User:Erik/Blade Runner

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Contents

1 Books
2 Articles
- 2.1 1
- 2.2 2
- 2.3 3
- 2.4 4
- 2.5 5
- 2.6 6
- 2.7 7
- 2.8 8
- 2.9 9
- 2.10 Unsorted
3 Non-English resources

[edit] Books

Scroggy, David (June 1982). Blade Runner Sketchbook. San Diego: Blue Dolphin Enterprises. ISBN 0943128021.

Peary, Danny (October 1988). Cult Movies #3. New York: Fireside. ISBN 0671648101.

Donald, James (January 1989). Fantasy and the Cinema. London: British Film Institute. ISBN 0851702295.

Kerman, Judith B (1997). Retrofitting Blade Runner: Issues in Ridley Scott's Blade Runner and Phillip K. Dick's Do Androids Dream of Electric Sheep?. Bowling Green, Ohio: Popular Press 3. ISBN 0879725109.

Sammon, Paul M (May 1996). Future Noir: The Making of Blade Runner. New York: Harper Paperbacks. ISBN 0061053147.

Bukatman, Scott (October 1997). Blade Runner. London: British Film Institute. ISBN 0851706231.

[edit] Articles

[edit] 1

Mills, Bart (January-February 1982). "The Brave New World of Production Design". American Film.

"Unknown title", Variety, 1982-06-16.

Sarris, Andrew. "Unknown title", Village Voice, 1982-07-08.

Corliss, Richard. "The Pleasures of Texture", Time, 1982-07-12.

Kael, Pauline. "Unknown title", The New Yorker, 1982-07-12.

"Blade Runner Issue" (July 1982). Cinefex.

Lightman, Herb A.; Richard Patterson (July 1982). "Blade Runner: Production Design and Photography". American Cinematographer.

Kennedy, Harlan (July-August 1982). "Unknown title". Film Comment.

Strick, Philip (Summer 1982). "Unknown title". Sight & Sound.

Milne, Tom (1982). "Unknown title". Monthly Film Bulletin.

[edit] 2

"Blade Runner Issues" (September-November 1982). StarBurst.

Roddick, Nick (October 1982). "Unknown title". Films and Filming.

Assayas, O.; S. Le Peron (March 1983). "Interview with Ridley Scott". Casablanca.

Piccardi, A. (December 1982). "Unknown title". Cineforum.

Dempsey, Michael (Winter 1982-83). "Unknown title". Film Quarterly.

Durgnat, Raymond (May 1983). "Art for Film's Sake". American Film.

Kellner, D. (February 1984). "Blade Runner: A Diagnostic Critique". Jump Cut.

Dresser, D. (July 1985). "Blade Runner: Science Fiction and Transcendence". Literature/Film Quarterly.

Doll, Susan; Greg Faller (April 1986). "Blade Runner and Genre: Film Noir and Science Fiction". Literature/Film Quarterly.

"Unknown title" (Autumn 1986). Camera Obscura.

[edit] 3

Ruppert, P. (1989). "Blade Runner: The Utopian Dialectics of Science Fiction Films". Cineaste.

Berg, C. R. (Fall 1989). "Immigrants, Aliens, and Extraterrestrials: Science Fiction's Alien 'Other' as (Among Other Things) New Hispanic Imagery". Cineaction.

Morrison, Rachela (1990). "Casablanca Meets Stars Wars: The Blakean Dialectics of Blade Runner". Literature/Film Quarterly.

Slade, J. W. (1990). "Romanticizing Cybernetics in Ridley Scott's Blade Runner". Literature/Film Quarterly.

Shumaker, C. (1990). "More Human than Humans: Society, Salvation, and the Outsider in Some Popular Films of the 1980s". Journal of American Culture.

Telotte, J. P. (1991). "The Tremulous Public Body". Journal of Popular Film and Television.

Levy, S. (August 1991). "Ridley Scissorhands". American Film.

Marder, Elissa (September 1991). "Blade Runner's Moving Still". Camera Obscura: 88-107.

"Reassessment of BLADE RUNNER ten years after its first release, which argues that it is one of the most powerful and influential examples of cinematic postmodernism"

Silverman, Kaja (September 1991). "Back to the Future". Camera Obscura: 108-133.

"A look at the generic amalgam of science fiction film and film noir in BLADE RUNNER."

Instrell, Rick (1992). "Blade Runner: The Economic Shaping of a Film". Cinema & Fiction.

[edit] 4

Wilmington, M. (January-February 1992). "The Rain People". Film Comment.

Albrecht, D.. "Blade Runner Cuts Deep into American Culture", The New York Times, 1992-09-20.

Strick, P. (December 1992). "Blade Runner: Telling the Difference". Sight & Sound.

Bruno, Giuliano (1993). "Ramble City: Postmodernism and Blade Runner". Crisis Cinema.

Alliez, E.; M. Feher (1993). "Dick City". Filmihulu. (may not be English)

Bruno, M. W. (January-February 1993). "One More Kiss My Dear". Segnocinema. (may not be English)

McNamara, Kevin R. (Fall 1997). "Blade Runner's Post-Individual Worldspace". Contemporary Literature 38.

Gravett, Sharon L. (1998). "The Sacred and the Profane: Examining the Religious Subtext of Ridley Scott's Blade Runner". Literature Film Quarterly 26.

Lev, Peter (1998). "Whose Future? Star Wars, Alien, and Blade Runner". Literature Film Quarterly 26.

Horkins, Tony (April 2006). "In conversation with Harrison Ford". Empire: 133-138,140.

[edit] 5

"Top 10 Future Visions" (March 2006). StarBurst: 66-67.

"201 Greatest movies of all time" (March 2006). Empire: 77-88,90-101.

"Permanent rotation" (January 2006). Filmmaker 14: 110-111.

"Decade Deathmatch" (October 2005). Empire: 127-134,136-137.

Wilson, Eric G. (October 2005). "Moviegoing and Golem-Making: The Case of Blade Runner". Journal of Film and Video 57: 31-43.

Nathan, Ian (June 2005). "C.V. Ridley Scott". Empire: 144-147.

Begley, Varun (October 2004). "Blade Runner and the postmodern: a reconsideration". Literature/Film Quarterly 23: 186-192.

Newman, Kim (October 2003). "Rwd: masterpiece". Empire: 158-159.

Freer, Ian (June 2003). "The ten most influential sci-fi films ever made". Empire.

Evans, Gareth (June 2002). "Rushes: between the lines: welcome to the metropolis". Sight & Sound 12: 8.

[edit] 6

Mueller, Roswitha (March 2002). "The City and Its Other". Discourse 24: 30-49.

Dillon, Matthew (April 2001). "Final cut". Metro: 114-118.

Maxford, Howard (March 2001). "Blade Runner: sound and vision". StarBurst: 63-68.

"Retrospective on Blade Runner, including interviews with Sean Young, William Sanderson and Vangelis."

Weitzman, Elizabeth (February 2001). "Ridley Scott". Interview: 64-65,158.

"AC July 1982: cinematography for Blade Runner" (March 1999) 80: 158-165.

Lowe, Andy (September 1998). "Shoots to kill". Total Film: 64.

"The deal: 'Blade Runner' sequel" (March 1998). Sight & Sound 8: 5.

Nathan, Ian (February 1998). "Blade Runner". Sight & Sound: 18-19.

"A critical essay on BLADE RUNNER (1981) which looks at its place in the history of the science fiction film genre."

Smith, Adam (December 1997). "Missing in action". Empire: 110-118.

"Interview with director Ridley Scott who discusses the prominence of women in the films he has made, referring particularly to G.I. JANE, and talks about the two films he is most well know for, ALIEN and BLADE RUNNER."

Barringer, Robert (May 1997). "Blade Runner: skinjobs, humans and racial coding". Jump Cut: 13-15.

"An examination of BLADE RUNNER (1982) as a commentary on US race relations through an analysis of the codification in the film of replicants as 'black' and humans as 'white'."

[edit] 7

Su-Lin Wee, Valerie (April 1997). "The most poetic subject in the world: observations on death". Kinema: 57-71.

"An analysis and discussion of how the traditionally related notions of death and femininity are treated in Ridley Scott's BLADE RUNNER."

Sammon, Paul M. (March 1997). "Flashback: Fear of a bleak planet". Neon: 100-105.

"Article exploring the reason for the box office failure of BLADE RUNNER, including several statements by filmmakers and actors on the film and background information on the year of its release, 1982

"True lies" (March 1997). Empire: 93.

"Discusses the likelihood that the character of Deckard in BLADE RUNNER is in fact a replicant."

Mayer, Geoff (January 1997). "Blade Runner: The Director's Cut". Metro Education: 3-7.

"Dicussion on BLADE RUNNER: THE DIRECTORS CUT commenting on the versions of the film and the reasons behind the different versions being made."

Senior, W.A. (October 1996). "Blade Runner and Cyberpunk Visions of Humanity". Film Criticism 21: 1-12.

"Article about the portrayal of human beings in cyborg films, such as BLADE RUNNER"

Romero, Rolando J. (October 1996). "The postmodern hybrid: do aliens dream of alien sheep?". Post Script 16: 41-52.

"An analysis of Ridley Scott's BLADE RUNNER which looks at cuts to the first release, particularly the cutting of the unicorn sequence, which undermines Chicano presence in the film; also analyses representation of non-white minorities."

Jones, Alan (August 1995). "Production design". Cinefantastique 26: 29-31.

"Part of extended feature on JUDGE DREDD. Discussion of the production design for the film, which drew on the designs used in BLADERUNNER"

Abrams, Janet (May 1995). "Escape from gravity". Sight & Sound 5: 14-19.

"Article discusses Douglas Trumbull's special effects work and includes comments by Trumbull on techniques used for particular scenes in his films."

Brown, H. Rap (January 1995). "The new violence or twenty years of violence in films". Films in Review 46: 40-48.

"Part one of the treatment of violence in films analysing Stanley Kubrick's A CLOCKWORK ORANGE, Terrence Malick's BADLANDS, and Ridley Scott's BLADE RUNNER - THE DIRECTORS CUT"

Benjamin, Andrew (November 1994). "At Home With Replicants; The Architecture of Blade Runner". Architectural Design 64: 22-25.

"In a special issue looking at architecture and film a discussion on the architecture in BLADE RUNNER."

[edit] 8

Kolb, William M. (October 1994). "Blade Runner: the director's cut that nearly wasn't". Perfect Vision 6: 20-25.

"A history of the events leading up to BLADE RUNNER - THE DIRECTOR'S CUT and a review of the laserdisc version."

Mulhall, Stephen; Robert Crooks (January 1994). "Picturing the Human (Body and Soul) / Retro Noir, Future Noir". Film and Philosophy 1: 87-110.

"Article about the portrayal of human beings in films, particularly BLADE RUNNER; also article about variations of film noir, also examining BLADE RUNNER"

Sammon, Paul M. (November 1993). "Do Androids Dream of Unicorns?". Video Watchdog: 32-59.

"On the 'seven' versions of BLADE RUNNER seen since its release in 1982"

Percival, Richard S. (March 1993). "Unknown title". Sight & Sound 3: 64.

"Richard S. Percival suggests that BLADE RUNNER is 'permeated by a hatred and debasement of women'."

Doherty, Thomas (February 1993). "Blade Runner". Cinefantastique 23: 56-57.

"Review of the director's cut."

Salisbury, Mark (December 1992). "Back to the future". Empire: 90-96.

"Article about the different focus of BLADE RUNNER - THE DIRECTORS CUT compared to the originally released version, BLADE RUNNER."

Strick, Philip (December 1992). "Blade Runner: telling the difference". Sight & Sound 2: 8-9.

"Discussion of the effect of the loss of Harrison Ford's voice-over on the soundtrack, and on whether Ridley Scott intended the audience to guess that Deckard is in fact a replicant."

Aldridge, David (December 1992). "BLADE RUNNER-THE DIRECTOR'S CUT". StarBurst: 12-13.

"Interview with Ridley Scott on BLADE RUNNER-THE DIRECTOR'S CUT and his views generally on screen violence."

"Unknown title" (December 1992). Empire: 90-96.

"Articles about the different focus of BLADE RUNNER THE DIRECTOR'S CUT compared to the originally released version."

"Unknown title" (August 1992). Screen International: 1.

"Warner Bros is giving BLADE RUNNER a nationwide US release on Sept 11th 1992."

[edit] 9

Toumarkine, Doris (1992-02-13). "'Blade Runner' will be replicated for 100 cities". The Hollywood Reporter 321: 3,18.

"Warner Bros will be releasing a 70mm director's cut in exclusive runs in 100 major markets in the Autumn."

"Unknown title" (December 1991). Empire: 42.

"Brief responses to letters enquiring about directors' cuts."

Carter, Steven (October 1990). "Avatars of the turtles". Journal of Popular Film & Television 18: 94-102.

"The evolution of technological values, especially computers, machines and robots in science fiction films, using 2001, 2010, BLADE RUNNER, ELECTRIC DREAMS, STAR WARS, ROBOCOP and The TERMINATOR as examples."

"Blade Runner" (January 1990). Literature/Film Quarterly 18: Whole issue.

"Special BLADE RUNNER issue, including a comprehensive annotated bibliography."

"Unknown title" (April 1989). Cineaste 17: 8-13.

"Article on recent American science fiction films in terms of social ideology and the desire for Utopia, looking particularly at BLADE RUNNER - the images of urban decay, waste, pollution, racism and the political issues raised."

[edit] Unsorted

American Film (0361-4751) v.12 n.3 , December 1986, p.59, English
Notes on footage restored to the US video version of the film.

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Camera Obscura (0270-5346) n.15 , October 1986, p.37-64, English
Illustrates 'androids and androgeny' with LIQUID SKY and LOOKER.

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Literature/Film Quarterly (0090-4260) v.14 n.2 , April 1986, p.89-100, English
Article on the 'multigeneric' nature of the film.

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Cahiers de la Cinémathèque n.44 , December 1985, p.39-47, French
(p.39-47) Article on the urban environment in science fiction films from METROPOLIS to BLADERUNNER.

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Literature/Film Quarterly (0090-4260) v.13 n.3 , July 1985, p.172-179, English
Discussion of the film as 'transcendental' science fiction.

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Jump Cut (0146-5546) n.29 , February 1984, p.6-8, English

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Film Quarterly (0015-1386) v.36 n.2 , December 1982, p.33-38, English

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Filmcritica n.331 , January 1983, p.22-6, Italian

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Monthly Film Bulletin v.49 n.586 , November 1982, p.275, English
Corrigenda.

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StarBurst (0955-114X) n.51 , November 1982, p.18-21, English
Article on the various changes made in the script during production, and details of other scenes which were excluded the editing stage.

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StarBurst (0955-114X) n.51 , November 1982, p.22, English
Interview with designer Syd Mead.

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StarBurst (0955-114X) n.51 , November 1982, p.24-30, English
Interview with director.

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Films v.2 n.11 , October 1982, p.27-28, English

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StarBurst (0955-114X) n.50 , October 1982, p.4, English
Note on the fact that a n umber of changes were made before release.

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StarBurst (0955-114X) n.50 , October 1982, p.12-16, English
Review.

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StarBurst (0955-114X) n.50 , October 1982, p.26-30, English
Interview with Ivor Powell.

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Films and Filming n.337 , October 1982, p.34-35, English

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Screen International (0307-4617) n.361 , 18 September 1982, p.36, English

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Time Out (0049-3910) n.629 , 10 September 1982, p.14-15, English

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City Limits n.49 , 10 September 1982, p.4, English

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City Limits n.48 , 03 September 1982, p.37-39, English
Background article on the film, and initial reaction to it in the USA.

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Films v.2 n.10 , September 1982, p.22, 23-27, English, illus
Comments from director and pictorial report.

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Films v.2 n.10 , September 1982, p.23-27, English
Pictorial report.

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Monthly Film Bulletin v.49 n.584 , September 1982, p.194-195, English

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Écran Fantastique n.26 , September 1982, p.10-49, French
Articles on the special effects and design of the film, with production sketches, interviews with Philip K.Dick, Hampton Fancher, David Peoples, Michael Deeley, Ridley Scott, Syd Mead, and LaurencePaull; credits, review and notes on the pr

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Cinématographe n.81 , September 1982, p.38-39, French

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StarBurst (0955-114X) n.49 , September 1982, p.12-16, English
Background to the film, and comments on the director and designers.

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Cahiers du Cinéma (0008-011X) n.339 , September 1982, p.57, French

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Cinefantastique (0145-6032) v.13 n.1 , September 1982, p.44, English

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Prevue (0199-9257) n.49 , August 1982, p.32-35, English
Interview with director.

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Sight and Sound (0037-4806) v.51 n.3 , July 1982, p.Summer 168-172, English
Background article on the film.

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American Cinematographer (0002-7928) v.63 n.7 , July 1982, p.684-687, 715-725, English
Production design and photography.

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American Cinematographer (0002-7928) v.63 n.7 , July 1982, p.692-693, 725-730, English
Special photographic effects.

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American Cinematographer (0002-7928) v.63 n.7 , July 1982, p.730-732, English
Credits.

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Film Comment (0015-119X) v.18 n.4 , July 1982, p.64-65, English
Report.

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Film Comment (0015-119X) v.18 n.4 , July 1982, p.65-68, English
Interview with director.

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Cinefantastique (0145-6032) v.12 n.5/6 , July 1982, p.20-47, English
Feature on the effects work in BLADERUNNER, with interview with Ridley Scott and features on many aspects of the designof the film.

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Motion Picture Product Digest v.10 n.2 , 30 June 1982, p.7, English

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Variety (0042-2738) , 16 June 1982, p.15,20, English

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Hollywood Reporter (0018-3660) v.272 n.15 , 15 June 1982, p.3, 18, English

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Prevue (0199-9257) n.48 , June 1982, p.26-29,67,70-73, English
The cast and production crew talk about the making of the film.

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Prevue (0199-9257) n.47 , April 1982, p.56-57, 65, English
Interview with designer, Syd Mead.

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Ciné-Revue v.62 n.12 , 18 March 1982, p.12-15, French
Stills, note.

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Prevue (0199-9257) n.46 , November 1981, p.29-31, English
Production report.

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Cinefantastique (0145-6032) v.11 n.2 , August 1981, p.Fall 11, English

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Cinefantastique (0145-6032) v.10 n.4 , April 1981, p.Spring 13, English
Note on the preparations for production, particularly the design of the film.

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Cinefantastique (0145-6032) v.10 n.3 , December 1980, p.Winter 12, English
Note on background.

[edit] Non-English resources

DENIS, Sébastien: L'esprit et l'enveloppe. De quelques personnages utopiques
CinémAction n.115 , April 2005, p.[whole issue], French, illus
An examination of forms of utopia and their representation in cinema, including the relationship between human beings and robots in science-fiction films, i.e. BLADE RUNNER, ALIEN RESURRECTION and GHOST IN THE SHELL,

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LABROUILLÈRE, Isabelle: 'A la recherche du sens perdu': l'exemple de Blade Runner
CinémAction n.115 , April 2005, p.[whole issue], French, illus
An examination of forms of utopia and their representation in cinema, including in Ridley Scott's BLADE RUNNER.

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Colpart, G., in Image et Son (Paris), September 1982.

Goldschmidt, D., in Cinématographe (Paris), September 1982.

Girard, M., in Séquences (Montreal), October 1982.

Skytte, A., in Kosmorama (Copenhagen), October 1982.

Dumont, P., in Cinéma (Paris), November 1982.

Garsault, A., in Positif (Paris), November 1982.

Cardenas, F., in Hablemos de Cine (Lima), February 1983.

Caron, A., "Les Archetypes chez Ridley Scott," in Jeune Cinéma (Paris), March 1983.

Pacileo, V., in Cinema Nuovo (Bari), April 1983.

Martin, R., "La Photographie merité bien note mefiance," in Revue Belge du Cinéma (Brussels), Summer 1983.

Olive, J. Louis, "Les Structures de l'enfermement urbain," in Cahiers de la Cinématheque (Perpignan), no. 44, 1986.

Wilhelmsson, P., "Design tai vallankumous," in Filmihullu (Helsinki), no. 6, 1990.

Attolini, G., "Dagli spazi aperti all'universo urbano," in Quaderni di Cinema (Florence), July-September 1990.

Rynell, T., "Den morknande framtid ar var," in Filmhaftet (Uppsala, Sweden), May 1992.

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