Either/Orchestra
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| Either/Orchestra | |
|---|---|
| Origin | Cambridge, Massachusetts, United States |
| Genre(s) | Jazz, Latin, Ethiopian, Avant-garde jazz |
| Years active | 1985–present |
| Label(s) | Accurate Records, Buda Musique |
| Former members | |
| John Medeski, Josh Roseman, Matt Wilson, Miguel Zenon, Jaleel Shaw, Curtis Hasselbring, John Carlson, Andrew D'Angelo, Jerome Deupree, Michael Rivard | |
The Either/Orchestra is a jazz group formed by Russ Gershon in Cambridge, Massachusetts, USA, in 1985.
In more than two decades of performing and recording, the ten-piece Either/Orchestra has attempted to redefine the large jazz ensemble. Configured as a small big-band, with three saxes, two trumpets and trombone (originally two trombones), the E/O can sound heavier and more orchestrated than a jazz combo, but remains more streamlined and improvisation-oriented than most big-bands.
Drawing on leader Gershon's experience on the Boston rock scene, and on the diverse musical backgrounds of the members, the broad outlines of the group were influenced by Duke Ellington, Gil Evans, Charles Mingus and Sun Ra. The group also makes significant references to pop and rock, along and the full range of jazz syles ranging from early jazz through the avant-garde. This broad collection of influences is reflected by the (non-original) compositions recorded by the band over the years: "Doxy" (Sonny Rollins), "Brilliant Corners", "Nutty" (Thelonious Monk), "Lady's Blues" (Rahsaan Roland Kirk), Odwallah (Roscoe Mitchell), Willow Weep for Me (Ann Ronnell), Circle in the Round (Miles Davis), "I Got it Bad", "In a Sentimental Mood", "Timon of Athens" (Ellington), "Red" (Robert Fripp), "Ode to Billie Joe" (Bobbie Gentry), "Lay Lady Lay" (Bob Dylan), "I Want You/She's So Heavy" (Lennon/McCartney). The group's repertoire has also included original compositions by Gershon, Nieske, Hasselbring and others.
In the All Music Guide[1], Dave Lynch writes that the E/O performs "engagingly idiosyncratic large-ensemble jazz while serving as a formative workshop for musicians who have received significant popular and critical recognition in their post-E/O careers... [the] Either/Orchestra revels in delivering the unexpected and is forever throwing curves at the listener. While deftly mixing idioms, E/O consistently meets the expectations of the best large-ensemble jazz; the band's members solo with both passion and skill, navigate complex charts, and swing with abandon."
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[edit] Live performances
The Cambridge, Massachusetts Public Library was the location of the first E/O concert, on December 17, 1985. The group began playing regularly around the Boston area, and then distinguished itself from most other American jazz ensembles by emulating indie rock bands and making a number of lengthy van tours around the US and Canada in the late 80s and early 90s, playing many "non-jazz" venues. Band member (1988-1990) John Medeski, who later co-founded Medeski Martin & Wood, has cited this experience as a model for the latter band's grass roots barnstorming. Leader Gershon planned this strategy in an effort to recreate the working conditions of the earlier jazz big-bands, feeling that this was the best way to achieve an organic and contemporary sound with a large group, and to hone the music by playing for a variety of audiences. In recent years, the group has toured more selectively, performing in Holland, Finland, Sweden, Russia, Italy, Portugal, Ethiopia and Uganda. It has been estimated that the Either/Orchestra has performed more than 1,000 concerts.
[edit] Band members
Due to the size and longevity of the group, even with an average tenure of over four years there have been close to fifty band members. Only Gershon and trumpeter Tom Halter have remained throughout. Early members included Jerome Deupree, Michael Rivard, Dave Ballou, Josh Roseman [2], Russell Jewell, Robb Rawlings, Steve Norton, Kenny Freundlich and John Dirac. Middle period members include John Medeski, Matt Wilson [3], Charlie Kohlhase [4], Curtis Hasselbring, Andrew d'Angelo, Douglas Yates, John Carlson, Dan Fox and Bob Nieske. Later members included Miguel Zenon, Jaleel Shaw, Dan Kaufman, Greg Burk, Colin Fisher and Rick McLaughlin, Surinamese drummer Harvey Wirht and Vicente Lebron, a Dominican conguero whose presence strengthened the Latin influence in the group's sound. The band has collaborated with singers Mark Sandman and Judy Kuhn, and saxophonist/composer John Tchicai, along with a number of Ethiopian musicians, including Mulatu Astatke and singer Hana Shenkute.
[edit] Ethiopian Music
The E/O began performing original arrangements of Ethiopian songs, inspired by a compilation called "Ethiopian Groove: the Golden 70s". In 2000, after three of these songs appeared on the album "More Beautiful than Death", Francis Falceto, the producer of "Ethiopian Groove," contacted Gershon and eventually arranged an invitation for the E/O to play at the Ethiopian Music Festival in Addis Ababa in 2004. Along with Indo-British singer Susheela Raman the same year, the E/O was the first non-Ethiopian artist to appear in the festival, and was the first US big band to appear in Ethiopia since Duke Ellington's in 1973. Their concert at the festival was recorded and ultimately appeared in Falceto's Ethiopiques series on the French Buda Musique label. Five Ethiopian guests appear on the recording: Mulatu Astatke, Getachew Mekurya, Tsedenia Markos, Bahta Hewet and Michael Belayneh. This tour and recording have led to an ongoing collaboration with Astatke, the primary founder of Ethiopian jazz, along with concerts with the great Ethiopian singer Mahmoud Ahmed and with Ethiopian expatriates singer Hana Shenkute, krar player Minale Dagnew and masinko player Setegn Atanaw.
[edit] Discography
Dial "E" for Either/Orchestra (Accurate Records, 1987)
Radium (Accurate Records, 1988)
The Half-Life of Desire (Accurate Records, 1990)
The Calculus of Pleasure (Accurate Records, 1992)
The Brunt (Accurate Records, 1994)
Across the Omniverse (Accurate Records, 1996)
More Beautiful than Death (Accurate Records, 2000)
Afro-Cubism (Accurate Records, 2002)
Neo-Modernism (Accurate Records, 2004)
Live in Addis (Buda Musique, 2005)
