Dorothy Arzner
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Dorothy Arzner | |
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Born | January 3, 1897 San Francisco, California USA |
Died | October 1, 1979 La Quinta, California USA |
Occupation | Film director |
Years active | 1922 - 1943 |
Dorothy Arzner (January 3, 1897 – October 1, 1979) was a pioneering American film director. Her directorial career in feature films spanned from the late 1920s into the early 1940s, a time period in which there were very few—if any—other women working in the field.
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[edit] Biography
Born in San Francisco, California, Arzner grew up in Los Angeles, where her father owned a restaurant frequented by many Hollywood celebrities. After finishing high school, she enrolled at the University of Southern California with hopes of becoming a doctor. During World War I, she left school to work overseas in the ambulance corps. By the time the war ended, she decided against returning to her medical studies and, after a visit to a movie studio, decided to pursue a career as a film director.
Through connections with director William C. DeMille, Dorothy got a job at Paramount Pictures. Starting out as a script writer, she was promoted to film editor within six months and quickly mastered the job. Her first assignment as an editor was in 1922 for the renowned classic Blood and Sand, starring Rudolph Valentino. She was soon receiving accolades for the high quality of her work.
Impressed by her technique, director James Cruze employed her as a writer and editor for several of his films. Arzner had achieved a great deal of clout through this, along with her work on over fifty other films at Paramount. She eventually threatened to move to rival Columbia Studios unless given a directorial position. Paramount conceded in 1927, putting her in charge of the film Fashions for Women, which became a financial success.[1]
However, Arzner faced significant hurdles to fully capitalize on her skills and talents. In addition to being a woman, she was a lesbian who was unwilling to disguise her sexuality (she often dressed in men's suits and ties, although always in a skirt rather than pants). Joan Crawford once said, "I think all my directors fell in love with me; I know Dorothy Arzner did!" Nonetheless, her innovative ideas and approach put her in high demand as a director.
Arzner directed Paramount's first talkie in 1929, The Wild Party, which starred Clara Bow. To allow Bow to move freely on the set, Arzner had technicians rig a microphone onto a fishing rod, essentially creating the first boom mike.[2] The Wild Party was a success with critics and performed well at the box office. The film, set in a women's college, introduced some of the apparent lesbian undertones and themes often cited in Arzner's work. Her films of the following three years were strong examples of Hollywood before the Production Code. These films featured aggressive, free-spirited and independent women.
She left Paramount in 1932 to begin work as an independent director for several of the studios. The projects she helmed during this period are her best known, with the films launching the careers of many actresses, most notably Katharine Hepburn, Rosalind Russell, and Lucille Ball. In 1936, Arzner became the first woman to join the newly formed Directors Guild of America. [3]
For unclear reasons, Arzner stopped directing feature-length films in 1943. She continued to work in the following years, directing television commercials and Army training films. She also produced plays and, in the 1960s and '70s, worked as a professor at the UCLA film school, teaching screenwriting and directing until her death in 1979.
Dorothy Arzner, who never married or had children, died at the age of 82 in La Quinta, California. She was linked romantically with a number of actresses, but lived much of her life with choreographer Marion Morgan. For her achievements in the field of motion pictures, Arzner was awarded a star on the Hollywood Walk of Fame at 1500 Vine Street. [4]
[edit] Filmography
[edit] Director
- First Comes Courage (1943)
- Dance, Girl, Dance (1940)
- The Bride Wore Red (1937)
- The Last of Mrs. Cheyney (1937) (uncredited)
- Craig's Wife (1936)
- Nana (1934)
- Christopher Strong (1933)
- Merrily We Go to Hell (1932)
- Working Girls (1931)
- Honor Among Lovers (1931)
- Anybody's Woman (1930)
- Paramount on Parade (1930)
- Sarah and Son (1930)
- Behind the Make-Up (1930) (uncredited)
- The Wild Party (1929)
- Manhattan Cocktail (1928) (lost, except for the montage sequence by Slavko Vorkapić)
- Get Your Man (1927)
- Ten Modern Commandments (1927)
- Fashions for Women (1927)
- Blood and Sand (1922) (additional footage) (uncredited)
[edit] See also
[edit] References
- ^ Theresa L. Geller. Dorothy Arzner. Great Directors. Senses of Cinema. Retrieved on 2007-04-20.
- ^ Dorothy Arzner Theresa L. Geller, Senses of Cinema, April 2003
- ^ Dorothy Arzner. UCLA Film & Television Archive. Retrieved on 2007-04-20.
- ^ http://www.imdb.com/name/nm0002188/awards. Retrieved on 2007-04-20.
[edit] External links
- Dorothy Arzner at the Internet Movie Database
- Dorothy Arzner bibliography via UC Berkeley Media Resources Center
- Dorothy Arzner at Find-A-Grave
Persondata | |
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NAME | Arzner, Dorothy |
ALTERNATIVE NAMES | |
SHORT DESCRIPTION | Film director |
DATE OF BIRTH | January 3, 1897 |
PLACE OF BIRTH | San Francisco, California United States |
DATE OF DEATH | October 1, 1979 |
PLACE OF DEATH | La Quinta, California United States |