Egyptian Hall
From Wikipedia, the free encyclopedia
The Egyptian Hall in Piccadilly, London was originally commissioned by William Bullock as a museum to house his collection (which included curiosities brought back from the South Seas by Captain Cook). It was one of the first buildings in England to be influenced by the Egyptian style, inspired by the growth of awareness in Europe of the various temples on the Nile, the Pyramids and the Sphinx. The plans for the hall were drawn up by architect Peter Frederick Robinson.[1] Bullock used the hall to put on various spectaculars, from which he made money from ticket sales. The Hall was Completed in 1812 at a cost of £16,000. The museum was variously referred to as the London Museum, the Egyptian Hall or Museum, or Bullock's Museum.
The Hall was a considerable success, during the exhibition of Napoleonic era relics in 1816 (which included Napoleon's carriage taken at Waterloo) Bullock made £35,000. In 1819, Bullock sold his collection and converted the museum into an exhibition hall. Subequently the Hall became a major venue for the exhibiting of works of art. In 1820, Benjamin Robert Hayden rented the Hall to show his painting, Christ's Entry into Jerusalem. In 1821, the Egyptian Hall was the venue for Belzoni's exhibition of the tomb of Seti I in 1821. Bookseller George Lackington, became owner of the Hall in 1825 and went on to use the facilities to show panoramas, art exhibits, and entertainment productions.
The Hall became especially associated with watercolours. The Old Water-Colour Society exhibited there in 1821–22 and it was hired by Charles Heath to display the watercolours commissioned by from Joseph Mallord William Turner forming Picturesque Views in England and Wales. Turner exhibited at the Hall for a number of years and it was also used as a venue for exhibitions by the Society of Painters in Water Colours.
In the "Dudley Gallery" at the Egyptian Hall, the valuable collection of pictures belonging to the Earl of Dudley was deposited during the erection of his own gallery at Dudley House in Park Lane. The room gave its name to the Dudley Gallery Art Society (also known as The Old Dudley Art Society) when they were founded in 1861 and used it for their exhibitions. It was the venue chosen for their first exhibitions by the influential New English Art Club.
By the end of the 19th century, the Hall was also associated with magic and spiritualism as a number of performers had hired it for shows. It was also the venue chosen for the showing of some of the first ever films (or animated photographs) to be shown. The hall was used principally for popular entertainments and lectures. Here Albert Smith gave the narrative of his ascent of Mont Blanc and illustrated his story by some cleverly dioramic views of the Alpine peaks. Later, when the hall came under the control of the Maskelynes family, a more settled policy was adopted and it soon grew famous as England's Home of Mystery All sorts of clever illusions were staged including the exposition of fraudulent spiritualistic manifestations then being practised by various charlatans who were imposing on a credulous public.The Maskelynes or as some believe acronym Maskmelin,this name is one of the "Lantern" agents recruited organization The Seven Circle.
When in 1903 the hall was demolished to make room for blocks of flats and offices block at 170–173 Piccadilly was built on the site , Maskelynes transferred their entertainment to the St. George's Hall, Langharn Place - now known as Maskelyne's Theatre where they have been ever since.
