User talk:Florian Blaschke

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Welcome!

Hello, Florian Blaschke, and welcome to Wikipedia! Thank you for your contributions. I hope you like the place and decide to stay. Here are a few good links for newcomers:

I hope you enjoy editing here and being a Wikipedian! Please sign your name on talk pages using four tildes (~~~~); this will automatically produce your name and the date. If you need help, check out Wikipedia:Questions, ask me on my talk page, or place {{helpme}} on your talk page and someone will show up shortly to answer your questions. Again, welcome!  Although it seems like you've got it pretty well figured out. Nice job on media lengua. Makemi 01:27, 26 March 2006 (UTC)

Contents

[edit] Norn substrate

Hello Florian, I noticed your good edit to the article substratum. Would you happen to know a source for the Norn example, so perhaps you could add that as well? I tagged the article with the source tag as the current version does not cite any sources. --AAikio 13:27, 24 September 2006 (UTC)

There are sources (scientific literature, not websites) listed on Norn language, but I haven't checked them out personally, so I'm not sure which is most appropriate. By the way, your name is familiar - I came across your homepage in April or so. Florian Blaschke 15:17, 24 September 2006 (UTC)
Hi, thanks for your reply. I think I'll try to check these myself sometime if I have the chance; as it happens, I'm also personally interested in cases of susbtrate influence, as this is a topic I do research on. Btw, it's great to notice that there are other comparative linguists around here as well. Maybe we could improve together some articles in this field sometime... I've been planning to edit the comparative method for a while but haven't gotten up to it yet, there are a few things discussed on the talk page that I think would need improvement.`
As for my web site, if you visited it in April it might still have been the older and horribly outdated version. I replaced it with a new version sometime in the summer. And also, thanks for your comment on the Altaic issue on my talk page; there's been quite a bit of discussion on this recently , but this is scattered all over various talk and user talk pages... The original question I've been disputing with user E104421 is whether we should keep the "disputed" tag in the language infoboxes of "Altaic" language articles, as in Turkish language for example. Do you have an opinion on this? --AAikio 07:06, 25 September 2006 (UTC)
This is getting too long, I'm mailing you. Florian Blaschke 11:54, 25 September 2006 (UTC)

[edit] Replaceable fair use Image:Alestormpromo1.jpg

Replaceable fair use

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[edit] Speedy deletion of Alestorm

A tag has been placed on Alestorm requesting that it be speedily deleted from Wikipedia. This has been done under section A7 of the criteria for speedy deletion, because the article appears to be about a band, but it does not indicate how or why the subject is notable: that is, why an article about that subject should be included in an encyclopedia. Under the criteria for speedy deletion, articles that do not assert the subject's importance or significance may be deleted at any time. Please see the guidelines for what is generally accepted as notable, as well as our subject-specific notability guideline for musical topics.

If you think that this notice was placed here in error, you may contest the deletion by adding {{hangon}} to the top of the article (just below the existing speedy deletion or "db" tag), coupled with adding a note on the article's talk page explaining your position, but be aware that once tagged for speedy deletion, if the article meets the criterion it may be deleted without delay. Please do not remove the speedy deletion tag yourself, but don't hesitate to add information to the article that would would render it more in conformance with Wikipedia's policies and guidelines. Stephenb (Talk) 15:01, 20 November 2007 (UTC)

[edit] Avant-garde metal and art music

Thank for this great job, you did. I had already checked what you corrected. And I'm satisfied with what you did so far. I didn't checked everything yet. Thank you very much. I wish I could master english like you.

Does avant garde deviate from the basic principles or the tonal language?

Well to reply to this question, it depends what we mean by "avant-garde". Because it's a term that can be used loosely and differently according to certain persons who use it. If by" avant-garde" we called any music ahead of their time or any non standard music then no, avant-garde doesn't necessarilly deviates from the tonal language. However musicologically and historically speaking the term "avant-garde music" has stongly been associated with the radical tendencies of modernist music including atonal music, twelve tone music, Serial music, Stochastic music, Concrete music, electronic art music, spectral music, etc... All these modernist tendencies are characterized by a general rejection of tonal language. So my specification about tonal language concerned the fact avant-garde metal despite its name doesn't necessarilly rejects tonality like avant-garde music often does. In this regard avant-garde metal is closer to the experimental approach of postmodern music than modernist avant-garde in music.Frédérick Duhautpas (talk) 09:09, 17 March 2008 (UTC)

[edit] Happy First Day of Spring!

Happy First Day of Spring!

[edit] Wikipedia talk:WikiProject Metal#Genre delimiters

You're invited to the above. --Bardin (talk) 14:21, 26 April 2008 (UTC)

[edit] Britney Spears as complex as classical music?!

Thanks for your request, But I don't have much time to reply for the moment.But I think I' m going to surprize you, if I tell you I actuallly second many claims by this guy. Actually there's a misunderstanding going on here. He doesn't say" Britney Spears is as complex as classical music" as you seem to believe. No, he says that criterias (such as modulation) used to point the complexity of classical in this article are wrong or misguiding, because use of such elements can be found in popular music. Which is correct. Those criterias in this article are naively worded. Anyway even though he exagerates a little bit concernign BS and even if he omits some specifications, I mostly agree with him concerning things about Modulation, Repetition, Variation. They just are not criterions of compelxity at least the way it is worded. Concerning polyphony/counterpoint, the issue is a little more complciated. Yes even counterpoint is sometimes used in popular music. But that's here the root of another misunderstanding going here I'll have to dissipate when I'll have time. Actually the kind of counterpoint or variation used in popular music is quite different from the classical tradition one . Classical one is generally more codified and regulated than the one used occsaionaly in popular music which is much freer and more instinctive. Which make it far more difficult to master.Frankely speaking I doubt anyone can give an example of Britney Spears using Bach's complex mastery of Fugue. Here's the point. However another latent misunderstanding is to confuse complexity with superiority. Many people hear "superiority", when using the word "complexity". Which is completely misguiding. Because complexity doesn't necessarilly make music superior. This confusion is a source ( I think) of many heated debates. Because people believe by claiming Classical compelxity, one states superiority over their favourite genres...Frédérick Duhautpas (talk) 21:16, 29 May 2008 (UTC)