed]
  • The composition of the track "Ostriches & Chirping" has been disputed. According to David McConnell, who worked with Smith in some of the earlier stages of the Basement album, this track was created by McConnell himself. A reel containing the track was found by Smiths's family, assumed to be a Smith composition, and was placed on the album. {{Fact}

[edit] Outtakes, B-sides, non-album tracks

The following songs were known to have been written and in various stages of recording (with some fully completed) during the Basement era, but were ultimately not included on the 2004 album:

[edit] Officially released

  • "A Distorted Reality is Now a Necessity To Be Free" (alternate version, found on the "Pretty (Ugly Before)" single.

[edit] Posthumously and unofficially released

  • "Abused" – vocals recorded over the Either/Or outtake from 1996
  • "Dancing on the Highway" – two alternate mixes have surfaced among fans, one backed by Figure 8 track "The Roost", the final mix is not available.
  • "Everything's Okay" – a reworking of the Either/Or outtake "Pretty Mary K" (not to be confused with the song of the same name on Figure 8).
  • "From a Poison Well" - a reworking of the Either/Or outtake "First Timer"
  • "Let's Turn the Record Over" - also known by the title "Bonnie Brae"
  • "Mr. Goodmorning" – instrumental only, vocals said to have been recorded
  • "See You in Heaven" – instrumental only, said to have never had vocals completed
  • "Stickman" – two alternate versions
  • "True Love" – one rough mix; another featuring more coherent vocal takes

[edit] Unreleased

  • "Don't Go Down" (alternate version)
  • "Shooting Star" (extended mix)
  • "Suicide Machine" – vocals recorded over the Figure 8 outtake "Tiny Time Machine"; said to be the last song Smith worked on

[edit] Noise songs

In later interviews, Smith spoke of experimenting with noise tracks. As of 2007, only the titles of these are known and remain unreleased in any form.

  • "The Assassin/(Kill) Fuck"
  • "O So Slow"
  • "Melodic Noise"
  • "Yay!"

[edit] Other From a Basement On the Hill-era tracks

  • "Blue Mood" - Played live one time, unknown if studio version exists.
  • "Brand New Game" – Originally recorded for XO and Figure 8; was intended to be finished for this album although it is unknown if this version was finished.
  • "Confusion" (played during the Figure 8 tour)
  • "My New Freedom (Doing Okay, Pretty Good)" - Played live once in 1997 and again in 2002. Unknown if studio version exists, speculated to have possibly been reworked into "See You in Heaven".[5]
  • "You Make It Seem Like Nothing" – Played live once in 1996 and again in 2003. Unknown if studio version exists.

[edit] Personnel

[edit] References

  1. ^ a b Elliott Smith Lives Again! From a Basement on the Hill V.2. Retrieved on 2006-04-21.
  2. ^ McConnell, David (2004). Thursday, December 9, 2004. See "News" section. Retrieved on 2006-06-25.
  3. ^ Blair, Elizabeth. "'From a Basement': Elliott Smith's Posthumous Gift", NPR, October 15, 2004. Retrieved on 2006-04-28. 
  4. ^ Ben Nanamaker. "Final album displays ambivalence", The Lantern, 2004-10-21. Retrieved on 2008-03-23. 
  5. ^ Message board article on See You in Heaven
v • d • e
Elliott Smith
Discography
Albums: Roman Candle · Elliott Smith  · Either/Or · XO · Figure 8  · From a Basement on the Hill
Posthumous collections: New Moon
Songs: "No Confidence Man" · "Needle in the Hay" · "Say Yes" · "Miss Misery" · "Baby Britain" · "Happiness" · "Son of Sam"
Films: Lucky Three · Strange Parallel
Associated acts: Heatmiser