Faubion Bowers

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Faubion Bowers was General Douglas MacArthur's personal Japanese language interpreter and aide-de-camp during the American Occupation of Japan. He also was a noted academic in the area of Asian Studies.

[edit] Biography

Bowers was born 29 Jan 1917 in Miami, Oklahoma. He graduate of Columbia University in 1935 and The Juilliard Graduate School of Music in 1939. Bowers taught at Hosei University in Tokyo from 1940 to 1941.

After the surrender of Japan, he was the interpreter for the advance party of 150 US personnel which flew into the Atsugi airfield on 28 August 1945. As MacArthur's interpreter he lived at the American Embassy with the MacArthur family, and served as interpreter at the initial meeting between MacArthur and Emperor Hirohito. While an official censor for Japanese theater he became its champion.

Bowers became a respected authority on oriental art and culture, writing scholarly monographs on such subjects as Indian dance and Japanese theatre, as well as a definitive two-volume biography of the Russian composer Alexander Scriabin.

He was married from 1951 to 1966 to Indian writer Santha Rama Rau. He was interviewed for Columbia University's Oral History Project in 1960. He died in New York City 17 November 1999.

[edit] Kabuki

Bowers is known as The Man Who Saved Kabuki in Japan. While on his way to Indonesia in 1940, he visited Tokyo's Kabuki-za where he watched the famous Kanadehon Chūshingura kabuki play, and was very moved by kabuki as an art form. Four years later he returned to Japan as General MacArthur's secretary during the American Occupation of Japan. At this time the Supreme Commander of the Allied Powers thought kabuki should be banned for its portrayal of feudal values. Bowers was strongly against this, stating that "Kabuki is not only Japanese culture but world culture and must be preserved for the future." He promoted kabuki plays and instructed that a "Dream Team" cast of big kabuki stars should be assembled to perform "Kanadehon Chūshingura" in 1947. These performances were a success, and the cast later performed the play in 1950 in East Coast venues across the US.