Enûma Eliš

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Fertile Crescent
myth series
Mark of the Palm
Mesopotamian
Levantine
Arabian
Mesopotamia
Primordial beings
7 gods who decree
The great gods
Demigods & heroes
Spirits & monsters
Tales from Babylon 

Enûma Eliš
Atra-Hasis
Marduk & Sarpanit
Nabu, Nintu
Agasaya, Bel
Qingu

The Enûma Eliš is the Babylonian or Mesopotamian creation epic. It was first discovered by modern scholars (in fragmentary form) in the ruined library of Ashurbanipal at Nineveh (Mosul, Iraq), recovered by Henry Layard in 1849 and published by George Smith in 1876.[1]

The Enuma Elish has about a thousand lines and is recorded in Akkadian on seven clay tablets, each holding between 115 and 170 lines of text. The majority of Tablet V has never been recovered, but aside from this lacuna the text is almost complete. A duplicate copy of Tablet V has been found in Sultantepe, ancient Huzirina, located near the modern town of Şanlıurfa in Turkey.

This epic is one of the most important sources for understanding the Babylonian worldview, centered on the supremacy of Marduk and the existence of mankind for the service of the gods. Its primary original purpose, however, is not an exposition of theology or theogony, but the elevation of Marduk, the chief god of Babylon, above other Mesopotamian gods.

The Enûma Elish has existed in various versions and copies from Babylonia as well as from Assyria. The version from Ashurbanipal's library dates to the 7th century BC. The story itself probably dates to the 18th century BC, the time when the god Marduk seemed to have a prominent status. Some scholars give it a later date (14th to 12th centuries BC.)

Contents

[edit] Summary

The title, meaning "when on high" is the incipit. The first tablet begins:

e-nu-ma e-liš la na-bu-ú šá-ma-mu
šap-lish am-ma-tum šu-ma la zak-rat
ZU.AB-ma reš-tu-ú za-ru-šu-un
mu-um-mu ti-amat mu-al-li-da-at gim-ri-šú-un
A.MEŠ-šú-nu iš-te-niš i-ḫi-qu-ú-šú-un
gi-pa-ra la ki-is-su-ru su-sa-a la she-'u-ú
e-nu-ma DINGIR.DINGIR la šu-pu-u ma-na-ma
When on high heaven was not named,
And the earth beneath did not yet bear a name,
And the primeval Apsû, who begat them,
And chaos, Tiamat, the mother of them both,
Their waters were mingled together,
And no field was formed, no marsh was to be seen;
When of the gods none had been called into being

The epic names two primeval gods: Apsu, the fresh water, and Tiamat, the salt water. Several other gods are created (Ea and his brothers) who reside in Tiamat's vast body. They make so much noise that it annoys Tiamat and Apsu greatly. Apsu wishes to kill the young gods, but Tiamat disagrees. The vizier, Mummu, agrees with Apsu's plan to destroy them. Tiamat, to stop this from occurring, tells Ea (Nudimmud), at the time the most powerful of the gods, who, using magic, puts Apsu into a coma and kills him, and shuts Mummu out. Ea then becomes the chief god, and along with his consort Damkina, has a son, Marduk, greater still than himself. Marduk is given wind to play with and he uses it to make dust storms and tornadoes. This disrupts Tiamat's great body and causes the gods still residing inside her to be unable to sleep.

They persuade Tiamat to take revenge for the death of her husband. Her power grows, and some of the gods join her. She creates 11 monsters to help her win the battle and elevates Kingu, her new husband, to "supreme dominion." A lengthy description of the other gods' inability to deal with the threat follows. Ultimately, Marduk is selected as their champion against Tiamat, and becomes very powerful. He defeats and kills Tiamat, and forms the world from her corpse. The subsequent hundred lines or so constitute the lost section of Tablet V.

The gods who sided with Tiamat are initially forced to labor in the service of the other gods. They are freed from their servitude when Marduk decides to slay Kingu and create mankind from his blood. Babylon is established as the residence of the chief gods. Finally, the gods confer kingship on Marduk, hailing him with fifty names. Most noteworthy is Marduk's symbolic elevation over Enlil, who was seen by earlier Mesopotamian civilizations as the king of the gods.

[edit] Relationship with the Tanakh

While the Hebrew bible is not based directly on the Enuma Elish, "the dependence of at least some biblical creation texts on a common ancient Near Eastern 'creation-by-combat' myth are not gainsayable."[2]

The ancient Mesopotamians believed that the world was a flat circular disc surrounded by a saltwater sea. The habitable earth was a single giant continent inside this sea, and floated on a second sea, the freshwater apsu, which supplied the water in springs, wells and rivers and was connected with the saltwater sea. The sky was a solid disk above the earth, curved to touch the earth at its rim, with the heavens of the gods above. So far as can be deduced from clues in the bible, the ancient Hebrew geography was identical with that of the Babylonians: a flat circular earth floating above a freshwater sea, surrounded by a saltwater sea, with a solid sky-dome (raqia, the "firmament") above. It is the creation of this world which Enuma Elish and Genesis 1 describe.[3][4]

Comparisons between the Bible and other ancient Near Eastern texts are often obscured by English translations, which impose on the Hebrew the Christian doctrines of creation ex nihilo (out of nothing) and of the Trinity. Thus the opening of Genesis 1 is traditionally rendered: "In the beginning God created both Heaven and Earth...", whereas the Hebrew makes it clear that Genesis 1:1-3 is describing the state of chaos immediately prior to God's creation:[5]

"In the beginning of God's creating the skies and the earth, when the earth had been shapeless and formless, and darkness was upon the face of the deep, and God's spirit was hovering on the face of the water, God said, 'Let there be light!"[6]

In both Enuma Elish and Genesis, creation is an act of divine speech - the Enuma Elish describes pre-creation as a time "when above, the heavens had not been named, and below the earth had not been called by name", while in Genesis each act of divine creation is introduced with the formula: "And God said, let there be...". The sequence of creation is identical: light, firmament, dry land, luminaries, and man. In both Enuma Elish and Genesis the primordial world is formless and empty (the tohu wa bohu of Genesis 1:2), the only existing thing the watery abyss which exists prior to creation (Tiamat in the Enuma Elish, tehom, the "deep", a linguistic cognate of tiamat, in Genesis 1:2). In both, the firmament, conceived as a solid inverted bowl, is created in the midst of the primeval waters to separate the heavens from the earth (Genesis 1:6–7, Enuma Elish 4:137–40). Day and night precede the creation of the luminous bodies (Gen. 1:5, 8, 13, and 14ff.; Enuma Elish 1:38), whose function is to yield light and regulate time (Gen. 1:14; Enuma Elish 5:12–13). In Enuma Elish, the gods consult before creating man (Enuma Elish 6:4), while Genesis has: "Let us make man in our own image..." (Genesis 1:26) – and in both, the creation of man is followed by divine rest. "Thus, it appears that the so-called Priestly Source account echoes this earlier Mesopotamian story of creation."

[edit] Notes

  1. ^ Smith's "The Chaldean Account of Genesis" (London, 1876).
  2. ^ Professor Chris Heard, "Higgaion"
  3. ^ Seeley The Geographical Meaning of "Ëarth" and "Seas" in Genesis 1:10, Westminster Theological Journal 59 (1997), p.246
  4. ^ Paul H. Seely, The Firmament and the Water Above, Westminster Theological Journal 53 (1991)
  5. ^ Harry Orlinsky, Notes on the New JPS Translation of the Torah: Genesis 1:1-3 (1969), at voiceofiyov.blogspot.com
  6. ^ Richard Elliot Friedman, "The Bible With Sources Revealed", Harper, 2003. See also the New JPS Bible, 1999, in which Harry Orlinsky replaces Friedman's "spirit" with what he argues is the more contextually accurate "wind".

[edit] Editions and translations

  • Seven Tablets of Creation, Luzac's Semitic Text and Translation Series, No 12 & 13, ISBN 978-0404113445 (1973).
  • L. W. King, Enuma Elish: The Seven Tablets of Creation, London (1902); 1999 reprint ISBN 978-1585090433; 2002 reprint ISBN 1402159056.
  • Anton Deimel, Enuma eliš (1936).
  • W. C. Lambert, S. B. Parker, Enuma Eliš. The Babylonian Epic of Creation, Oxford (1966).

[edit] Further reading

[edit] General

  • Armstrong, James A. “West of Edin: Tell al-Deylam and the Babylonian City of Dilbat,” Biblical Archaeologist, Volume 55, 1992 (2001 electronic ed.)
  • Victor Harold Matthews, Don C. Benjamin, Old Testament Parallels: Laws and Stories from the Ancient Near East (1997), ISBN 0809137313.
  • Hamblin, D.J., “Has the Garden of Eden Been Located At Last?”, Smithsonian Magazine, 18:2, May 1987.
  • Theodor H. Gaster, Psalm 29, The Jewish Quarterly Review (1946).

[edit] Enuma Elish

  • F. N. H. Al-Rawi, J. A. Black, A New Manuscript of Enūma Eliš, Tablet VI, Journal of Cuneiform Studies (1994).
  • H. L. J. Vanstiphout, Enūma eliš: Tablet V Lines 15-22, Journal of Cuneiform Studies (1981).
  • B. Landsberger, J. V. Kinnier Wilson, The Fifth Tablet of Enuma Eliš, Journal of Near Eastern Studies (1961).

[edit] Online resources

[edit] See also

[edit] External links