Doña Bárbara
From Wikipedia, the free encyclopedia
| Doña Bárbara | |
 Original cover of the first edition of Doña Bárbara |
|
| Author | Rómulo Gallegos |
|---|---|
| Original title | Doña Bárbara |
| Country | Venezuela |
| Language | Spanish |
| Genre(s) | Novel |
| Publisher | Araluce |
| Publication date | August 11, 1929 (Eng. trans. 1931) |
| Media type | Print (Hardback & Paperback) |
| Pages | 395 |
| ISBN | NA |
- For films titled Doña Bárbara, see Doña Bárbara (film)
Doña Bárbara is a novel by Venezuelan author Rómulo Gallegos, first published in 1929. This regionalist novel deals with the confrontation between civilization and the barbaric aspects of the rural environment and its inhabitants. It is written in the third person and mixes vernacular language and regionalisms with literary narrative, making the main conflict more obvious and at the same time more tangible.
This novel is considered a masterpiece of Venezuelan literature and a classic in Latin American literature. It establishes a psychological study of the people of the Venezuelan plains:[1] victims of unfortunate situations, but at the same time strong and courageous.
Contents |
[edit] Historical context
In the 1920s, Venezuela was under the dictatorial regime of Juan Vicente Gómez. His rule remains controversial because though he brought wealth to the country, developed modern infrastructure and ended the era of caudillismo, that shattered for so many years the economic and social welfare of Venezuelans, he used his power to enrich himself and left the country immersed in a profound illiteracy and culture primitivism.
[edit] Plot summary
Santos Luzardo, a graduate lawyer of the Central University of Venezuela, returns to his father's land in the plains of Apure to sell them but desists on doing it when he discovers that the whole land extension is controlled by a despotic woman, Doña Bárbara, also known as the men's devourer; it is said that she uses seduction and pacts with demonic spirits to satisfy her whims and achieve power.
Santos Luzardo meets his cousin Lorenzo Barquero and discovers that he was a victim of the femme fatale, who left him with bankruptcy and a daughter, Marisela, whom she abandoned and who became quickly a vagrant. Lorenzo lives in poverty in a miserable house consumed by his own constant drunkenness.
Doña Bárbara falls in love with Santos Luzardo but he is charmed by Marisela, no longer living in abandonment and taken under Luzardo’s care.
The novel ends with the “defeat” of Doña Bárbara, who is not able to obtain neither the land nor Luzardo’s heart, and finally departs to an unknown location.
[edit] Characters
- Santos Luzardo: represents civilization and progress. He is an advanced plainsman and, at the same time, a graduate lawyer of the Central University of Venezuela. Luzardo is a man of great psychological depth and essentially good.
- Doña Bárbara: representing barbarism, is Luzardo's antithesis; she is arbitrary, violent, cunning and whimsical. However, in her there is not an absolute absence of feelings, which are intensely awakened by Santos Luzardo. Her contradictory manners reflect the wild behaviour of her environment. Her behaviour is a reaction to the trauma she suffered in her childhood, victim of high levels of abuse.
- Marisela: represents good raw material that civilization can mold. Born from a loveless union she is rescued from a degraded condition by Santos Luzardo.
- Lorenzo Barquero: Orphan whose future was destroyed by misfortune and vice.
- Míster Danger: represents the contempt of the foreigners toward Venezuelans. He is Doña Bárbara's accomplice.
- Ño Pernalete: represents, in union with "Mujiquita" the country's political incompetence and decadence and at the same time the depressing society caused by political leaders.
- Juan Primito: represents superstition and the pagan beliefs of the plainsmen.
