Feminine rhyme
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A feminine rhyme is a rhyme that matches two or more syllables, usually at the end of respective lines. Often the final syllable is unstressed.
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[edit] Feminine rhyme in poetry
[edit] English
Feminine rhyme is relatively rare in English poetry and usually appears as a special effect. However, the Hudibrastic relies upon feminine rhyme for its comedy, and limericks will often employ outlandish feminine rhymes for their humor. Irish satirist Jonathan Swift wrote most of his poetry using feminine rhyme.
William Shakespeare's Sonnet number 20, uniquely among the sonnets, makes use exclusively of feminine rhymes:
“ | A woman’s face with nature’s own hand painted, Hast thou, the master mistress of my passion; |
” |
J.R.R. Tolkien makes the use of internal and external triple syllable rhymes in some of the poems and songs contained within his epic novel The Lord Of The Rings[1]:
“ | at last he came to Night of Naught, and passed, and never sight he saw |
” |
[edit] French
In French verse, a feminine rhyme is one in which the final syllable is a "silent" e, even if the word is masculine. In classical French poetry, two feminine rhymes cannot occur in succession.
[edit] Feminine rhyme in music
[edit] Hip hop
In hip hop music, especially since the 1990s, the use of feminine rhyme in rapping (often referred to by the colloquial terms "multis" or "multirhymes" — a contraction of "multisyllabic rhymes") is considered a sign of technical skill, and some rappers have been known to put together large strings of complex rhyme patterns. Famous rappers who made great use of this skill are, Big Pun, Big Daddy Kane, Rakim, Big L and Kool G Rap to name but a few. A good example of the feminine rhyme scheme or "multi syllable rhyme" in rap is;
"I make the 'kinda green' a 'hustler dream', busting out the 'custard cream', 'viper' custom 'piped up' with the 'mustard seam',"
Lyrics from the song How We Roll by Big Pun
[edit] References
- ^ JRR Tolkien, The Lord Of The Rings