Festen (play)
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Festen is a British stage adaptation of the Danish film of the same name (which was released in North America as The Celebration). The adaptation is by English playwright David Eldridge. It was first staged by producer Marla Rubin at the Almeida theatre in London, and has since been staged in many countries around the world.
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[edit] Synopsis
As in the original movie, Festen satirises the hypocrisy of a large and wealthy family by observing the events that unfold at the ancestral home during a reunion held to celebrate the oldest family member's 60th birthday.
As the time arises for birthday speeches to be made to the party's subject, one of his sons stands and asks the assembled guests to choose which of two prepared speeches he should read. The guests select one not knowing its contents, and the son declares it the "truth speech". As he begins to talk, it becomes dramatically clear that he is not praising his father but accusing him of having abused him and his sister over a period of years during their childhood. The rest of the story traces the family's turbulent battle with the truth to discover whether the son's cold rage is justified or the product of a deranged imagination.
[edit] London productions
Festen was first staged by producer Marla Rubin at the Almeida Theatre in London and ran until the 1st May 2004 before transferring to the Lyric Theatre. It was directed by Rufus Norris, designed by Ian McNeil and co-produced in the West End by Marla Rubin and Bill Kenwright. The production then went on a four-month tour throughout the UK. Since its world premiere in London, Festen has gone on to be produced around the world in countries including Australia, Greece, Ireland, Mexico & South Africa.
A review of the Almeida production The Stage noted that in the conversion from a film to a stage version, the story had "lost little of its power to shock and enthral in its transfer to the West End."[1] A BBC London reviewer described the play as "one of the most powerful, poignant and overwhelming evenings I've ever spent in the theatre."[2]
The Lyric Theatre production ran from the 15th September 2004 until the 9th April 2005. It was adventurous in casting Jane Asher, formerly known in Britain as a celebrity socialite, mainstream film actor and even as a cook, in a starring role. More significantly, it was innovative in several aspects of staging and performance laid over a conventional, or even classically, plotted story.[citation needed]
The play was acclaimed in British broadsheets for its powerful use of humour which served to accentuate the numerous darker moments, a technique particularly effective since one of its aims was to highlight the characters' dispassionate hypocrisy.[citation needed]
[edit] New York production
The U.S. production ran at the Music Box Theatre on Broadway from 23 March 2006 until 9 April 2006.
The production retained director Norris, designer McNeil and co-producers Kenwright and Rubin[3], but was recast with American actors. It opened to mixed reviews, and a lack of sales success has meant that it remains the only U.S. production of the play.
A New York Times reviewer stated that the "indifferently acted" staging on Broadway caused problems for the credibility of the work as a whole. He continued: "the painful uneasiness of the cast members here seems to emanate less from their characters' awareness that something's rotten in this home in Denmark than from the sense of performers adrift in uncharted seas."[4]
The Variety reviewer suggested that the production was better suited to the English national character than the American one:
In its successful London run, the chilly composure and rigid politesse of the characters in David Eldridge's "Festen" were like a second skin to the cast, and Rufus Norris' deceptively stark staging shaped the drama into a striking marriage of darkest emotional turmoil and perversely juicy intrigue. But American actors tend too often to want to be liked. That's just a part of the problem with Norris' curiously ineffectual Broadway reworking of the production. [5]
[edit] Awards
The London production was nominated for five Olivier awards in 2005. The production also won both the Evening Standard and Critics Circle Best Director Awards and the Evening Standard Best Designer award, in addition to the Whatsonstage Theatregoer's Choice Award for Best New Play.
[edit] References
- ^ Festen. The Stage. Retrieved on 2007-10-24.
- ^ Festen (Almeida). bbc.co.uk. Retrieved on 2007-10-24.
- ^ Festen. The League of American Theatres and Producers. Retrieved on 2007-10-24.
- ^ Haunting Memories of Daddy Dearest in 'Festen'. The New York Times Company. Retrieved on 2007-10-24.
- ^ Festen. Reed Business Information. Retrieved on 2007-10-24.
