Die Königin von Saba
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Die Königin von Saba (The Queen of Sheba) is an opera in four acts by Karl Goldmark. The German libretto was by Salomon Mosenthal based on Biblical texts.
Goldmark's interest in the subject of the Queen of Sheba was inspired by a pupil called Caroline Bettleheim, however after a long gestation, the eventual singer who created the role was the powerful dramatic mezzo Amalie Materna, also the first Kundry in Wagner's Parsifal and Brünnhilde in the first Bayreuth Ring.
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[edit] Performance history
The opera was first performed at the Hofoper (now the State Opera) in Vienna, on 10 March 1875.
[edit] Roles
Role | Voice type | Premiere Cast, March 10, 1875 (Conductor: - ) |
---|---|---|
Assad | tenor | Gustav Walter |
Astaroth | soprano | Hermine von Siegstädt |
Baal-Hanan | baritone | Theodor Lay |
High priest | bass | Viktor Hans von Rokitansky |
King Salomon | baritone | Johann Nepomuk Beck |
Queen of Sheba | mezzo-soprano | Amalie Materna |
Sulamith | soprano | Marie Wilt |
Guardian of the temple | bass | Viktor Hans von Rokitansky |
[edit] Synopsis
Set in Jerusalem and the desert, the opera relates to the Queen of Sheba and King Solomon, the main story is a love triangle between the Queen, Assad, Salomon's ambassador, and Sulamith, who is about to be married to Assad.
[edit] Sources
- Amadeus Almanac
- Clayton, Alfred (1992), 'Königin von Saba, Die' in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) ISBN 0-333-73432-7