Diana Abu-Jaber

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Diana Abu-Jaber is an author and a teacher at Portland State University. She was born in Syracuse, New York. Her father was Jordanian and her mother was American, descended from Irish and German roots. At the age of seven she moved with her family for two years to Jordan. She currently divides her time between Miami and Portland and teaches at Portland State University. She often writes about issues of identity and culture.


Contents

[edit] Education

[edit] Academic appointments

  • 1990 - Visiting Assistant Professor, English, Iowa State University
  • 1990-1995 - Assistant Professor, English, University of Oregon
  • 1996-present - Writer-in-Residence/Associate Professor, English Department, Portland State University

[edit] Awards

[edit] Bibliography

Fiction
  • Arabian Jazz (1993)
  • Crescent (2003)
  • Origin (2007)
Nonfiction/Memoir
  • The Language of Baklava (2005)

She has also authored many short stories, both fiction and nonfiction.

[edit] Critical studies

  • Steven Salaita, "Sand Niggers, Small Shops, and Uncle Sam: Cultural Negotiation in the Fiction of Joseph Geha and Diana Abu-Jaber," Criticism 43.4 (2001) 423-444. Muse.JHU link
  • Salwa Essayah Chérif, "Arab American Literature: Gendered Memory in Abinader and Abu-Jaber," MELUS 28.4 (Winter 2003), pp. 207-228. Stable URL
  • Pauline Kaldas, "Beyond Stereotypes: Representational Dilemmas in Arabian Jazz." MELUS 31.4 (2006), 167-186.
  • Carol Fadda-Conrey, "Arab American Literature in the Ethnic Borderland: Cultural Intersections in Diana Abu-Jaber's Crescent." MELUS 31.4 (2006), 187-206.
  • Robin E. Field, "A Prophet in Her Own Town: An Interview with Diana Abu-Jaber." MELUS 31.4 (2006), 207-225.
  • Lorraine Mercer, "Counter Narratives: Cooking Up Stories of Love and Loss in Naomi Shihab Nye's Poetry and Diana Abu-Jaber's Crescent" MELUS2007 Winter; 32 (4): 33-46.
  • Andrea Shalal-Esa, "Diana Abu-Jaber: The Only Response to Silencing...Is to Keep Speaking" Aljadid: A Review & Record of Arab Culture and Arts, 2002 Spring; 8 (39): 4-6.
  • Andrea Shalal-Esa, "Arab-American Writers Identify with Communities of Color" Aljadid: A Review & Record of Arab Culture and Arts 2003 Winter-Spring; 9 (42-43): 24-26.
  • Brinda Mehta, Rituals of Memory in Contemporary Arab Women's Writing Syracuse, NY: Syracuse UP; 2007.
  • Michelle Hartman, "'This Sweet/Sweet Music': Jazz, Sam Cooke, and Reading Arab American Literary Identities" MELUS 2006 Winter; 31 (4): 145-65.

[edit] External links