Eduardo Machado

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Eduardo Machado

Born Eduardo Oscar Machado
1953
Havana, Cuba
Occupation playwright, theatre director, actor, teacher
Nationality Cuban
Writing period Contemporary
Notable work(s) Broken Eggs, Havana is Waiting, and The Cook
Notable award(s) Rockefeller Foundation Playwriting Award (1985)
Spouse(s) Harriett Bradlin (separated)
Influences

Eduardo Oscar Machado (born 1953 is a Cuban playwright living in the United States. Notable plays include Broken Eggs and Havana is Waiting and The Cook. Many of his plays are autobiographical or deal with Cuba in some way.[1] Machado teaches playwriting at New York University. He has served as the Artistic Director of the INTAR Theatre in New York City since 2004.[2] He is openly gay.[1]

Contents

[edit] Biography

Eduardo Machado was born in in Havana, Cuba in 1953. He is the son of Othon (an accountant who died in 2007) and Gilda (Hernandez) Machado. He and his brother Jesus emigrated to the United States without his parents at age eight in 1961 as part of Operation Pedro Pan, which brought Cuban children to the United States in the early part of Fidel Castro's rule in Cuba. He lived with his aunt, uncle, and cousins in Hialeah, Florida until his parents were able to emigrate to California. He is still a Cuban citizen, and has held a U.S. green card since he emigrated.[3]

Machado started acting professionally in California at 17 and became a member of the Screen Actors Guild at 20. He studied acting in Van Nuys, CA with David Alexander.[4][3] He started writing plays under the tutelage of María Irene Fornés in 1980,[1][4] and moved to New York City in 1981.[3]

Machado was married to Harriett Bradlin when he was 19 years old an she was forty they were separated in the mid eighties but never divorced, she died in 2007. He is now openly gay. Machado first returned to Cuba in 1999 and has returned to Cuba several times since then.[1][4] He has taught playwriting at Columbia University where he was the head of the graduate playwriting program, and now teaches at New York University.

[edit] Works

[edit] Plays

  • Rosario And The Gypsies, Produced at The Ensemble Studio Theater, NY, 1982
  • They Still Mambo In The Streets Of Rio, Produced at The Ensemble Studio Theater, Los Angeles, CA, 1982
  • The Modern Ladies Of Guanabaco, Produced at The Ensemble Studio Theater, NY, 1983. Repertorio Espanol, NY, 1987. The Mark Taper Forum Los Angeles, CA, 1994
  • Broken Eggs, Produced at The Ensemble Studio Theater, NY, 1984, Repertorio Espanol, NY, 1988, 1998. Theater Four Dallas, TX, 1986. Wisdom Bridge Theater Chicago, IL, 1990. The Mark Taper Forum, Los Angeles, CA, 1994. Toured through out Cuba, 1997. And many other theaters.
  • Fabiola, Produced at Theater For A New City, NY, 1986. Ensemble Studio Theater Los Angeles, CA, 1986. Yale Cabaret, CN, 1993. The Mark Taper Forum, Los Angeles, CA, 1994.
  • When It’s Over, Produced at The Long Wharf Theater, CN, 1987.
  • Why To Refuse, Produced at Theater For A New City, NY, 1987.
  • Once Removed, The New Mexico Rep., NM, 1987. The Magic Theater, San Francisco, CA, 1990. The Playwrights Collective, NY, 1997. The Long Wharf Theater, CN, 1993. The Coconut Grove Playhouse, 2003.
  • A Burning Beach, The American Place Theater, NY, 1988. Los Angeles Theater Center, CA, 1989.
  • Don Juan In N.Y.C., Theater For A New City, NY, 1988.
  • Wish You Were Here, Duo Theater, NY, 1987.
  • The Day You’ll Love Me (translation, adaptation.) The Mark Taper Forum, Los Angeles, CA, 1989. The Hampstead Theater Club, London, 1991.
  • Stevie Wants To Play The Blues, Los Angeles Theater Center, CA, 1990. Williamstown Theater Festival, Massachusetts, 1997.
  • Related Retreats, Theater For A New City, NY, 1990.
  • In The Eye Of The Hurricane, The Actors Theater of Louisville, KY, 1991. The Mark Taper Forum, Los Angeles, CA, 1994.
  • Across A Crowded Room, Manhattan Theater Club (Workshop), NY, 1996.
  • Breathing It In, Downtown Art Co. NY, 1995.
  • Closet Games, Magic Theater, San Francisco, 1995.
  • Three Ways To Go Blind, Playwrights Collective, NY, 1995.
  • Between The Sheets, Playwrights Collective, NY, 1997.
  • Kissing Fidel, INTAR,New York City,2005. The Public Theater (workshop), NY, 1997.
  • Cuba And The Night, Theater For A New City, NY, 1998.
  • The Day You Left Me, Windancer Productions, (workshop 1998).
  • Crocodile Eyes, Theater For A New City, NY, 1998. Teatro Iberico, Portugal. Columbia University, 2004.
  • Havana Is Waiting (Formerly When The Sea Drowns In Sand.) Actors Theater Of Louisville, KY, 2000. The Cherry Lane Theater, NY, 2001. The Cincinnati Playhouse In The Park 2002.
  • The Cook, INTAR New York, Jan 2003. Hartford Stage, Feb., 2005. The Goodman Theatre, 2007. Seattle Rep, 2007.
  • That Tuesday. Actors Studio, 2003.
  • The Flag, 2001.
  • Rich Women, 2004.
  • Sacred Rhythms, 2005.
  • Poet Matador, 2004.
  • Celia’s Funeral (wrote with Carmelita Tropicana), 2004.
  • The Conductor, 2004.
  • Naked Angels
  • Secret Tapes, 2004.
  • In Old Havana, 2004.
  • My Sister, Mark Taper Forum, 2004.
  • Paula, 2006.
  • Crossing The Border, one act, 2006.
  • She Could Not Weep, 2007.
  • That Night In Hialeah, 2008.
  • Embroidering, 1979.
  • Fiancés, 1989.
  • See Emma Run, 1982.
  • Because of the Stars, 1983 (lost).
  • The Last time I loved Lucy, 1991 (lost).
  • The Spanish Lesson, 1987. Lincoln Center (directors Lab.)
  • When It’s Cocktail Time In Cuba, 1991.
  • The Perfect Light, 1985.
  • Cabaret Bambu, 1989. Workshop. West Beth, INTAR theatre.
  • Resident Alien, Commissioned by Repertorio Espanol.
  • Finding Your Way, 1985.
  • How I Found My Way Back To Rosario, 1993.

[edit] Films

[edit] Television

  • Jubans, pilot, CBS, 1985
  • Home Free, movie, CBS, 1987
  • Her Name Was Lupe, HBO, 1988
  • China Rios, HBO,1989


[edit] Books

Tastes Like Cuba: An Exile's Hunger For Home. co-written with Michael Domitrovich. New York: Gotham Press, 2007. ISBN 1592403212.

[edit] Teaching

  • New York University, 2007-
  • Columbia University, Head of Playwritting 1995-2007
  • Columbia University, Adjunct Playwritng professor, 1991-1995
  • New York University, Adjunct Playwriting professor,1991-1994
  • Sarah Lawrence College, Adjunct Playwriting professor, 1991-1993

[edit] Courses Taught

  • Playwriting, The New York Public Theater, NY, 1996-1998
  • Playwriting, Minneapolis Playwriting Center, 1996
  • Playwriting, Mark Taper Forum, Los Angeles, 1993-1995
  • Playwriting, Dream Yard Drama Project For Teenagers, Harlem NY, 1996-1999

[edit] Grants and Awards

  • Two-time nominee for Best American Play by the Association of American Theater Critics, 2001, 1997.
  • Berrilla Kerr Grant, 2001, for contribution to American Theater.
  • National Endowment For The Arts and Theater Communications Group Playwright’s In Residence Fellowship at Theater For a New City, 1999.
  • Drama Logue Award, Best Play, 1991, 1994
  • L.A. Weekley Award, 1990, 1993, 1994
  • Theater Communications Group and Pew Charitable Trusts National Theater Artists Residency *Playwrights In Residence, Mark Taper Forum, Los Angeles, CA, 1993
  • Viva Los Artists Award from the city of Los Angeles, 1993
  • Ford Foundation Grant, 1993
  • Rockefeller Foundation Playwriting Award, 1985
  • National Endowment For the Arts Playwriting Grant, 1981, 1983, 1986.
  • National Endowment For The Humanities Youth Grant, 1978

[edit] Boards and Artistic Associations

  • Artistic Director, INTAR New York, 2004 to present.
  • Co-artistic Director, Cherry Lane Theater, NY. 1999-2002
  • Artistic Associate, The New York Public Theater, NY.1996-1998
  • Artistic Associate, The Mark Taper Forum, CA. 1992-1995
  • Artistic Associate, The Flea Theater, NY.1997-2000

[edit] Directing

[edit] Theater

Mr. Machado has directed numerous plays, including his own works and those of emerging writers. As a director, his work has appeared in numerous regional theaters including INTAR, Theater For a New City, The Ensemble Studio, The Mark Taper Forum, The Playwrights Collective, The Company Theater, The Cherry Lane Alternative, The Flea Theater, The Group Theater and the Inner City Cultural Center.

In 2008, he will direct Artfuckers a new play by Michael Domitrovich that explores the culture of celebrity in the contemporary art world. He also directed in play's 2007 premiere engagement at Theatre for the New City.

[edit] Film

Exiles In New York. Writer and director. The Santa Barbra Film Festival. The AFI film Festival. The Havana Film Festival. South by South West, The Saratoga Film Festival.

[edit] Acting

[edit] Theater

Mr. Machado has appeared across the country in plays by John Steppling, Maria Irene Fornes, Elmer Rice, Bertolt Brecht, Lorca, Rogelio Martinez and Nina Beeber among others. Mr. Machado has also appeared at INTAR, Theater For A New City, The Company Theater, The Padua Hills Playwrights Festival, The Magic Theater, The Bilingual Foundation For The Arts, The Playwrights Collective and The Workhouse Theater.

[edit] Television

He has also appeared in television programs including Maude, The Nancy Walker Show, All In The Family, The Dancing Bear (Visions K.C.E.T.), Mary Hartman and What’s Happening.

[edit] Film

The Champ, and Pollock directed by, Ed Harris.

[edit] Memberships

  • Theater For a New City, Board Member 1995-Present
  • Dramatists Guild, Council Member 1990-2005
  • New Dramatists 1983-1990, Board Member, 1990-1998
  • Theater Communications Group, Board Member,1994-1997


[edit] See also

Literature Portal

[edit] External Links

[edit] References

  1. ^ a b c d Navarro, Mireya. "Theater; A Return to Cuba, A Search for Himself." New York Times. 2001-10-21. Retrieved on 2007-10-15.
  2. ^ "Biography: Eduardo Machado." American Theatre Wing. February 2005. Retrieved on: October 15, 2007.
  3. ^ a b c Machado, Eduardo. "Untitled Speech at a ART/NY event at the American Airlines Theater." Speech delivered 2006-06-05. Reprinted on the Parabasis Blog 2006-06-07. Retrieved on 2007-10-16.
  4. ^ a b c Brennan, Carol. "Eduardo Machado: 1953—: Playwright." Hispanic Biographies Vol 2. Net Industries, 2007. Retrieved on 2007-10-15.