Don Quichotte

From Wikipedia, the free encyclopedia

This article is about the opera by Jules Massenet. For other meanings, see Don Quixote (disambiguation).
Operas by Jules Massenet

La grand'tante (1867)
Don César de Bazan (1872)
Le roi de Lahore (1877)
Hérodiade (1881)
Manon (1884)
Le Cid (1885)
Esclarmonde (1889)
Le mage (1891)
Werther (1892)
Thaïs (1894)
Le portrait de Manon (1894)
La Navarraise (1894)
Sapho (1897)
Cendrillon (1899)
Grisélidis (1901)
Le jongleur de Notre-Dame (1902)
Chérubin (1903)
Ariane (1906)
Thérèse (1907)
Bacchus (1909)
Don Quichotte (1910)
Roma (1912)
Panurge (1913)
Cléopâtre (1914)
Amadis (1922)

v  d  e

Don Quichotte (Don Quixote) is an opera in five acts by Jules Massenet to a French libretto by Henri Cain, first performed in Monte Carlo on 19 February 1910.

Contents

[edit] History

Massenet's comédie-héroïque, like so many other versions of the story of Don Quixote, relates only indirectly to the great novel by Miguel de Cervantes Saavedra (1547-1616). The immediate inspiration was Le chevalier de la longue figure, a play by the poet Jacques Le Lorrain first performed in Paris in 1904. The role of Don Quichotte in Massenet's opera was one of Russian bass Feodor Chaliapin's most notable achievements.

In this version of the story, the heroine Dulcinée (Dulcinea), who never actually makes a physical appearance in the original novel, is a flirtatious local beauty inspiring one of the infatuated old man's exploits. Massenet identified strongly with the role and was in love with Lucy Arbell who sang Dulcinée at the first performance in 1910. He was then 67 and died just two years later.

[edit] Roles

Role Voice type Premiere Cast, February 19, 1910
(Conductor: - )
Dulcinée mezzo-soprano
Don Quichotte bass
Sancho Pança bass-baritone
Pedro soprano
Garcias soprano
Juan tenor
Rodriguez bass

[edit] Synopsis

[edit] Act 1

A square in front of Dulcinée's house

A festival is being celebrated. Four hopeful admirers of Dulcinée (contralto) serenade her from the street. Dulcinée appears and explains philosophically that being adored is not enough, 'Quand la femme a vingt ans' ('When a woman is twenty'). She withdraws and a crowd, largely of beggars, acclaim the arrival of the eccentric knight and his comic squire, Don Quichotte (bass) riding on his horse Rossinante and Sancho Panza (baritone) on a donkey. Delighted by their attention, Don Quichotte tells a reluctant Sancho to throw them money. After the crowd disperse, Don Quichotte himself serenades Dulcinée, 'Quand apparaissent les étoiles' ('When the stars begin to shine') but he is stopped by Juan, a jealous admirer of the local beauty. A sword fight follows, interrupted by Dulcinée herself. She is charmed by Don Quichotte's antique attentions, chides Juan for his jealousy and sends him away. The old man offers her his devotion and a castle. She suggests instead that he might retrieve a pearl necklace of hers stolen by Ténébrun, the bandit chief. He undertakes to do so, and Dulcinée quickly rejoins her men friends.

[edit] Act 2

In the countryside

A misty morning, Don Quichotte and Sancho enter with Rossinante and the donkey. Don Quichotte is composing a love poem. Sancho delivers a grand tirade against their expedition, against Dulcinée, and against women in general. 'Comment peut-on penser du bien de ces coquines' ('How can anyone think anything good of those hussies'). The mists disperse revealing a line of windmills that Don Quichotte takes for a group of giants. To Sancho's horror, Don Quichotte attacks the first one, only to be caught up in one of the sails and hoisted up in the air.

[edit] Act 3

In the mountains

Dusk, Don Quichotte believes they are getting close to the bandits. Sancho goes to sleep while Don Quichotte stands guard. The bandits suddenly appear and after a brief fight take the knight prisoner. Sancho escapes. Surprised by the defiance of the old man, the bandits give him a beating and intend to kill him, however Don Quichotte's prayer 'Seigneur, reçois mon âme, elle n'est pas méchante' ('Lord receive my soul, it is not evil') moves Ténébrun, the bandit chief, to mercy. Don Quichotte explains his mission 'Je suis le chevalier errant' ('I am the Knight-errant'), and the necklace is returned to him. The bandits ask for the blessing of the noble knight before he leaves.

[edit] Act 4

The garden of Dulcinée's House

Music and dancing, a party is in progress, but Dulcinée is melancholy, 'Lorsque le temps d'amour a fui' ('When the time of love has gone'). Rousing herself, she snatches a guitar and sings 'Ne pensons qu'au plaisir d'aimer' ('Think just of the pleasures of love'). All retire to dinner. Sancho and Don Quichotte arrive. While waiting for Dulcinée, Sancho asks for his reward to which Don Quichotte responds with vague promises of an island, a castle, riches. Dulcinée and her party greet the knight and he returns the necklace to universal acclaim. However when he asks her to marry him he is greeted with hysterical laughter. Taking pity, Dulcinée tells the others to leave, apologizes 'Oui, je souffre votre tristesse, et j'ai vraiment chagrin à vous désemparer' ('I share your sorrow and am truly sorry') but explains that her destiny, her way of life, is different from his. She kisses him on the forehead and leaves. But the company return to make fun of the old man. Sancho vigorously upbraids them, 'Riez, allez, riez du pauvre idéologue' ('Laugh, laugh at this poor idealist') and takes his master away.

[edit] Act 5

A mountain pass in an ancient forest

A clear starry night, Don Quichotte is dying. He remembers once promising Sancho an island as his reward, and offers him an isle of dreams, 'Prends cette île' ('Take that isle'). Nearing death, Don Quichotte looks up at a star shining brightly above and hears the voice of Dulcinée calling him to another world.

[This synopsis by Simon Holledge was first published on Opera japonica http://www.operajaponica.org and appears here by permission.]

[edit] References

Languages