Friedrich von Flotow
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Friedrich von Flotow (27 April 1812 – 24 January 1883) was a German composer. He is chiefly remembered for his opera Martha, which was popular up to the turn of the 20th century.
Flotow was born in Teutendorf, in Mecklenburg, into an aristocratic family. He studied at the Paris Conservatoire and came under the influence of Auber, Rossini, Meyerbeer, Donizetti, Halévy, and later Gounod and Offenbach. These influences are reflected in his operas, where a distinctive French opéra comique flavour exists.
He completed his first opera in 1835, Pierre et Cathérine, but his breakthrough came with Le naufrage de la Méduse (1839). The three-act romantic opera Alessandro Stradella of 1844 is recognized as one of Flotow's finer works. Martha was first staged in Vienna at the Theater am Kärntnertor on 25 November 1847.
In all, Flotow wrote about 30 operas. Many of these works were performed in different versions and under different titles, in German, French and sometimes other languages. Some survive, some are lost. (The table below is a tentative attempt to list them.) All but Martha and Alessandro Stradella have fallen into relative obscurity, though there have been a number of attempts to revive other Flotow works in recent years.
His best known aria is probably "Ach! so fromm, ach! so traut." This was added to Martha eighteen years after the Vienna premiere. It was originally written for a Flotow opera of 1846. It has been much recorded in its Italian version, "M’apparì tutt’amor."
Between 1856 and 1863 Flotow served as Intendant of the court theatre at Schwerin. He spent his last years in Paris and Vienna and had the satisfaction of seeing his operas mounted as far away as Saint Petersburg and Turin. He died in Darmstadt at the age of 70.
[edit] Operas
Completion | Title | Length | Première | Libretto |
---|---|---|---|---|
1830-1831 | Pierre et Cathérine | 2 acts | 1833, Paris | Jules-Henri Vernoy de Saint-Georges |
1833 | Die Bergknappen | 2 acts | Theodor Körner | |
1833-1835 | Alfred der Große | 2 acts | Theodor Körner | |
1836 | Rob-Roy (or: Rob le Barbe) | 1 act | September 1836, Royaumont Abbey | Paul Duport and Pierre Jean Baptiste Choudard Desforges, after Walter Scott |
1836 | Sérafine | 2 acts | 30 October 1836, Royaumont | Desforges, after Frédéric Soulier |
1837 | Alice | 2 acts | 8 April 1837, Paris, Hôtel Castellane | Comte Honoré de Sussy and Darnay de Laperrière |
1837/1868 | La lettre du préfet | 1 act | 1837, Paris, Salon Gressier | Edouard Bergounioux |
1838 | Le comte de Saint-Mégrin;
rev. 1840 as Le duc de Guise |
3 acts | 10 June 1838, Royaumont | François de la Bouillerie and Charles de la Bouillerie, after Alexandre Dumas père, Henri III et sa cour |
1838 | Lady Melvil | 3 acts | 15 November 1838, Paris, Théâtre de la Renaissance | Jules Henri Vernoy de Saint-Georges and Adolphe de Leuven |
1838 | L'âme and peine (L'âme jalouse) | 2 acts | 29 June 1846, Paris, Opéra Garnier | Jules Henri Vernoy de Saint Georges |
1839 | L'eau merveilleuse | 2 acts | 30 January 1839, Paris, Théâtre de la Renaissance | Thomas Marie François Sauvrage |
1839 | Le naufrage de la Méduse | 2 acts | 31 May 1839, Paris, Théâtre de la Renaissance | Hippolyte Cogniard and Théodore Cogniard |
1840 | Les pages de Louis XI | 1840, Paris, Théâtre de la Renaissance | Thédore de Villeneuve and Daniel-Alexandre-François Barrière | |
1843/1852/1878 | L'esclave de Carmoëns;
revised in 1852 as: Indra, das Schlangenmädchen; revised in 1878/I as: Zora l'enchanteresse; and in 1878/II as: Alma l'incantatrice |
1 act;
revised version (1852), 3 scenes; revised version (1878)/II, 4 acts |
1 December 1843, Paris, Opéra-Comique;
revised version (1852): 18 December 1852, Vienna, Kärntnertortheater; revised version (1878)/I: 1878, Paris; revised version (1878)/II: 9 April 1878, Paris, Théâtre-Italien |
Jules Henri Vernoy de Saint-Georges;
revised version (1852): Gustav zu Putlitz; revised version (1878)/I: Vernoy de Saint-George; revised version (1878)/II: Achille Lauzières de Thémines |
1843-1844 | Alessandro Stradella | 3 acts | 30 December 1844, Hamburg, Stadttheater | Friedrich Wilhelm Riese |
1847 | Martha, oder Der Markt van Richmond | 4 acts | 25 November 1847, Vienna, Kärntnertortheater | Friedrich Wilhelm Riese |
1850 | Sophie Katharina, oder Die Großfürstin | 4 acts | 19 November 1850, Berlin, Königliche Oper | Charlotte Bich-Pfeiffer |
1852 | Rübezahl | 3 acts | 13 August 1852, Retzien near Perleberg | Gustav zu Putlitz |
1855-1856 | Albin, oder Der Pflegesohn | 3 acts | 12 February 1856, Vienna, Kärntnertortheater | Hermann Salomon Mosenthal, after Vaudeville, Les deux Savoyards |
1856 | Le vannier | 3 acts | 1856 for Paris, unperformed | Jules Henri Vernoy de Saint Georges and Léon Halévy |
1857 | Herzog Johann Albrecht von Mecklenburg, oder Andreas Mylius; | 3 acts | 26 May 1857, Schwerin | Eduard Hobein |
1857 | Pianella | 1 act | 27 December 1857, Schwerin | Emil Pohl, after Pergolesi, La serva padrona |
1859 | La veuve Grapin Revised in 1861 as: Madame Bonjour |
1 act | 21 September 1859, Paris, Théâtre des Bouffes Parisiens, second version : 1 June 1861, Vienna, Theater am Franz-Joseph-Kai | Philippe Auguste Pittaud de Forges |
1861 | Zilda, ou La nuit des dupes | 2 acts | 28 May 1866, Paris, Opéra-Comique | Jules Henri Vernoy de Saint-Georges and Henri Charles Chivot |
1864 | Der Königsschuß | 22 May 1864, Schwerin | Theodor Schloepke | |
1865 | La châtelaine | 2 acts | September 1865, Vienna, Carltheater | M A Grandjean |
1868 | Am Runenstein | 2 acts | 13 April 1868, Prague, Ständetheater | Richard Genée |
1869 | Die Musikanten | 3 acts | 19 June 1887, Mannheim, Nationaltheater | Richard Genée |
1869 | Sakuntala | 3 acts | 1869, Schwerin | Carlo d'Orneville, after Wolzogen's adaptation of the Abhijñānaśākuntalam of Kālidāsa |
1870 | L'ombre | 3 acts | 7 July 1870, Paris, Opéra Comique | Jules Henri Vernoy de Saint-Georges and Adolphe Charles de Leuven |
1871-1872 | La fleur de Harlem | 3 acts | 1876, Turin as Il fiore d'Arlem | Jules Henri Vernoy de Saint-Georges and Adolphe Charles de Leuven, after Alexandre Dumas père, Le tulipe noir |
1877 | Rosellana | 3 acts | Lauzières de Thémines |
[edit] References
- Cohen, Peter (1992), 'Flotow, Friedrich' in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) ISBN 0-333-73432-7
Some of the information in this article is taken from the Dutch Wikipedia article.