Flashdance

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Flashdance
Theatrical poster for Flashdance
Directed by	Adrian Lyne
Produced by	Don Simpson Jerry Bruckheimer
Written by	Tom Hedley Joe Eszterhas
Starring	Jennifer Beals Michael Nouri
Music by	Giorgio Moroder
Cinematography	Donald Peterman
Editing by	Walt Mulconery Bud S. Smith
Distributed by	Paramount Pictures
Release date(s)	April 15, 1983 July 16, 1983 August 11, 1983 September 14, 1983 May 23, 1985
Running time	95 min.
Country	United States
Language	English
Allmovie profile
IMDb profile

Flashdance is a musical and romance film released in April 1983, and was one of the most successful films of the early 1980s. The film was the first collaboration of producers Don Simpson and Jerry Bruckheimer and its presentation of some sequences in the style of music videos was an influence on other 1980s films including Top Gun, Simpson and Bruckheimer's most famous production. Flashdance opened to poor reviews by professional critics but was a box office success, becoming the 3rd highest grossing film of 1983 in the USA.^[1][2] Its soundtrack spawned several hit songs, among them Maniac performed by Michael Sembello and the Academy Award-winning "Flashdance... What a Feeling" performed by Irene Cara which was written specifically for the film.

Contents 1 Taglines 2 Plot summary 3 Cast 4 Critical responses 5 Copyright issues 6 History 7 Music used in the film 8 References in popular culture 9 See also 10 References 11 External links

[edit] Taglines

• "What a feeling!"
• "When the dancer becomes the dance."
• "Take your passion... And make it happen!"
• "Something happens when she hears the music... it's her freedom. It's her fire. It's her life."

[edit] Plot summary

Blue-collar worker, eighteen year-old Alexandra (Alex) Owens (played by Jennifer Beals) is an exotic dancer in a Pittsburgh, Pennsylvania bar at night and a welder at a steel mill during the day. She lives on her own in a converted warehouse with her pit bull, Grunt. Her dream is to obtain a place at a prestigious dance school, the (fictional) Pittsburgh Conservatory of Dance and Repertory. During one of her performances at Mawby's, the bar where she works, she attracts the attention of Nick Hurley (Michael Nouri) who is the boss of the steel mill, and he learns that Alex is one of his employees.

Alex's best friends also work at Mawby's, and they have their own dreams of fame. Jeanie Szabo (Sunny Johnson) is a waitress who aspires to be a professional ice skater, and Jeanie's boyfriend Richie Blazik (Kyle T. Heffner) is a cook who wants to be a professional stand-up comedian. Also prominent in the film is Johnny C. (Lee Ving), who runs the local strip club, the Zanzibar, and is invariably accompanied by his strong but dense bodyguard Cecil (Malcolm Danare). Johnny C. visits Mawby's to check out the dancers, and tries to recruit both Alex and Jeanie to work at the Zanzibar.

Alex goes to the Conservatory to ask for an application form for an audition, but walks out when she realizes that she lacks any formal dance training, and will have to leave that section of the form blank. Alex's dance teacher and mentor is a retired ballet dancer named Hanna Long (Lilia Skala), who encourages Alex to pursue her dream of becoming a professional ballet dancer. After Jeanie falls over twice at an audition for an ice show, she loses confidence in herself and becomes a dancer at the Zanzibar, where she performs in the nude, and Alex goes to the strip club to rescue Jeanie.

Alex and Nick become lovers, but she later learns that he has an ex-wife called Katie (Belinda Bauer), and they have a frosty meeting in a local restaurant. Nick uses his contacts to secure an audition for Alex at the Conservatory, and just before the audition she goes to Hanna's house and learns that Hanna died the previous night.

At the audition, Alex falls over at the start of her routine, but starts again and completes the routine successfully. In the final scene, Alex runs out of the Conservatory building with a smile on her face and is hugged by Nick, who gives her a bunch of red roses. The ending of the film does not say directly whether Alex wins a place at the Conservatory as a result of her audition.

[edit] Cast

See Cast and music used in Flashdance.

[edit] Critical responses

Flashdance has seldom received favorable reviews from professional critics. Roger Ebert placed it on his list of Most Hated films, stating: "Jennifer Beals shouldn't feel bad. She is a natural talent, she is fresh and engaging here, and only needs to find an agent with a natural talent for turning down scripts".^[3] Halliwell's Film Guide gave it one star out of four while The New Yorker described the film as "Basically, a series of rock videos." The Guardian described it as "A preposterous success." Detractors of the film argue that in addition to the shallow plot, the film represents the worst excesses of 1980s film making with its emphasis on short sequences and rapid editing between shots. The screenplay of the film was nominated for a Razzie (Golden Raspberry) award. A common criticism is that Michael Nouri, who was thirty-six at the time of filming, seems too old to be the love interest of eighteen year-old Jennifer Beals. Critics have also questioned whether an eighteen year-old woman would have been given a job as a welder in an old-fashioned steel mill.

The dimly-lit cinematography and montage-style editing are due in part to the fact that Jennifer Beals does virtually none of the dancing in the film. Her main dance double is the French actress Marine Jahan, while the breakdancing that Alex performs in the audition sequence at the end of the film was doubled by the male dancer Crazy Legs (Richard Colón). The shot of Alex diving through the air in slow motion during the audition sequence was performed by Sharon Shapiro, who was a professional gymnast.

Although Flashdance has been compared to Saturday Night Fever with a female lead,^[4] the tone of the two films is very different. Saturday Night Fever takes a much more downbeat look at the world of people trapped in low-paid jobs, while Flashdance works best as a disco era retelling of the Cinderella story with all the implausibilities that this brings. Like the original theatrical release of Saturday Night Fever, Flashdance was rated R by the MPAA, which meant that audience members under seventeen years old required an accompanying parent or guardian to watch the film. This was due to some strong language, nudity and sexual content which were removed for the television version of the film.

Flashdance is not a musical in the traditional sense as the characters do not sing, and the songs are presented in the style of self-contained music videos. The cable television channel MTV had been launched in August 1981, and Flashdance can be seen as an attempt to recreate the style of the pop music videos of the period for the big screen. The use of sequences in the style of pop music videos became a common feature of 1980s cinema films, with the song "Take My Breath Away" from 1986's Top Gun being one of the most celebrated examples. Top Gun was a later project of the producers of Flashdance, Don Simpson and Jerry Bruckheimer, and the music for the song "Take My Breath Away" was composed by Giorgio Moroder, who also wrote several of the songs for Flashdance.

[edit] Copyright issues

Flashdance was inspired by the real life story of Maureen Marder, who was a construction worker/welder by day and worked by night in a Toronto strip club. Like the character of Alex Owens in the film, she aspired to enter a prestigious dance school. Tom Hedley wrote the original story outline for Flashdance, and on December 6, 1982 Marder signed a release document giving Paramount Pictures the right to portray her life story on screen, for which she was given a one-off payment of $2300. Flashdance is estimated to have grossed $150 million worldwide, and following the use of dance routines from the film by Jennifer Lopez in her 2003 video "I'm Glad" (directed by David LaChapelle), Marder sued Paramount and Sony Corporation (the makers of the "I'm Glad" video) in an attempt to gain a copyright interest in the film. In June 2006, the Ninth U.S. Circuit Court of Appeals in San Francisco affirmed a lower court's ruling that Marder gave up her rights to the film when she signed the release document in 1982. The panel of three judges stated in its ruling: "Though in hindsight the agreement appears to be unfair to Marder - she only received $2,300 in exchange for a release of all claims relating to a movie that grossed over $150 million - there is simply no evidence that her consent was obtained by fraud, deception, misrepresentation, duress or undue influence." The court also noted that Marder's attorney had been present when she signed the document.^[5]

Although Jennifer Lopez argued that her video for "I'm Glad" was intended as a tribute to Flashdance, in May 2003 Sony agreed to pay a licensing fee to Paramount for the use of dance routines and other story material from the film in the video.^[6][7]

[edit] History

Adrian Lyne, whose background was primarily in directing television commercials, was not the first choice as director of Flashdance. David Cronenberg turned down an offer to direct the film, as did Brian de Palma, who chose to direct Scarface instead. Executives at Paramount Studios were unsure about the film's potential and sold 25% of the rights prior to its release.^[8] The audition for the part of Alex Owens was narrowed down to a final shortlist of three candidates, Jennifer Beals, Demi Moore, and Leslie Wing^[9] before the part was awarded to Beals. Flashdance is often remembered for the sweatshirt with a large neck hole that Jennifer Beals wore on the poster advertising the film. Beals said that the look of the sweatshirt came about by accident when it shrank in the wash and she cut out a large hole at the top so that she could wear it again.^[10]

There were proposals for a sequel to Flashdance but the film was never made. In March 2001, plans were announced for a Broadway musical version with new songs by Giorgio Moroder, but this also failed to materialize. ^[11]

Flashdance was the first success of a number of filmmakers who became top industry figures in the 1980s and beyond. The film was the first collaboration between Don Simpson and Jerry Bruckheimer, who went on to produce Top Gun and Beverly Hills Cop. Joe Eszterhas, the screenwriter of Basic Instinct, received his second screen credit for Flashdance, while Adrian Lyne went on to direct Fatal Attraction, 9½ Weeks, Indecent Proposal and Lolita. Lynda Obst, who developed the original story outline, went on to produce Adventures in Babysitting, The Fisher King and Sleepless in Seattle. She is currently producing and writing Interstellar, the next Steven Spielberg project.

A stage musical adaptation of Flashdance is scheduled to receive its premiere at the Theatre Royal in Plymouth, England in July 2008. The book is co-written by Tom Hedley, who created the story outline for the original film, and the choreography is by Arlene Phillips. ^[12]

[edit] Music used in the film

Main article: Flashdance (soundtrack)

"Flashdance... What a Feeling" was performed by Irene Cara, who also sang the title song for the similar 1980 film Fame. The music for "Flashdance... What a Feeling" was composed by Giorgio Moroder, and the lyrics were written by Keith Forsey and Irene Cara. The song won an Academy Award for Best Song, as well as a Golden Globe and numerous other awards. It also reached number one on the Billboard Hot 100 in May 1983. Despite the song's title, the word "Flashdance" is not used in the lyrics. The song is used in the opening title sequence of the film, and is the music used by Alex in her dance audition routine at the end of the film.

Another song used in the film, "Maniac", was also nominated for an Academy Award. It was written by Michael Sembello and Dennis Matkosky, and was inspired by the 1980 horror film Maniac. The lyrics about a killer on the loose were rewritten so that it could be used in Flashdance. The song was disqualified from the Academy Award nomination on a technicality when it emerged that it had not been written specifically for the film. Like the title song, it reached number one on the Billboard Hot 100 in September 1983. ^[13]

Other songs in the film include "Lady, Lady, Lady", performed by Joe Esposito, "Gloria", performed by Laura Branigan, and "I'll Be Here Where The Heart Is", performed by Kim Carnes.

The soundtrack album of Flashdance sold 700,000 copies during its first two weeks on sale and has gone on to sell over 6,000,000 copies in the US alone. In 1984 the album won the Grammy Award for Best Album of Original Score Written for A Motion Picture or a Television Special.

[edit] References in popular culture

Flashdance has been referenced in popular culture on a number of occasions. These include:

• A variation of the song "Flashdance... What a Feeling" was used as the basis of an Apple Computer commercial in 1984. The music was slightly different, and the lyrics were changed from "What a Feeling" to "We Are Apple".^[14]
• It's Flashbeagle, Charlie Brown was a TV special broadcast in 1984. It featured the Peanuts characters created by Charles M. Schulz, and parodied both Flashdance and Saturday Night Fever.
• In the 1997 film The Full Monty the ex-steel workers watch a video of Flashdance to learn about dancing, leading to a discussion of Jennifer Beals' welding skills:

It's "Flashdance." She's a welder, isn't she?

I hope she dances better than she welds. Look at that. Her mix is all to cock. It's like Bonfire Night. That's too much acetylene. Them joints won't hold.

• Geri Halliwell recorded a version of the song "It's Raining Men" for the 2001 film Bridget Jones's Diary. In the video of the song, Geri Halliwell recreates the audition sequence from Flashdance and also references the 1980s film and television series Fame.
• In September 2006, an Australian television commercial for Carlton Draught beer called FlashBeer parodied the audition sequence from Flashdance almost shot for shot. The commercial features a rotund, bearded man called Kevin Cavendish who "auditions" for a job at the Carlton Draught brewery while wearing the same black leotard as Alex Owens. He launches into a dance routine that closely follows the real audition sequence in the film, and is successful in obtaining a job.^[15][16]
• One of the most famous shots in the film occurs in the opening "Chair Dance" sequence at Mawby's bar when Alex tips a bucket of water on to her chest. This shot has been parodied many times, including an episode of Scrubs in which Ted's Band sings an a cappella version of "Maniac" while Ted tips a jug of water over his head.
• In an episode of the British comedy series The Office, David Brent claimed his dancing skills were a fusion of "Flashdance with MC Hammer".^[17][18]
• In the pilot episode of the Comedy Central series Stella, the main characters reenact the audition sequence in a similar room with the same setup while they dance to try and prove their worth in being tenants for the apartment building.
• In the motion picture Elvira, Mistress of the Dark, Elvira recreates the famous water bucket scene for a group of teenagers in an audience.
• In the Season 4 episode of Friends "The One with the Fake Party", Joey, mixing up his facts, suggests to Rachel that she removes her bra under her shirt in the same fashion that Beals' character did in Flashdance.^[19]
• In a 2007 French TV commercial for Orangina, an anthropomorphic doe re-enacts the Chair Dance, with Orangina instead of water.^[20]
• In the 2007 film Norbit, the chair dance scene is recreated with Rasputia pulling the chain to douse herself with water at El Nipplopolis.

[edit] See also

• Dirty Dancing
• Footloose

[edit] References

[edit] External links

• Flashdance at the Internet Movie Database
• Youtube