Talk:Film (film)
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I'm still not entirely sure about this:
- A possible reading of this is that self-perception is inescapable. Thus, it is not surprising that the original script begins with George Berkeley's dictum, "esse est percipi," meaning, "to be is to be perceived."
It seems to me that the point of the film is that avoidance of all perception is impossible, because one cannot avoid self-perception, which is slightly different to what the article says. And because avoidance of perception is impossible, one cannot cease to be. This perhaps makes sense of the scene (not described in the article) where he tears up some old photos of himself, and would seem to make more sense of the Berkeley quote (to me, anyway). There's perhaps some Cartesian influence in all that. But anyway, I'm not going to change anything about interpretation until I've got to some sources that tell me what critics have made of it all - then I can attribute these interpreatations to people instead of waffling on myself. --Camembert
An anon editor has changed the reference to a print of God on the wall to a print of a Phoenician statue. Now, I've not seen the film itself in ages, but the script as published says it is a print of "God the Father"; was this changed when it was shot? If so, I think it's an important enough change that it's worth us noting it in the article. Can anybody confirm what is actually in the film? --Camembert 18:51, 16 May 2005 (UTC)
[edit] 1979 remake Not monochrome
I removed 'in monochrome and' from the intro.
"Colour is in fact used by Clark with great restraint." Richard Cave’s review of the 1979 version of the film
Great explanation - I was really confused by Film itself ! --195.137.93.171 (talk) 22:59, 23 December 2007 (UTC)
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BetacommandBot 12:46, 1 October 2007 (UTC)