Field-sequential color system

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A field-sequential color system is a color television system in which the primary color information is transmitted in successive images, and which relies on the human vision system to fuse the successive images into a color picture. One field-sequential system was developed by Dr. Peter Goldmark for CBS, which was its sole user in commercial broadcasting. It was first demonstrated to the press on September 4, 1940,[1] and first shown to the general public on January 12, 1950.[2] The Federal Communications Commission adopted it on October 11, 1950 as the standard for color television in the United States, but it was later withdrawn. [3]

Contents

[edit] Operation

Patent diagrams of CBS field-sequential color system: Fig. 1 the transmission system, Fig. 2 the receiving system, Fig. 3 the color filter disk.
Patent diagrams of CBS field-sequential color system: Fig. 1 the transmission system, Fig. 2 the receiving system, Fig. 3 the color filter disk.

The CBS field-sequential system was an example of a mechanical television system because it relied in part on a disc of color filters rotating at 1440 rpm inside the camera and the receiver, capturing and displaying red, green, and blue television images in sequence. The field rate was increased from 60 to 144 fields per second to overcome the flicker from the separate color images, resulting in 24 complete color frames per second (each of the three colors was scanned twice, double interlacing being standard for all electronic television: 2 scans × 3 colors × 24 frames per second = 144 fields per second). If the 144-field color signal were transmitted with the same detail as a 60-field monochrome signal, 2.4 times the bandwidth would be required. Therefore, to keep the signal within the standard 6-MHz bandwidth of a channel, the image's vertical resolution was reduced from 525 lines to 405. Because of these variances from the NTSC standards for television broadcasting, field-sequential color broadcasts could not be seen on existing black and white receivers without an adapter (to see them in monochrome), or adapter-converter (to see them in color).[4]

[edit] Commercial failure

CBS purchased its own television manufacturer in April 1951 when no other company would produce color sets using the system.[5] Production of CBS-Columbia color receivers began in September,[6] and were first offered for retail sale in October.

Field-sequential color broadcasts were suspended by CBS on October 21, 1951, ostensibly by request of the National Production Authority, which in November 1951 prohibited the manufacture of color sets for the general public during the Korean War.[7] Only 200 color sets had been manufactured for commercial sale, and only 100 of those had shipped, when CBS suspended its color broadcasts.[8] CBS announced in March 1953 that it had abandoned any further plans for its color system.[9] RCA was the leading company in the television field, with a larger technical staff, more development funds, and more political success in getting the NTSC compatible color television system. RCA developed the hardware for NTSC which superseded the field-sequential system as the U.S. standard in December 1953.

[edit] Baird predecessor

Television pioneer John Logie Baird demonstrated the earliest version of field-sequential color television on July 3, 1928, using a mechanical television system before the use of cathode ray tubes, and producing a vertical color image about 4 inches (10 cm) high. It was described in the journal Nature:

The process consisted of first exploring the object, the image of which is to be transmitted, with a spot of red light, next with a spot of green light, and finally with a spot of blue light. At the receiving station a similar process is employed, red, blue and green images being presented in rapid success to the eye. The apparatus used at the transmitter consists of a disc perforated with three successive spiral curves of holes. The holes in the first spiral are covered with red filters, in the second with green filters and in the third with blue. Light is projected through these holes and an image of the moving holes is projected onto the object. The disc revolves at 10 revolutions per second and so thirty complete images are transmitted every second — ten blue, ten red, and ten green.
At the receiving station a similar disc revolves synchronously with the transmitting disc, and behind this disc, in line with the eye of the observer, are two glow discharge lamps. One of these lamps is a neon tube and the other a tube containing mercury vapour and helium. By means of a commutator the mercury vapour and helium tube is placed in circuit for two-thirds of a revolution and the neon tube for the remaining third. The red light from the neon is accentuated by placing red filters over the view holes for the red image. Similarly, the view holes corresponding to the green and blue images are covered by suitable filters. The blue and green lights both come from the mercury helium tube, which emits rays rich in both colours.[10]

Baird demonstrated a modified version on July 27, 1939 that used a cathode ray tube in the receiver.[11]

[edit] Later use

For the first nine months of NTSC color in 1953–1954, CBS continued to use its field-sequential color television cameras, with the field rate and signal adapted for NTSC standards, until RCA delivered its first production model of an NTSC color camera in time for the 1954–55 season.

Russia was the only other country to experiment with a field-sequential color system. It manufactured a small number of color receivers in 1954 that used a mechanical color disc.[12]

The field sequential system was used in specialized applications long after it had replaced for broadcast television. A notable example was the Apollo lunar landing cameras which transmitted color television images from the Moon in the early 1970s.

[edit] See also

[edit] References

  1. ^ "Color Television Achieves Realism", New York Times, Sept. 5, 1940, p. 18. A color 16mm film was shown; live pick-ups were first demonstrated to the press in 1941. "Columbia Broadcasting Exhibits Color Television", Wall Street Journal, Jan. 10, 1941, p. 4. "CBS Makes Live Pick-up in Color Television", Radio & Television, April 1941.
  2. ^ "Washington Chosen for First Color Showing; From Ages 4 to 90, Audience Amazed", The Washington Post, Jan. 13, 1950, p. B2.
  3. ^ "C.B.S. Color Video Starts Nov. 20; Adapters Needed by Present Sets", New York Times, Oct. 12, 1950, p. 1. Hugh Richard Slotten (2000). Radio and Television Regulation: Broadcast Technology in the United States 1920–1960. JHU Press. ISBN 080186450X. 
  4. ^ CBS Field Sequential System: Advertisements, Early Television Foundation.
  5. ^ "Hytron's Deal With CBS Seen TV Color Aid", The Washington Post, April 12, 1951, p. 15. In June 1951, Philco offered 11 television models that could show CBS color broadcasts in black and white. "Philco Offers 11 TV Sets To Receive CBS Color TV in Black and White", Wall Street Journal, June 4, 1951, p. 9.
  6. ^ "CBS Subsidiary Starts Mass Production of Color Television Sets", Wall Street Journal, September 13, 1951, p. 18.
  7. ^ "Color TV Shelved As a Defense Step," New York Times, Oct 20, 1951, p. 1. "Action of Defense Mobilizer in Postponing Color TV Poses Many Question for the Industry," New York Times, Oct. 22, 1951, p. 23. Ed Reitan, CBS Field Sequential Color System, 1997.
  8. ^ Ed Reitan, CBS Field Sequential Color System, 1997.
  9. ^ "CBS Says Confusion Now Bars Color TV," Washington Post, March 26, 1953, p. 39.
  10. ^ Dr. Alexander Russell, Nature, 18 August 1928.
  11. ^ "Colour Television: Baird Experimental System Described", Wireless World, August 17, 1939.
  12. ^ 1954 Russian Raguda (Rainbow) Field Sequential Color Set, Early Television Foundation.

[edit] External links