Image:FlammarionWoodcut.jpg

There is also this alternate version of the same picture (with the original caption).

Camille Flammarion, L'Atmosphere: Météorologie Populaire (Paris, 1888), p. 163.

The Flammarion Woodcut is an enigmatic woodcut by an unknown artist. It is referred to as the Flammarion Woodcut because its first documented appearance is in page 163 of Camille Flammarion's L'atmosphère: météorologie populaire (Paris, 1888), a work on meteorology for a general audience. The woodcut depicts a man peering through the Earth's atmosphere as if it were a curtain to look at the inner workings of the universe.

The original caption bellow the picture, (not included here), translated to: "A medieval missionary tells that he has found the point where heaven and Earth meet...".

[edit] "Flat Earth"

"During the 19th century, the Romantic conception of a European "Dark Age" gave much more prominence to the Flat Earth model than it ever possessed historically. The widely circulated woodcut of a man poking his head through the firmament of a flat Earth to view the mechanics of the spheres, executed in the style of the 16th century cannot be traced to an earlier source than Camille Flammarion's L'Atmosphere: Météorologie Populaire (Paris, 1888, p. 163) [1]. The woodcut illustrates the statement in the text that a medieval missionary claimed that "he reached the horizon where the earth and the heavens met", an anecdote that may be traced back to Voltaire, but not to any known medieval source. In its original form, the woodcut included a decorative border that places it in the 19th century; in later publications, some claiming that the woodcut did, in fact, date to the 16th century, the border was removed. Flammarion, according to anecdotal evidence, had commissioned the woodcut himself. In any case, no source of the image earlier than Flammarion's book is known. (quote from en:Flat Earth)

This is a faithful photographic reproduction of an original two-dimensional work of art. The original image comprising the work of art itself is in the public domain for the following reason: This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term. العربية | Asturianu | Български | Català | Česky | Dansk | Deutsch | English | Ελληνικά | Esperanto | Español | Euskara | فارسی | Français | Gaeilge | Galego | עברית | हिन्दी | Bahasa Indonesia | Italiano | 日本語 | 한국어 | Kurdî / كوردی | Lietuvių | Magyar | Nederlands | ‪Norsk (nynorsk)‬ | Bahasa Melayu | Polski | Português | Română | Русский | Slovenčina | Slovenščina | Shqip | Suomi | Sámegiella | Türkçe | ‪中文(简体)‬ | ‪中文(繁體)‬ | 粵語 | +/- Under United States copyright law, originality of expression is necessary for copyright protection, and a mere photograph of an out-of-copyright work may not be protected under U.S.copyright law. This photograph was taken in the U.S. or in another country where a similar rule applies (for a list of allowable countries, see Commons:When to use the PD-Art tag#Country-specific rules). This photographic reproduction is therefore also in the public domain. العربية | Česky | Deutsch | English | Ελληνικά | Español | فارسی | Français | עברית | Bahasa Indonesia | Italiano | 日本語 | 한국어 | Magyar | Nederlands | Polski | Português | Română | Русский | Slovenščina | Српски / Srpski | Basa Sunda | Türkçe | Українська | ‪中文(繁體)‬ | ‪中文(简体)‬ | +/-

• Book of Genesis
• Creation according to Genesis
• User:Arbeiter
• Framework interpretation (Genesis)