Talk:Earl Levine

From Wikipedia, the free encyclopedia

	This article is within the scope of WikiProject Biography. For more information, visit the project page.	Biography Portal
Stub	This article has been rated as Stub-Class on the project's quality scale. [FAQ]

This article has been automatically assessed as Stub-Class by WikiProject Biography because it uses a stub template. If you agree with the assessment, please remove {{WPBiography}}'s auto=yes parameter from this talk page. If you disagree with the assessment, please change it by editing the class parameter of the {{WPBiography}} template, removing {{WPBiography}}'s auto=yes parameter from this talk page, and removing the stub template from the article.

If you think you knew everything about audio watermarking in the later half of the 1990s, think again. From what we studied in my Audio Watermarking class, Earl Levine dealt with the subject in a unique way that forced a paradigm shift in the way that we think about, feel about, and look at audio watermarking.

At the time he was relatively unheralded in the general cryptology world, but in many ways his work was the completion of the long forgotten dream to accurately model not just optimized watermarking, not just the cryptology behind it, but the very structure on which all security and identification of songs depended.