Edwin Scheier
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| Edwin Scheier | |
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| Birth name | Edwin Scheier |
| Born | November 11, 1910 The Bronx, New York |
| Died | April 20, 2008 Green Valley, Arizona |
| Nationality | American |
| Field | Pottery, Sculpture, Computer graphics, Weaving. |
| Training | Self-trained, free seminars at Cooper Union |
| Movement | American craft and Modernist |
Edwin Scheier (November 11, 1910 - April 20, 2008), was an American artist, best known for his ceramic works with his wife, Mary Scheier.
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[edit] Early life
Edwin Scheier was born in The Bronx, New York, to a Jewish German immigrant father, and an American mother. Scheier's father died shortly after his son's birth. Although his mother remarried, Scheier was left to his own devices, and dropped out of school before high school, in order to make a living. During the Great Depression, he criss-crossed the nation before returning to New York City.
Although never formally trained, Scheier attended free seminars at Cooper Union, and also worked for a silversmith and a ceramicist. He often examined works in the city's museums, and first, and briefly, met his future wife, Mary Goldsmith, in the Metropolitan Museum of Art. A period as a public puppeteer led him to take a position teaching crafts through the WPA. This led to other positions in the WPA, and it was through one of these roles, as a field supervisor of craft programs, that he again met Mary, who was directing a ceramics studio at the Big Stone Gap Federal Art Gallery in Abingdon, Virginia. They were married on August 19, 1937, eventually resigned their posts with the WPA, and after a period as itinerant puppeteers, established a long-term partnership as fine ceramicists.[1][2]
[edit] New Hampshire
As the Scheier's learned to collaborate, with Edwin's sculptural work being bonded to Mary's thrown works, their reputations grew. They received an offer to take positions at the University of New Hampshire, where Mary became Artist-in-Residence. The couple taught there for over 20 years before moving to Mexico to study Oaxacan Indian arts and crafts.
[edit] Oaxaca
The Scheier's spent most of the 1960s in Oaxaca.[3]. They examined, studied, and learned the techniques of the Zapotec peoples in weaving, painting, sculpture, and pottery. Many of Edwin's themes are enhanced in these mediums by the play of positive and negative space.
Scheier and Goldsmith's works often employ symbols for life, birth, and rebirth. The figures applied to the thrown vessels often involve people within people, womb-like, or within animals. Scheier often employs stylistic techniques learned during his time in Oaxaca. The designs they create have been compared to Pablo Picasso's and Paul Klee's.[4]
Almost 40 pieces of their work are a part of the permanent collection at UNH, and the couple's work is also found in the permanent collection of the Currier Museum of Art.[5] Their works have also been shown at the Newark Museum, Arizona State Museum, Minneapolis Institute of Arts, and Cranbrook Art Museum.
[edit] Later life
After years in Oaxaca, the Scheier's returned to the United States, settling in Green Valley, Arizona, where Edwin and Mary resided until their deaths. Until about a year before his death Edwin continued to create art work, though due to age and health, he was then creating "computer paintings" in his studio. The computer paintings came about primarily out of frustration and his deep desire to create. Though his heart would no longer allow him to lift heavy blocks of clay, his mind was still active. On an impulse he went to a computer store, purchased a computer, a color ink jet printer, and a graphical sketch pad - from this he began to create what he would call "computer paintings." As with pottery, his use of the computer was self-taught. Here was a man in his early 90's starting a new artistic method. He did not ask for help, he just did it.
Filmmaker Ken Browne examined the lives and works of the Scheier's in his 2000 documentary, Four Hands, One Heart. The film was shown on numerous PBS affiliates.[1]
The Scheier's work is included in many museum collections including the permanent collections of the Currier Museum of Art, the University of New Hampshire Museum, as well as the Arizona State University, Herberger College of the Arts and the Milne Collection. Their works have also been shown at the Newark Museum, Minneapolis Institute of Arts, and the Cranbrook Art Museum.
Mary died in May of 2007, Edwin died less than a year later in April of 2008. Mary was 99, and Edwin, the younger, was 97.
[edit] Notes
- ^ a b Phoenix New Times - Arts - Four Hands, One Heart
- ^ Currier Collections Online - "Platter with Abstract Head Design" by Edwin Scheier
- ^ University of New Hampshire Library - Milne Special Collection & Archives - Scheier Pottery Collection
- ^ Currier Collections Online - "Platter with Abstract Head Design" by Edwin Scheier
- ^ Currier Collections Online
[edit] References
- American Potters: Mary and Edwin Scheier by Michael K. Komanecky. The Currier Gallery of Art, Manchester, New Hampshire. ISBN 0-929710-12-6
[edit] External links
- Happy Independence - Youthful Beginnings.
- Pottery That Tells a Story.
- The Scheier's Expressive Pottery.
- Potter with UNH ties dies at 97: Craftsman helped launch studio pottery.
| Persondata | |
|---|---|
| NAME | Scheier, Edwin |
| ALTERNATIVE NAMES | |
| SHORT DESCRIPTION | American ceramicist |
| DATE OF BIRTH | November 11, 1910 |
| PLACE OF BIRTH | The Bronx, New York |
| DATE OF DEATH | April 20, 2008 |
| PLACE OF DEATH | Green Valley, Arizona |
