User:Erik/Dark City

From Wikipedia, the free encyclopedia

[edit] Links

[edit] Sources

  • Milner, Andrew (2004). "Darker Cities: Urban Dystopia and Science Fiction Cinema". International Journal of Cultural Studies 7 (3): 259-279. doi:10.1177/1367877904046303. 
  • Wilson, Eric G. (2006). "Gnostic Paranola In Proyas's Dark City". Literature Film Quarterly 34 (3): 232-239. 
  • Blackmore, Tim (2004). "High on Technology—Low on Memory: Cultural Crisis in "Dark City" and "The Matrix"" 34 (1): 13-54. Canadian Review of American Studies.  (have saved)
  • Murray, Robin; Joseph K. Heumann (2006-02-04). "Dark City, Noir, and the Space Between: Or Is It Our Nature to Live in the Dark?". Scope: An Online Journal of Film Studies. 
  • Hantke, Steffen. "Encapsulated Noir: Hybrid Genres and Social Mobility in Alex Proyas' Dark City". Scope: An Online Journal of Film Studies. 
  • Tryon, Charles. "Virtual Cities and Stolen Memories: Temporality and the Digital in Dark City". Film Criticism 28 (2).  (have saved)
  • Wilson, Dawson H.. "The Pathological Machine: Dark City's Translation of Schreber's Memoirs". Journal of the Fantastic in the Arts 15 (2 [58]): 153-164. 
  • Todd, McGowan (2004). "Fighting Our Fantasies: Dark City and the Politics of Psychoanalysis", in Sheila Kunkle: Lacan and Contemporary Film (Paperback), Other Press, 145-171. ISBN 9781590510841. 
  • Bordwell, David (Spring 2002). "Intensified continuity: visual style in contemporary American film". Film Quarterly. 
  • Tripp, Daniel (April-June 2005). ""Wake Up!": Narratives of Masculine Epiphany in Millennial Cinema". Quarterly Review of Film & Video 22 (2): 181-188.  (have saved)
  • Marsen, Sky (2005). "Against heritage: Invented identities in science fiction film". Semiotica 152 (1-4): 141-157.  (have saved)

[edit] References

KHOURY, George: The imagineer: an interview with Alex Proyas Creative Screenwriting (1084-8665) v.7 n.5 , September 2000, p.83-90, English, illus Interview with screenwriter Alex Proyas who discusses why he writes for the science fiction genre. Includes excerpts from and commentary on DARK CITY.

LYSSIOTIS, Peter and McQUIRE, Scott: Liquid architecture: Eisenstein and film noir Architectural Design (0003-8504) v.70 n.1 , January 2000, p.6-8, English, illus Article on cities in film which refers to Eisenstein, Fritz Lang, film noir and the 1998 film DARK CITY. O'REGAN, Tom and VENKATASWAMY, Rama: Only one day at the beach Metro (0312-2654) n.117 , December 1998, p.16-28, English, illus A discussion of the merits of DARK CITY and its influence on the Australian film industry

HELMS, Michael: Dark City Cinema Papers n.124 , May 1998, p.18-21, 44, English Interview with director Alew Proyas and producer Andrew Mason about their film DARK CITY

WAGNER, Chuck: Dark City Cinefantastique (0145-6032) v.29 n.12 , April 1998, p.32-34, English, illus

BIODROWSKI, Steve: Dark City review: an ambitious attempt to meld film noir and Cinefantastique (0145-6032) v.29 n.12 , April 1998, p.35, 61, English, illus

WAGNER, Chuck: Dark City Cinefantastique (0145-6032) v.29 n.9 , January 1998, p.40-41, English, illus Combining the richness of film noir with science fiction to create DARK CITY.

WAGNER, Chuck: Dark Empire Cinefantastique (0145-6032) v.29 n.4/5 , October 1997, p.64-67, English, illus A discussion of DARK CITY, including the making of the film and its most important themes

HELMS, Michael: The Dark Empire strikes back / Life after Riff-Raff Fangoria (0164-2111) n.166 , September 1997, p.20-25,71, English, illus production report and interview with Richard O'Brien on DARK EMPIRE

WAGNER, Chuck: Dark World Cinefantastique (0145-6032) v.29 n.3 , September 1997, p.7-9, English, illus On the set of DARK CITY

In production Cinema Papers n.113 , December 1996, p.74, English

Film production Hollywood Reporter (0018-3660) v.343 n.40 , 27 August 1996, p.16, English further details

Australian Cinema 1996: slated for production in '96 Screen International (0307-4617) n.1057 , 10 May 1996, p.25, English

Film production Variety (0042-2738) , 10 August 1983, p.17, English