Francesco Granacci
From Wikipedia, the free encyclopedia
Francesco Granacci (1469–1543) was an Italian painter of the Renaissance.
Born at Villamagna di Volterra, he trained in Florence at the studio of Domenico Ghirlandaio, and was employed painting frescoes for San Marco on commission of Lorenzo de'Medici. He is featured in Giorgio Vasari's Vite.
His early works were influenced from the style of Filippino Lippi, like the Enthroned Madonna between Saint Michael and John the Baptist (Staatliche Museen, Berlin), Adoration of the Child (Honolulu Academy of Arts) and four histories of Saint John the Baptist.
In 1508, Granacci went to Rome, where, with other artists, he helped Michelangelo transfer cartoons to the Sistine chapel ceiling. The two artists were lifelong friends. Returning to Florence, Granacci painted a Madonna with Child with Saints Francesco and Jerome for the Augustinian convent of San Gallo (now in the Gallery of the Academy), a Madonna della Cintola for the Company of San Benedetto Bigi, and in 1515 he participated in creating the decorations to celebrate the visit to Florence of Pope Leo X.
In 1519, he painted a Madonna with Child and Saint John. Works between 1520-1525, betray a direct infuence of Fra Bartolomeo, including a Madonna in throne between Saints Sebastiano and Francesco for Castelfiorentino and a Sacred Conversation for Montemurlo. An altarpiece of the Assumption is influenced by Pietro Perugino. In 1527, he painted the Entrance of Charles VIII into Florence and a canvas of the Ten thousand martyrs for the Church of San Simone e Giuda in Florence.
Granacci is buried in the church of Sant'Ambrogio in Florence.
[edit] References
- Holst, Christian von, "Francesco Granacci", Bruckmann, München, 1974