Female gladiator

From Wikipedia, the free encyclopedia

"Gladiatrix" redirects here. For the Marvel Comics super-hero/villain, see Gladiatrix (comics).

Though rare in the Roman world, female gladiators or gladiatrices (sing. gladiatrix) did exist, and are attested in archaeology and literature.

Contents

[edit] In classical literature

[edit] Julio-Claudian era

The Larinum decree under Tiberius banned senators' daughters, granddaughters and great-granddaughters, and "any female whose husband or father or grandfather, whether paternal or maternal or brother had ever possessed the right of sitting in the seats reserved for the equites" from training or making paid appearances as gladiators, implying though not confirming that some females did already appear as gladiators.[1] The first attested appearance of them is under Nero, at the games organised by Patrobius for Tiridates I of Armenia[2] There is also a reference in Petronius's Satyricon[3] - possibly based on a factual show - to a female 'essediarius', or one who fought from a Celtic style chariot.[4]

[edit] Flavian era

Thus Emperor Domitian, contrary to popular belief, was not the first to employ female gladiators as something new for amphitheatre spectators. However, his female gladiator fights are the best referenced, being mentioned in Suetonius[5], Martial[6] and Statius.[7]

[edit] Juvenal

A strong condemnation against female gladiators of the Flavian and Trajanic eras can be found in the Satire VI of Juvenal, decrying the fact female gladiators were typically from upper-class families and seeking thrill and attention.

Who has not seen the dummies of wood they slash at and batter
Whether with swords or with spears, going through all the manoeuvres?
These are the girls who blast on the trumpets in honour of Flora.
Or, it may be they have deeper designs, and are really preparing
For the arena itself. How can a woman be decent
Sticking her head in a helmet, denying the sex she was born with?
Manly feats they adore, but they wouldn’t want to be men,
Poor weak things (they think), how little they really enjoy it!
What a great honour it is for a husband to see, at an auction
Where his wife’s effects are up for sale, belts, shin-guards,
Arm-protectors and plumes!
Hear her grunt and groan as she works at it, parrying, thrusting;
See her neck bent down under the weight of her helmet.
Look at the rolls of bandage and tape, so her legs look like tree-trunks,
Then have a laugh for yourself, after the practice is over,
Armour and weapons put down, and she squats as she used the vessel.
Ah, degenerate girls from the line of our praetors and consuls,
Tell us, whom have you seen got up in any such fashion,
Panting and sweating like this? No gladiator’s wench,
No tough strip-tease broad would ever so much as attempt it.

[edit] Banning

Emperor Severus banned female gladiators around AD 200.[8] A later inscription at Ostia advertises “mulieres” (women) competing so the ban apparently was ineffective.

[edit] In classical archaeology

[edit] London

In September 2000 the Museum of London announced that it had excavated a grave in Southwark, London purporting to be that of a female gladiator. The press soon dubbed the occupant "Gladiator Girl." The grave goods found within the grave included numerous oil lamps, and one even depicted a fallen gladiator.[9] Scholars still debate whether the occupant is truly a gladiator, as the evidence is intriguing but not conclusive.[10]

[edit] Halicarnassus

Relief of two gladiatrices found at Halicarnassus.
Relief of two gladiatrices found at Halicarnassus.

The most compelling piece of evidence for the existence of female gladiators is a marble relief found in Halicarnassus and currently on display at the British Museum.[11] The relief depicts two female gladiators. With an adopted nom de guerre appearing beneath each of them (Amazon[12] and Achillia[13]), they are depicted in loinclothes and wearing traditional gladiator equipment such as greaves and a manica. Each is armed with a sword and shield; neither is wearing a helmet nor a shirt (they are bare-breasted, as in contemporary sculptural depictions of amazonomachy, but perhaps also implying a degree of sexual titillation in the use of female gladiators).[14]

[edit] In Renaissance art

Among the pictures commissioned in Italy by king Philip IV of Spain for his Palacio del Buen Retiro in Madrid, there is a series on Roman circuses including a picture of female gladiators.

[edit] References

  1. ^ Full text of the decree
  2. ^ Annals, 15.32.3, which mentions that "women of distinction" appeared, which implies the failure of the Larinum decree.
  3. ^ Satyricon, XLV
  4. ^ This may be a titillating reference to Boudica fighting from a chariot, which occurred at the time the piece was written - gladiatorial fights often referenced barbarians and mythology in this way.
  5. ^ "He gave hunts of wild beasts, gladiatorial shows at night by the light of torches, and not only combats between men but between women as well.", Suetonius, Life of Domitian, 4.1
  6. ^ He mentions Hercules's fight with the Nemean Lion being re-enacted by a "feminine Mars" (ie a woman). This fight may reference Hercules' submission to Omphale, during which she wore his lion skin and club. She was queen of Lydia, a region close to the home of the Amazons. Martial, de spectaculis 6.
  7. ^ He mentions as a 'new luxury' the "female sex, untrained and unpractised in using swords, fighting neutered men. You would think these cavalry-troops were sweating to ride to savage Tanais or Thermodonian Phasis.", in Statius, Silvae, 1.6.51-56. As in the Halicarnassus relief and in Martial, female gladiators are here referenced to the Amazons.
  8. ^ Julián Elliot. Gladiadores: La muerte como espectáculo. Historia y Vida, Nº452, pag. 68
  9. ^ Finds
  10. ^ News story
  11. ^ British Museum catalogue
  12. ^ Yet again referencing the Amazons.
  13. ^ A feminised form of Achilles. Roman gladiatorial games often referenced classical mythology and this seems to reference Achilles' fight with Penthesilea, but give it an extra twist of Achilles being 'played' by a woman.
  14. ^ Professor Kathleen Coleman[1] of Harvard University details the relief extensively in her academic manuscript "Missio at Halicarnassus" Harvard Studies in Classical Philology, 2000; 100: 487-500[2].

[edit] External links